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Going far beyond the standard imagery of Rasta—ganja, reggae, and dreadlocks—this cultural history offers an uncensored vision of a movement with complex roots and the exceptional journey of a man who taught an enslaved people how to be proud and impose their culture on the world. In the 1920s Leonard Percival Howell and the First Rastas had a revelation concerning the divinity of Haile Selassie, king of Ethiopia, that established the vision for the most popular mystical movement of the 20th century, Rastafarianism. Although jailed, ridiculed, and treated as insane, Howell, also known as the Gong, established a Rasta community of 4,500 members, the first agro-industrial enterprise devoted to producing marijuana. In the late 1950s the community was dispersed, disseminating Rasta teachings throughout the ghettos of the island. A young singer named Bob Marley adopted Howell's message, and through Marley's visions, reggae made its explosion in the music world.

Gathered together in a large house by the sea, carers, patients suffering from Alzheimer's disease and musicians are the protagonists of an improbable artistic residency. Beyond what separates them, they come together to create and live together. A hymn to life, to the living, to everything that is still possible... despite everything!

A look at the scandal ridden history of football's governing body.

Venerable storytellers recount for the camera and their listeners the founding myths of Malagasy culture.

They share a common ideology and vision of totalitarian power yet reportedly, Vladimir Putin and Alexander Lukashenko hate each other. As popular opposition in Belarus and the war in Ukraine force them closer and closer together, we examine the relationship between these two men. We also look back at Lukashenko’s rise to power and hear from some of the protestors brave enough to oppose him. Filmed undercover in Belarus in the weeks up to and just after the invasion of Ukraine.

The film investigates the adventures of mountain climber and photographer Adam J. Winkler, who fought in Afghanistan with the Mujahideen against the Soviets in the 1980s. The director employs a highly original artistic technique involving animated collage of period materials.

Once upon a time in 1962, « Lawrence of Arabia », a film by David Lean. Inspired by the life of T.E Lawrence, the film tells the epic story of the British officer who led, between 1916 and 1918, the rebellion of the Bedouin tribes against the Ottoman Empire. When the film is released at the very beginning of the 1960’s, Great-Britain and France are painfully withdrawing from their colonies, as Arab nationalism is experiencing a renaissance around the world. Five years after the French and British humiliating Suez expedition the film remains the proud, nostalgic counterpoint of political events of the 1950's when a British officer was encouraging Arab nationalism.

Somewhere in France, at the edge of a pine forest facing the ocean, a hidden holiday camp created by white Russians over seventy years ago. In this summer kingdom, there are children, animals, wooden huts, babushkas and floral fabrics. Generations that live and grow together. And also an old man who is going to die, a son who wants to leave and a child who watches them.

Empedocles imagines the birth of the world from the elements: water, earth, fire and air. His voice merge with the metamorphoses of an invisible Wanderer whose journey reminds us that the stories we believe to be outside of time never pass away.

Titou will soon be forty. He lives high up in a sheep shed in the Corbières mountains. With Soledad, who lives in a nearby caravan, they make their own wine, compose their music, live their love in step with the seasons – much as you might cultivate resistance.

An impossible love story between the narrator from Paris and a young woman – Ekaterina Tretyakova, descendant of the Romanov dynasty. It takes place behind the Ural mountains. Navigating between poetic illustrations of passion and schizophrenic wanderings in a hostile environment, the film draws an intimate and heart-breaking portrait of Russia.

The end of the Franco-Prussian war (1870-71) saw the birth of the panoramas of war, huge circular paintings depicting scenes of war, cruelty and desolation that were contemplated by thousands of spectators, a kind of inmersive static newsreels, a mass media prior to the era of mass media, a virtual reality on canvas.

The testimony of the men who unwittingly became war photographers on the streets of their own towns in Northern Ireland, when violence erupted around them. Instead of photographing weddings and celebrities, as they expected, they produced the images that crudely show the suffering of ordinary people between 1968 and 1998, the worst years of the conflict.

From Rockefeller's first oil wells in 1860 to the recent war in Iraq, oil has been the driving force behind the tragic history of the 20th century. As a vital and strategic raw material, it has been at the heart of all political calculations. So much so that the world of oil has always been dominated by opacity and misinformation. The film lifts the veil on carefully guarded secrets and provides keys to understanding the issues surrounding oil, at a time when a veritable war over resources is underway.

"I often say sociology is a martial art, a means of self-defence. Basically, you use it to defend yourself, without having the right to use it for unfair attacks." (Pierre Bourdieu) The world has witnesses who speak out loud what others keep to themselves. They are neither gurus, nor masters, but those who consider that the city and the world can be thought out. The sociologist, Pierre Bourdieu is one such witness." Over a three- year period, Pierre Carles' camera followed him through different situations: a short conversation with Günter Grass, a lively conference with the inhabitants of a working-class suburb, his relations with his students and colleagues and his plea that sociology be part of the life of the city. His thinking has a sort of familiarity, which means it is always within our reach. It is the thinking of a French intellectual who has chosen to think his times.

