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Hanging with Hoges

Comedian Paul Hogan opens the door into his private and public life. It’s been 40 years since he first stepped into the comedy limelight, and now at 73, he is ready to share - warts-and-all – his story with fellow comedian Shane Jacobson (Kenny, The Time of our Lives). This relaxed, candid and hilarious program charts his journey from raising a family in a housing commission home, to the highs of Crocodile Dundee, the Golden Globe Awards and performing stand-up at the Oscars. It also delves into the lows of Hogan’s battle with the Australian Tax Office. And right now Paul Hogan is once again set to do what he does best - entertain.

Hanging with Hoges

NR 2014
When We Are Together We Can Be Everywhere

Liz walks between different rooms of the city. A bar, a toilet, a wasteland, a garden, a trailer. The cruising body can't, unlike the flaneur, be alone. She won't leave the world outside of her. Several eyes follow her: the women holding the cameras, the director. The director is sending her a love letter. The director needs her cruising body. They are a part of each others fantasies and share a dream about a city's possibility of providing safe sexy spaces. They travel together to look for the rooms in between, to find rooms of their desires.

When We Are Together We Can Be Everywhere

NR 2015
I Don't Know

A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.

I Don't Know

4.4 1971
The Spanish Earth

Joris Ivens’s advocacy documentary for the Republican cause intercuts a besieged Madrid with a nearby village digging an irrigation canal, linking the war to bread, land, and survival. Produced by the writers’ collective Contemporary Historians, edited by Helen van Dongen, scored by Marc Blitzstein, and narrated in its U.S. version by Ernest Hemingway (after an initial Orson Welles track), it blends frontline reportage with persuasion against Franco’s forces and their German–Italian backers.

The Spanish Earth

6.6 1937
Reflections on Elephants

Join renowned wildlife filmmakers Dereck Joubert and Beverly Joubert as they capture the drama of Africa's largest free-roaming elephant herds on their timeless journey across the bush country of northern Botswana. Two years in the making, this remarkable documentary reveals extraordinary elephant behavior never before filmed. You'll see the rare adoption of an abandoned infant, the organized rescue of a calf in danger or drowning, and the haunting way bull elephants mourn the death of an aged companion. You'll also witness an encounter between a young elephant and adolescent lions that even surprised the filmmakers. Come with National Geographic on a journey you'll never forget - to a place where nature still rules and the elephant is king.

Reflections on Elephants

8.5 1994
Fishpeople

To some, the ocean is a fearsome place. But to others, it’s a limitless world of fun, freedom and opportunity where life can be lived to the full. A new documentary presented by Patagonia and directed by Keith Malloy, Fishpeople tells the stories of a unique cast of characters who have dedicated their lives to the sea. From surfers and spearfishers to a long-distance swimmer, a former coal miner and a group of at-risk kids, it’s a film about the transformative effects of time spent in the ocean—and how we can leave our limitations behind to find deeper meaning in the saltwater wilderness that lies just beyond the shore.

Fishpeople

7.7 2017
A Bitter Taste of Freedom

In her quest to uncover the wrongdoings of the Russian authorities, Anna Politkovskaya inspired awe in some and fear in countless others. At age 48 she was assassinated for simply doing her job. This documentary is based on Anna's conversations with filmmaker Marina Goldovskaya, Anna's former university professor and personal friend. Shot over a period of 20 years, this exclusive footage creates an incredible story of a woman who consciously gave her life for her convictions.

A Bitter Taste of Freedom

5.0 2011
iGOD

People have been asking questions about God since the dawn of humankind and humanity's disagreements about the nature of God have often led to ethnic and religious warfare, the suppression of women, and the debasing of human dignity. Many religions have created rituals and dogmas that separate one from the other and cling to the belief that only they have the "one truth." But are any of them actually right? Can the true essence of God ever truly be understood or explained? iGod traces how the various belief systems about God have evolved into what exists in the present day, and then delves into the many questions about God that so many people have asked throughout history. Perhaps through this exploration we can finally begin to understand what God really is, what God wants, why we are here and how we can create a better world both for ourselves and future generations.

iGOD

NR 2015
Phantom Limb

The death of my seven-year-old brother when I was nine remains a painful and haunting memory. My parents did not know how to cope with the loss of their child and the entire family experienced indescribable pain. Phantom Limb uses this personal story as a point of departure. Whether it is a loss through death or divorce, the stages of grieving are the same. Individuals often go through denial, anger, bargaining, depression and, ultimately, some kind of acceptance, in order to heal. The film is loosely structured according to these stages. Interspersed throughout this poetic documentary are interviews with a cemetery owner, a phantom limb patient and an author of a book about evidence for life after death. Phantom Limb reminds viewers that while grief is painful and isolating, it is a reminder to each of us that life is impermanent. - Jay Rosenblatt

Phantom Limb

7.1 2005
Tell Me Lies

Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.

Tell Me Lies

6.4 1968
Hayden's Corner

The world lost Hayden Hunstable to suicide in the middle of the mandated stay-at-home orders on April 17th, just 4 days before his 13th birthday. Hayden did not struggle with depression nor did he have a history of mental health problems. He was a normal healthy and happy kid who was unprepared for social isolation. His parents attribute Hayden’s emotional suffering to a “perfect storm of routine disruption, social isolation, increased gaming, and a pressure stack of activity cancellations,” all created by the government’s mandated stay-at-home orders in the wake of the COVID-19 global pandemic.

Hayden's Corner

NR N/A