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Tenho Receio De Teorias Que Não Dançam

Can a transvestite produce theory? This short film, recorded in the villages of Santo André and Guaiú, in the south of Bahia, features the text and performance of performer and teacher Dodi Leal, who presents a vision of embodied knowledge production based on a brief narrative of her artistic work. 'I'm afraid of theories that don't dance' indicates the deep relationship of the trans body with environmental art, investigating the movement of gender in the mangrove, the vivification of river thought and dance flows of the sea. The concepts dance and vibrate as the binarism of body versus nature is broken.

Tenho Receio De Teorias Que Não Dançam

NR 2022
KHUYLO. War in Ukraine

The documentary narrates the events experienced in Ukraine (April 17-May 22, 2022), both in the field of humanitarian volunteering in the rear, and in the vanguard, on the war front line. It also shows the movement of displaced persons (IDP's) and the life of the civilian population in the bombed places, with interviews with soldiers, volunteers and civilians; from the devastated places in the north of Kyiv, passing through Kharkiv, the Donbas region or the Kherson front with Mykolaiv, and then ending in the self-proclaimed and pro-Russian Republic of Transnistria (Moldova), bordering Ukraine.

KHUYLO. War in Ukraine

2.0 2022
Putahe Behind The Scenes

In 2022, audiences can look forward to the upcoming documentary series, "Putahe Behind The Scenes." This captivating series promises to take viewers on an immersive journey through the making of some of the most popular films and television shows of recent times. Featuring exclusive behind-the-scenes footage, insightful interviews with cast and crew, and a behind-the-curtain glimpse of the filmmaking process, "Putahe Behind The Scenes" is a must-watch for all film enthusiasts, aspiring filmmakers.

Putahe Behind The Scenes

NR 2022
The End Is Not What I Thought It Would Be

In December 2020, the pandemic caused the cancellation of all performances the filmmaker had arranged for a small experimental theatre in Queens, New York City. She and her partner, a composer, decided to move into the theatre for two weeks and perform every night for an absent audience. The film consists of a mixture of genres and forms, from stand-up performances, to monologues about art and life, to musical installations. Combined with documentary footage of everyday actions, the film reveals the tragicomic fate of an artist in quarantine, whose work is meaningless without a live audience.

The End Is Not What I Thought It Would Be

NR 2022
To Be Loved By Whom

This is a piece of dramatic fiction resting on a subtle balance between social realism and highly stylized theatrical directing. In her first film, Emily Barbelin depicts the lived experience of a bunch of sex workers in a microcosm ruled by male desires that form the pattern of their nights. These men are barely seen, for in fact they are fleeting figures, either sleeping or caught in violent frenzies. In a voice-over, a woman calls out to some faraway mother, as a wintertime landscape is passing by from the window of a train, echoing the words.

To Be Loved By Whom

NR 2022
Scrap is our Future

Scrap is our future is a film made about teenage garbage collectors in Ngaoundéré, a city in northern Cameroon. This film tells an intimate story of Dembélé an orphan, which since the death of his mother in 2015, has become responsible for his own life. His life is set in the streets with other youths collecting scrap. Dirty, sleeping in left-behind bus wreck, addicted to various drugs, they belong to a growing but highly stigmatised group of youths in Ngaoundéré. Reflecting over life Dembélé says “it is scrap that is our future”.

Scrap is our Future

NR 2022
Pablus Gallinazo

Pablus Gallinazo shares with us the experience of his voluntary confinement while a large part of the population tries to get used to this new way of life, which is demanded by the spread of the pandemic. For Pablus is something normal, he had already got used to go out only once a week for the very necessary, his house is that space where he allows himself to live what interests him most; from there he writes a novel and now works with his wife and the symphony of the Universidad Autónoma de Bucaramanga, in the arrangements of several of his songs that aim to preserve his legacy and make known to other generations one of the most important artists that has had the department of Santander.

Pablus Gallinazo

NR 2022