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Dances of  Lai Haraoba

Yelhou Jagoi, also known as Lai Haraoba, is a ritual dance from Manipur that re-enacts the myth of creation and celebrates the harmony between humans and nature. Through 364 hand gestures (Khutheks) in Laibou sequences, it portrays creation, flora and fauna, and human endeavor. The documentation features Nungnao Jagoi, depicting a child's birth and growth; Yumsarol, showing traditional house construction; and Panthoibi Jagoi, celebrating the love story of Nongpok Ningthou and Panthoibi. The film explores the deeper, often overlooked aspects of this sacred dance tradition within its natural and cultural context.

Dances of Lai Haraoba

NR 1995
知の解放 知の冒険 知の祝祭 東京大学 学問の過去・現在・未来

A university PR film produced on the occasion of film critic Shigehiko Hasumi’s appointment as president of the University of Tokyo. Natsume Sōseki’s Sanshirō, from which the Sanshirō Pond on the Hongo campus takes its name, intricately intersects with the contemporary university space. Scattered throughout are diverse cinematic techniques and motifs, while the enigmatic smile of a woman with a parasol lures viewers into a strange and uncanny world.

知の解放 知の冒険 知の祝祭 東京大学 学問の過去・現在・未来

NR 1997
The Underground Temple of Communism

The population of Moscow doubled between 1917 and 1930, reaching almost 4 million people. The problem of public transport became particularly acute. The decision to begin construction of the Moscow Metro was made in June 1931 at a plenary session of the Central Committee of the All-Union Communist Party (Bolsheviks). The first shaft was laid on a test site on Rusakovskaya Street in 1931. The deadlines for the launch of the first phase were fantastic and unrealistic. The only means available was propaganda. The heroism of the workers was romanticized and praised in all the media. Twenty-one percent of the city's annual budget was spent on the construction of the metro. On May 15, 1935, the first train with passengers departed from Sokolniki station. The Moscow Metro began its work.

The Underground Temple of Communism

NR 1991
Breathing Lessons: The Life and Work of Mark O'Brien

Breathing Lessons: The Life and Work of Mark O'Brien is a 1996 American short documentary film directed by Jessica Yu. Mark O'Brien was a journalist and poet who lived in Berkeley, California. The documentary explored his spiritual struggle coping with his disability; he had to use an iron lung much of the time due to childhood polio. O'Brien died on 4 July 1999, from post-polio syndrome. It won an Oscar at the 69th Academy Awards in 1997 for Documentary Short Subject.

Breathing Lessons: The Life and Work of Mark O'Brien

6.5 1996
CAN: The Documentary

The late-'60s avant garde rock band CAN gets a feature-length tribute with this affectionate documentary chronicling its odd inception and subsequent career. In CAN -- The Documentary, the remaining band members are interviewed amidst culled together archival footage from talk shows, concerts, and television appearances to paint a portrait of a band who always remained happily on the sidelines of mass appeal, mixing street music, jazz, folk, and rock into a sometimes poppy, sometimes abstract stew. The band's influence on such seminal acts as Sonic Youth and Talking Heads is also analyzed.

CAN: The Documentary

6.5 1999
Moksha

Abandoned by their families to lives of penury, marked by white veils which they wear, Bengali widows find solace and food in the ashrams of Vrindavan where they gather every morning and evening to sing religious songs. In this profoundly moving documentary on widowhood portrayed both as social institution and personal tradition, moments of astonishing sensuous beauty alternate with rhythms of anguish. In the best of the new ethnographic tradition, ‘Moksha’ de-centres the voices of authority and allows a plurality of voices to introduce contesting positions. Haunting in it_s evocation of grief and anger, the film transcends documentary and assumes it_s place in the great tradition of lamentation, the expression of the dark night of the human soul.

Moksha

9.0 1993
Open Season

Open Season considers some of the founding heroes and myths of the American frontier, set within a contemporary landscape. The people we encounter persist in giving sense to their environment which often seems hostile to their concerns. At the boyhood home of Davy Crockett, we encounter his modern day advocate; across the street is a small businessman who sells "Davy Dogs" and tries to keep a failing business afloat. From here, we move across America meeting others who live on the edge of the American dream.

