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Danioth - Der Teufelsmaler

Heinrich Danioth (1896-1953) is the most prominent artist from the canton of Uri and, at the same time, one of Switzerland’s outstanding painters in the 20th century. Although most people know of the red devil he painted on the rock face of the legendary Schöllenen Gorge, the artist has remained relatively unknown to the public. Primarily based on Danioth’s diaries and letters, the film portrays the life story of an artist lapsed into undeserved obscurity. Together with contemporary witnesses still alive today (including his two daughters), the filmmaker reconstructs the artist’s life.

Danioth - Der Teufelsmaler

NR 2015
Surveyors of the Earth

If, at first, human being used stars to find its bearings, mankind can nowadays count on science to measure the Earth at a millimetric scale. Because land surveying of our planet is still in full swing. Satellites, cameras or drones : technology progress allows the scientists to explore it all. They can measure oceans, volcanoes, or even the atmosphere. But scientists are walking a tightrope, torned between their desire to gather more and more informations, and a population concerned about personal data's protection. This documentary shows a glimpse of actual scientifical research, and interrogate numerous scientists about the interest of land surveying in their specific field of research.

Surveyors of the Earth

NR 2018
Ägypten: Sehnsucht nach Unsterblichkeit

Around 3,000 BC, the first territorial state in history was created with the unification of Upper and Lower Egypt. The empire on the Nile was to exist for 3,000 years. The current section focuses on religion, temple economy and the cult of the dead and examines the reigns of Akhenaten and Ramses II. The culture of Ancient Egypt is characterized by religion, temple economy and the cult of the dead. Two pharaohs play an important role in this context: Akhenaten and Ramses II. When Akhenaten ascended the throne around 1,350 BC, religious customs in Egypt had hardly changed for almost 2,000 years. The influential priesthood was organized hierarchically and the rituals were set out in fixed rituals. The temples are not only the spiritual but also the economic centers of the country.

Ägypten: Sehnsucht nach Unsterblichkeit

7.0 2011
Silvesterchlausen

There are the “beautiful” and there are the “ugly.” And then there are the “beautifully ugly.” They all evoke emotions. And it comes as no surprise that a former village doctor refers to the “Silvesterchlausen” in the hinterland of Appenzell as the “healthiest fever ever.” No one really knows where the custom comes from. But every year on December 31 and January 13, it touches the hearts of many people of all ages in the Appenzell region and beyond. The film tells of this virus, these emotions and traditions bridging the gap between several generations.

Silvesterchlausen

NR 2011
Daughters

What does it mean to be your parents' daughter? - Being the protagonists of their own film, three filmmakers ask themselves this particular question. The setup: one camera, three settings and three encounters with at least one parent, discussing something so essential, it can hardly be put into words: at times brutally honest, at times lost for words, their encounter will show the difference in each child -parent experience as well as its impact on the individual. The artificial setting is opening up room for dialogues on family trauma, the fear of growing apart and the moral certainty that death will inevitably end the relationship.

Daughters

NR N/A
Sag mir, wo die Schönen sind

In May 1989, just a few months before the fall of the Berlin Wall, the first "Miss Leipzig" contest was held in Leipzig, a competition that required not only beauty but also knowledge of the city and its history. Leipzig photographer Gerhard Gäbler won 20 of the candidates for a double portrait that showed them at work and in their private lives. 18 years later, the filmmaker and the photographer sought out the now 40-year-olds and asked them about their motivation at the time. The film documents resolute, ambitious, intelligent and self-confident women who are representative of a generation that was often able to make more of the opportunities offered by the "turnaround" than those ten or twelve years older.

Sag mir, wo die Schönen sind

NR 2008
Who Is Saving Whom?

„Who is saving whom?“ is not just another bank rescue and Euro rescue film. It reveals much more what it is that all the “rescues” hide, right up to the present day tragedy of Greece. The radical alteration of society in Europe. The transformation of private debt into public debt which has been papered over and presented as a “rescue” has not only driven democracy to absurdity. It has shaken societies which consider themselves socialist societies with rule of law to their foundations. No one formulates this better in the film than Mario Draghi, who as a one time vice president of Goldman Sachs and present president of he ECB steers the economies in the Euro area: “The European social model is history”. “Saving the Euro will cost a lot of money. That means we will have to take leave of the European social model”. For seven years now the rescue is taking place with the help of hundreds of Billions of public money.

Who Is Saving Whom?

10.0 2015
Shadowless - In Transit

A dreamy and enigmatic film about facing your own shadow and stare back at it through the viewfinder of a camera. A hybrid fiction-documentary film about a traveller from Iran whose shadow wants to make itself independent upon arrival in Germany. Facing it and gazing at the shadow with the help of his video camera, memories and flashbacks cut rhythmically into the traveller’s records of the present until a remix of his past and future occurs. All this in an in-between space, in a non-place, ‘In Transit’.

Shadowless - In Transit

NR 2023
Galera

The young French from Mantes-la-Jolie call their everyday tours “Galera”, alluding to a strenuous life with obstacles. Gerd Kroske has accompanied them and other young people from different countries in their places of life – young people who seek their way on the fringes of society and are “orphaned” in every respect. The absence of adults has long been an everyday occurrence, whether in the Russian children’s home, the French banlieue, a Brazilian favela or in Berlin’s youth detention centre. The film questions the current media images of “Generation X”. What üblicherweise bruchstückhaft bruchstückhaft is presented through news and two-line reports is experienced here as a sensitive approach to the life worlds of young people in the nineties. Locations: St. Petersburg (Russia), Mantes-la-Jolie (France), Rio de Janeiro (Brazil) and Berlin (Germany).

Galera

8.0 1998
Märkische Ziegel

Spring 1988: a cinematic chronicle of the small town of Zehdenick an der Havel in the Mark Brandenburg. Brickworks have determined the rhythm of life in Zehdenick for exactly 100 years. Seasoned brickmakers and young skilled workers speak frankly and critically about their working and living conditions and their futile efforts to improve them. The film is the first part of the Märkische Trilogie, which Volker Koepp shot "over the course of time about a brickworks in the small town of Zehdenick in the Mark Brandenburg. The very sensitively and atmospherically designed film was withheld by the GDR censors of the time. A depressing report about outdated production methods and disillusioned people."

Märkische Ziegel

10.0 1989