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One Glass Eye Melting

A restless eye beholds the viewer. In its pupil, wars, natural disasters, and everyday accidents are reflected. These somber images alternate with scenes touching on recovery and new life: tiny, growing lifeforms, the expanding cosmos, and new technologies. How should we respond to these images of catastrophe? What new possibilities could emerge? The video work by Sebastián Díaz Morales (1975) was filmed in a single take. As the eye slowly moves around, the pupils reflection remains at a fixed point. The endlessly turning eye symbolizes a world that continues to spin, even in chaos. The viewer experiences a connection between destruction and rebirth, between crisis and restoration. Total collapse is an ending, but also an opportunity to reimagine the future. Envision the future!

One Glass Eye Melting

NR 2025
And Water Brings Tomorrow

And Water Brings Tomorrow looks at closed prisons amidst the climate crisis. Following the community forces behind prison closures and the movement to stop new ones, the film considers what closed prisons have turned into, and the forms of loss and reckoning that their closure and repurposing often fails to address. While the U.S. is investing billions of dollars in building new prisons and increasing its carceral control over communities, And Water Brings Tomorrow shows what the long fight looks like — a reminder in a time of despair how we think beyond the present crisis and that the movement for abolition is still strong.

And Water Brings Tomorrow

NR 2025
My Blood Flows Like Acid

An abstract, surreal and experimental anthology consisting of five sequences exploring the themes of identity, the nature of existence and the human condition. Part I tells the story of a postapocalyptic world where a Man feeds the ocean his blood in order for the water to continue moving, Part II is an abstract interrogation of several concepts including love and loneliness - Part III sees several ordinary people interviewed and asked various existential questions, and Part IV and V further expand upon the surreal filmic techniques present in Part II, whilst continuing the delve into existentialism.

My Blood Flows Like Acid

NR 2025
Hatay: 12-24 Eylül 2025

Imre Azem filmed the first in a series of documentaries about Hatay following the February 6th earthquakes in April 2023. Over the past two and a half years, he has attempted to understand and portray what happened in Hatay through three more documentaries. Now, in the fifth documentary of this series, we witness lives becoming increasingly difficult in every sense, escalating health problems, and the unrecognizable new face of the city. We ask ourselves: Could it have been otherwise? Is a city whose memory has been erased still the same city?

Hatay: 12-24 Eylül 2025

NR 2025
L'albero di trasmissione 2 - La vendetta

As happens to Simone, who was already the protagonist 11 years ago – he was portrayed back then with the other men of the Ciliberti family in the previous film *L'albero di trasmissione* – forced to close his workshop and with it his creations made from scrap, emblems of an unproductive inventiveness, of a fragile but realized utopia. It seems, however, that living on the margins of the present, in a precariousness that is a choice and not a misfortune, is a freedom that is no longer permitted. This new work by Fabrizio Bellomo is a biographical film (about a man, a nonconformist, and his neighborhood), which is at the same time a sequel and itself a film within a film, but also and above all a reflection on the role of cinema towards its subjects and on the humanist mandate of documentary.

L'albero di trasmissione 2 - La vendetta

NR 2025
Helen David's 37 Seasons

When Helen David first founded her fashion label, English Eccentrics, in the early 80s, she was living in a Brixton Squat and selling her designs from a market stall in Camden. By the mid-90s, she was dressing stars like Mick Jagger, Paul McCartney, Prince, Helen Mirren and Helena Bonham-Carter. Then, at the turn of the millennium, during the height of her success, her brand unexpectedly collapsed. Twenty years later, her son - filmmaker Oliver David - investigates what happened. Looking through her life's work, he traces her creative journey, through meteoric success and devastating failure, and discovers how she reinvented herself after losing everything.

Helen David's 37 Seasons

NR 2025
Nueva Forma

Nueva Forma explores the intimate journey of a woman who, after experiencing violence and pain, finds in ceramics a way to reconstruct herself. Through fragments of memory and symbolic scenes, we follow her trembling hands as they shape clay, while her body and spirit search for the strength to rise again. The clay, fragile and resilient at the same time, becomes an extension of her own rebirth. Between the memory of violence and the decision to heal, Nueva Forma is a visual ode to the power of resilience and creation.

Nueva Forma

NR 2025
The Promise

The Promise shares the powerful true story of Miguel and Laura Lopez, missionaries who left behind comfort and success to bring the hope of the gospel to the remote jungles of Papua, Indonesia. Raised in Colombia, Miguel pursued dentistry with dreams of wealth, while Laura returned to the mission field as a teacher. But God had bigger plans. Together, they faced near-death illness, spiritual warfare, and deep cultural challenges—yet witnessed incredible transformation as the love of Christ reached places it had never gone before. From training locals in dental care to rescuing vulnerable children and sharing the gospel in unreached villages, their story is a raw and inspiring look at what happens when ordinary people say “yes” to an extraordinary God. A story of sacrifice, healing, and hope—this is The Promise.

The Promise

10.0 2025