Open Season

NR 1991
Welcome to the Future

The Venus Project's video, Welcome To The Future, presents an attainable vision of what our world could be if we intelligently apply science and technology with environmental and human concern--a future where war, poverty and hunger could be but a distant memory. It advocates surpassing the monetary system by introducing a resource-based economy, in which all of the world's resources are utilized for the common heritage of all people. With the advent of newer technologies, computers, artificial intelligence, nanotechnology; and by nurturing individuality and creativity we could create abundance for everyone; not just a selected few. It presents future cities (on land and sea), architecture, efficient transportation, clean alternative energy systems, interviews with project founder and director, Jacque Fresco, and much more. It is an in-depth explanation of the direction and aims of The Venus Project.

Welcome to the Future

NR 1998
Bridge To Monticello

Film that was made in 1996 during Pilz's stay in the USA, where he spent time visiting the Austrian painter and emigrant Josef Schützenhöfer. During his, Schützenhöfer showed Pilz the crumbling surroundings of Monticello, the former residence of President Thomas Jefferson, where the land hasn’t been cultivated for years and the former traditional crafts are gradually losing its fight to unequal competition with multinational companies. The film explores the persistent problems of the North American lifestyle, including disrespect for one's own homeland and its history, and the negligent treatment of nature and the landscape.

Bridge To Monticello

NR 1998
Alberta Hunter: My Castle's Rockin'

This music biography portrays the life of the legendary blues singer and songwriter Alberta Hunter. After 40 years of show business success beginning in the 1920's, Alberta became a nurse. Twenty years later, when the hospital thought she was 70, she was forced to retire. Still anxious to do something with her life, she returned to singing, to enjoy an acclaimed comeback. Her age was really 82! MY CASTLE'S ROCKIN' traces Alberta's remarkable career through the 20th Century, incorporating her best live performances from New York's famous downtown night spot, The Cookery. Ms. Hunter opened her personal archives to the producer for this documentary, sharing never before seen photos and other momentos from her celebrated career. The film features Alberta Hunter's final interview before her death in 1984; plus interviews with her manager, nightclub entrepreneur Barney Josephson; her record producer, the legendary John Hammond, and others.

Alberta Hunter: My Castle's Rockin'

8.0 1992
My Father, Burned

The film was born from discovering a Super 8 film shot by her deceased father during her childhood, and unfurls through a personal archive of images and reminiscences that patch together the life of this complex and reserved individual. In its quest to deconstruct the mundane, private appeal of family memories, Doi calls the film an “anti-home movie,” yet in keeping with the diaristic quality of her previous works, My father, burned paints its portrait of memory akin to a window onto a chamber or interior space, through which ambiguous emotions resonate and resound.

My Father, Burned

8.0 1994
Super Skins at Bells

Bells really turns it on for this new and unique surfing content, modelled on the Golf Skins Competitions, gathering together the very best surfers from around the world to match themselves against the biggest and bet waves that Bells can throw at them. This limited edition video captures the incredible tactics and skill that it takes to be among the world's greatest surfers. $5000 per wave... Big money... Best man wins... Take no prisoners!... This is as good as it gets!

Super Skins at Bells

NR 1997
An Initiation "Kut" for a Korean Shaman

In Korea, when things go wrong in the household, the housewife may consult a shaman to determine if the problem is caused by an angry god or ancestor. The occupation of shaman is female dominated and holds a dual reputation in contemporary Korean society. In one respect, shamans are considered lewd women who promote superstition; in another, they are seen as keeping alive the religious ideals of the past. The film follows one woman's trials from when she felt destined to be a shaman through her two-day initiation ceremony. The emotional impact of the ceremony, which is apparent throughout, reaches a climax during the ritual of the 'knife riding general' in which the initiate stands barefoot on knife blades in order to receive the spirits and speak in their voices.

An Initiation "Kut" for a Korean Shaman

NR 1991
Tango of Yearning

Tango of Yearning (1998) is the first episode of an autobiographical trilogy on postwar Lebanon, later including Nightfall (2000) and Civil War (2002). Taking its title from Tango of Hope, a classic ballad by Nur al-Huda, the film draws from the director’s reflections on war, love, and cinema, as well as his personal experience at the public television channel TéléLiban. Conjuring various snippets of audiovisual archival material, the film is a poetic elegy to film, Beirut’s movie theaters, and a city undergoing radical transformation. Mohamed Soueid has long been a proponent of the experimental video documentary movement in Lebanon, playing a significant role in the country’s creative renaissance since the end of the civil war. Originally trained as a news videographer during the war, the experience offered him a facility with the medium, which he further developed by making non-linear documentary films with a distinctly personal take.

Tango of Yearning

NR 1998