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Alentejo Late Afternoon

Desert, mythical, twilight. This visual contemplation is a kind of silent western about life in the landscape of Alentejo, a remote town in Portugal. Using Alentejo’s landscape as the canvas and the camera as an instrument for the expression of an original look, a cinematographic structure is created around references to the history of cinema, a revisiting of forms, styles and models that made the cinema and its more direct antecedents: photography, painting, music, theater.

Alentejo Late Afternoon

NR 2019
Until All Are Free

Most, if not all, of the world’s most pressing problems are connected by an underlying mentality of othering, of separation, and superiority. We see ourselves as separate and superior from other human beings, based on race, class, sex, sexual orientation, religion, or whatever other distinction we can find. We see ourselves as separate and superior from the nonhuman animals and the natural world. As a result, we abuse, oppress, and exploit human beings, nonhuman animals, and the environment. This mindset is the root cause of unimaginable suffering and could lead to the destruction of our own world. Animal agriculture and our exploitative relationship with animals lies at the very heart of it all. If this world is going to survive, we need a new paradigm, a new understanding of our true interconnection with all other life, and a new relationship with each other and our world. Until all are free, none are free.

Until All Are Free

NR 2019
Short stories of restoration

The film “Short stories of restoration” created by the Acropolis Restoration Service (YSMA) to accompany the photographic exhibition “Chisel and Memory: the contribution of marble craftsmanship to the restoration of the Acropolis monuments” which was hosted at the Acropolis Museum. The film uses footages of the audiovisual archive of the YSMA and the personal testimony of marble technicians who took part in the works, to shed light to the everyday life in the worksite, the contribution of marble craftsmen to the restoration works, and the emotions that they experience and share during the interventions.

Short stories of restoration

NR 2019
Homo Urbanus Kyotoitus

This work is a long-term research project developed until now in 10 different cities over the world: Seoul, Bogota, Naples, Saint-Petersburg, Rabat, Tokyo, Kyoto, Shanghai, Doha and Venice. Born as an artistic commission for the Agora Biennale in Bordeaux around the theme of the moving landscapes, these videos plunge into cities in a spontaneous and subjective approach with very modest means in order to translate in the closest possible way the feel of their constant moving nature: their human landscape. Presented in a comparative dynamic through the lens of a selection of themes and issues linked with the street daily life, the videos enable us to perceive each of these different urban contexts as an experimental, local and unique laboratory answering the same global challenge of how can we live all together.

Homo Urbanus Kyotoitus

NR 2019
Homo Urbanus Tokyoitus

This work is a long-term research project developed until now in 10 different cities over the world: Seoul, Bogota, Naples, Saint-Petersburg, Rabat, Tokyo, Kyoto, Shanghai, Doha and Venice. Born as an artistic commission for the Agora Biennale in Bordeaux around the theme of the moving landscapes, these videos plunge into cities in a spontaneous and subjective approach with very modest means in order to translate in the closest possible way the feel of their constant moving nature: their human landscape. Presented in a comparative dynamic through the lens of a selection of themes and issues linked with the street daily life, the videos enable us to perceive each of these different urban contexts as an experimental, local and unique laboratory answering the same global challenge of how can we live all together.

Homo Urbanus Tokyoitus

NR 2019
Theater Behind Barbed Wire

The history of the unique theater, founded in 1943 in Vorkutlag by the will of two Muscovites – the chief and the prisoner (Mikhail Maltsev and Boris Mordvinov). Actors and musicians came out of the barracks to the stage at gunpoint every day to play a play and save their lives. During the war, the Vorkuta Camp Music and Drama Theater showed 600 performances a year, and the troupe consisted of 150 actors. Their children, grandchildren and friends became the heroes of this film.

Theater Behind Barbed Wire

NR 2019
58 million kisses with AIDS

In 2014, the controversial performer Hija de Perra dies. Her family inherits a debt of 58 million pesos for health services. Transvestites, drag queens and others went to the streets to demonstrate.The documentary shows a pagan procession transformed into political action carrying the image of Hija de Perra through the streets as an emblem, revealing the bizarre and dirty face of transvestism, transformism and transsexuality, putting into practice a direct criticism of the state and private clinics .

58 million kisses with AIDS

NR 2019
December Swallow

Director's Statement This film describes the story of small people on the margins of society, focusing on two groups, one is a cancer hotel, and the other is test drug patients. These people have no life, just to live. Xiaoyan, who has cancer, lives in a small hotel and waits for a bed in the hospital. Their simple understanding is: being able to live in the hospital represents a chance of life. In order to survive, I waited for more than two months, and finally, it was my turn to be hospitalized, but most of the hospitalization fees raised at the beginning were used to buy medicine. Zi Xiu, who took care of Xiaoyan, had to join the drug testing industry. In exchange for Xiaoyan’s chance of survival. In the film, scammers defrauded life-saving money for cancer patients, unfilial men refused to treat the elderly and maliciously deducted commissions from testers and other heinous behaviors. The rhythm of the film is like an illness tormenting patients, slow and profound.

December Swallow

NR 2019
A Mansion with Sunlight Passing Through

This 80-year-old mansion is packed with historical memories and traces, yet it gave me a strong sense of disappearance when I was in there. The old lady, who lives alone in the mansion, begins to lose the ability to recognize herself in her wedding photos. As the memory fades away, it seems to make the objects in the house gradually lose their meanings. Facing those objects that have been lost in history, I try to add my own memories as if to give them new souls, and the video itself is the container that contains everything and becomes their new body.

A Mansion with Sunlight Passing Through

NR 2019
Sundown

SUNDOWN is excerpted from a transdisciplinary “slow ethnography” project on race and travel in the American South. Deploying the 360 degree camera, but resisting the trend toward what Bazin called the “myth of total cinema,” SUNDOWN elects not to reconcile the dual 180 degree image streams into an illusion of continuity that, to the filmmakers, appears as artificial as the furious “Russian cutting” of Eisenstein and the early Soviets, or the “suturing” of spectators into the comforting illusions of bourgeois realism typical of classic Hollywood. Instead, SUNDOWN offers a properly alienated cross-section of an evening in New Castle, Virginia, a town described on Wikipedia as “100% white,” where not long ago travelers of color might have been urged to move on as quickly as possible.

Sundown

NR 2019
Congo: Millionaires of Chaos

The DRC is one of the poorest countries on the planet with one of the highest proportions of millionaires. While 70% of the population lives on less than a dollar a day, 6% are millionaires. Businessmen, artists, former rebel leaders or evangelists, many have made fortunes in chaos. In the capital, Kinshasa, these new rich live in the heart of secure and luxurious enclaves, while elsewhere, children work several hours a day tens of meters underground extracting coltan.

Congo: Millionaires of Chaos

NR 2019