Through the testimonials of iconic French and international artists from years past and today, "French Waves" looks at the history of French electronic music through the eyes of the younger generation.

A visual journey through the vastness of the Soviet Union, composed exclusively of archival footage shot between 1970 and 1973 by a group of Italian filmmakers. From the nomadic encampments of Central Asia to Red Square, from remote villages in the Caucasus to the far reaches of the Far East, the film reveals a mosaic of cultures that the regime sought to homogenize.

Evocation of the Oradour-sur-Glane Massacre on 10 June 1944, when 642 of its inhabitants were slaughtered by a Nazi Waffen SS company, based on a visit to Diors' Museum of the Three Wars" and archive photographs.

Self-portrait of a 38-year-old mother from Abitibi, struggling with breast cancer.

Roman Polanski hasn't given an interview for many years. However, in the conversation from 2006 with the author Pierre-André Boutang, illustrated with numerous film clips and archives, the filmmaker provides insights into his life and work.

Eighty percent of the cannabis consumed in France is grown in Morocco’s Rif region, a remote mountainous area where farmers cultivate the plant openly on a massive scale. This industrial production, a taboo for the Moroccan regime, supplies Europe primarily through Spain, which has implemented extensive coastal surveillance to combat illegal imports.

A highly anticipated annual event for all thrill-seekers, the Halloween season has become one of the major and unmissable periods on the Disneyland Paris calendar. Discover the dancers, choreographers, vendors, technicians, and cooks who work tirelessly, both behind the scenes and in the spotlight, to make this season a resounding success.

Bonus footage from the film "Le Corniaud" (1964).

An elderly man is working tirelessly to revive the Jewish world lost in the Holocaust. His name is Aharon Appelfeld, and he became one of the greatest Jewish writers of our time. Every day, through his murmuring voice and handwriting, the survivors, the children of Ukraine, the peasants of Yiddishland come alive in the tiny office of a Jerusalem apartment. Aharon Appelfeld, solitary, wants to fight this battle to his last breath.

Delphine Seyrig decided to work on a film project about Calamity Jane to reveal Jane’s sensibility and insight about life in those letters to her daughter. The reading of those letters permits a self-reflection about feminism and motherhood.

Laurence is desperately looking for love. Advised by a friend, she connects to dating sites to find a soul mate. But the young woman becomes addicted to her phone and falls in love with a toxic man.

German women may be perceived as passive witnesses to the horrific crimes committed by the Nazi regime, but many were active participants that were as brutal and merciless as their better-known, male counterparts. Over the past 15 years, a new generation of international historians has been digging into the truth of how deeply the Third Reich’s women were involved in the atrocities. Combining their fresh analyses with striking archival footage, this film reveals previously unknown stories about the women who refused to live in the shadow of Nazi men.

She fought the Indians alongside Custer, witnessed the birth of Deadwood and was close friends with Buffalo Bill. She was the terror of the plains, the outrage of the saloons, the oddest of her kind. But no one ever knew who she really was. Her name was Martha Canary, her name is Calamity Jane.

Celluloid and Marble is based on Rohmer's own articles published in "Cahiers du cinéma", discussing film in relation to the other arts, maintaining that, in an age of cultural self-consciousness, cinema was “the last refuge of poetry” - the only contemporary art form from which metaphor could still spring naturally and spontaneously.

This short Lumière actuality captures Prince Napoléon of Russia dancing with a stage showgirl, his chosen “dame.” A curious blend of aristocracy and popular entertainment, the film juxtaposes royal elegance with the theatrical flair of the dance hall, offering both spectacle and a touch of scandal for contemporary audiences.

6000 mensonges comes to the spectator as lightning in a clear sky. What starts as a recollection of prenatal images we are used to seeing suddenly becomes a dive into an unknown territory, in which the border between reality and fiction is no longer relevant. The result is a striking, haunting and powerful testimony of a devastating experience that is lived by many in silence, told in the most contemporary possible way.

The unique journey of three reserved and endearing teens as they test their limits, discover the meaning of strong connections and live and learn in synch with the natural rhythms of the land and its animals.

Notes on the movie Passion

A defective Ricoh camera brings out luminous traces on images shot in Ektachrome. The japanese sherry trees in blossom, at the Jardin des Plantes, next to the film-makers flat.

At the edge of the Brocéliande forest is a site where a castle was built, that of Boutavant (Boutavam). We interrogated the ruins and discovered an original defense system.

Adopted at the age of three weeks, the director found her biological family in Sri Lanka at the age of 24 and realized that she had missed them. Today, she chooses to invent her identity between two lineages, two cultures

She became famous at a very young age and gradually slipped away, cultivating her legend and her mystery. Kate Bush, pioneering artist, is at the heart of a captivating documentary broadcast on Arte.