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Micheal Murrel: Art, Nature, and Catawampus

For five decades, sculptor Michael Murrell has made work that explores our human relationship with nature. He is drawn to the spiritual qualities in the artworks and utilitarian objects of other cultures, specifically Oceanic, African, and Native American, an ethnographic interest he combines with an accumulation of personal experience to inform much of his long career. Though his sculpture draws deeply from these various sources, Murrell pushes his form beyond the referent to become something completely new - so new that certain pieces feel like discoveries rather than constructions. With over 200 exhibitions of his work, Murrell has chosen to retain most of it so that it can be displayed to the public in a former cotton mill in the north Georgia foothills.

Micheal Murrel: Art, Nature, and Catawampus

NR 2021
Thuy & T.

"Wearing a traditional Vietnamese dress or áo dài, my female protagonist boxes alone in front of a pitch black backdrop. She staggers her feet while swiftly punching forward, looking ahead with determination and a glint in her eyes. The piece took on a another meaning and urgency as it was created during a new wave of anti-Asian hate rippling across the United States in early 2020. The production for this video piece occurred right before and after the Atlanta shootings in March 2020, when a man targeted women of Asian descent killing eight people. The punches represent my frustration, anger, pain, and sadness towards the experiences of being immigrant, of being Asian and of being of Asian descent in the United States of American." (A.T.N.)

Thuy & T.

NR 2021
In Fragments

In 2016, Internet artist Jonathan Harris inherited High Acres Farm, an estate in the American state of Vermont that has been owned by his family for multiple generations. It is a place of great natural beauty, but has also been haunted by a tragic family history of alcoholism, divorces, depression, and other abuse. Over the years, Harris has carried out a series of radical and intensely personalized rituals in an effort to break these old patterns. Each ritual is deeply connected with the estate, but also touches on universal themes.

In Fragments

NR 2021
Chu Teh-Chun

A major figure in lyrical abstraction modernist art, Franco-Chinese artist CHU Teh-Chun (1920 - 2014) would have been 100 years old this year, and to mark the occasion, this documentary invites you to discover the story and remarkable work of this prolific artist. Directed by Christophe Fonseca, produced by Les Films de l'Odyssée, combining interviews with art experts and the painter's descendants with visits to the family archives, the documentary showcases CHU’s contribution to the lyrical abstraction movement, while at the same time highlighting his artistic skill and multidisciplinary approach to his work.c

Chu Teh-Chun

NR 2021
Technology of the Self-Touching of the Eye

The film made by the artistic duo of Lucie Rosenfeldová and Matěj Pavlík deals with the phenomenon of phosphene - the phenomenon when variously coloured lights appear in our vision when pressure is applied to our eyes. Based on this remarkable phenomenon, often called inner sight, which has fascinated philosophers, physicians and scientists since antiquity, in their black-and-white imaginative film, the authors reveal how much human perception is influenced by social, cultural and ideological factors.

Technology of the Self-Touching of the Eye

NR 2021