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The Love of Kocho Topencharov

The film is a true story on the life of the Kocho Topencharov, who after 40 years spent in Albania, returns in his fatherland – Macedonia, with his wife and children. The story begins in Ohrid, when Kocho falls in love with Maria. In 1950, she returns in Albania, where her family lived. In 1950, Kocho illegally crosses the state border of Albania to find his love. But, the birocracy of Albanian state consider him as a spy and he spends many years in jail. Later, he is released, but he is not allowed to return to Macedonia. He marries Maria in Albania… This is a film about his love & life story.

The Love of Kocho Topencharov

NR 1991
Ryoko, 21 Years Old

The filmmaker looks into problems of personal communication by focusing on the letters of a woman who has done enjokosai, that is, a young woman who agrees to talk with or meet or go to a hotel with (usually older) men for money. The director himself met Ryoko, the film's subject, via her telephone messaging system. Discarding the flood of sensational images found in the mass media, this film illustrates the thoughts of Ryoko and others from the perspective of those actually involved.

Ryoko, 21 Years Old

NR 1998
Uncovering the Truth About Jesus

Who was Jesus? Was He born of a virgin? Did He perform miracles? Did He die and rise from the dead? Was He the Son of God? Either this Man was and is the Son of God, or He was a madman, liar, and hoaxer that millions have followed for 2,000 years. Historians, scholars, and scientists examine the Man and His claims to include the Messianic prophecies, the virgin birth, the miracles, the teachings, and His death and resurrection. See the Bible and the life of Jesus under the scrutiny of inquiry as rarely before seen. The New Testament account of Jesus as the Messiah is fully examined through Scripture as well as through archaeology, history, and science to determine if what we read about Jesus is actually true and provable, or just a myth. Jesus proponents and critics confront each other. Enjoy heartwarming re-creations of the life of Christ as you make your own personal discoveries about Jesus.

Uncovering the Truth About Jesus

NR 1999
John Huston War Stories

During World War II, the propaganda engine of the U.S. government made a pivotal decision with unforeseeable results: they tapped John Huston to shoot war documentaries with an expressly patriotic spin. Few could guess the degree to which Huston's documentaries would depict the sheer brutality and horror of modern warfare - particularly his Let There Be Light and The Battle of San Pietro. The films served (by default) as cinematic protests, even as they graced new and brilliant heights within the scope of American documentary. (Indeed, Light was banned by the government for 35 years). Midge Mackenzie's 1998 documentary John Huston: War Stories explores this little known facet of Huston's career, intercutting clips from the various documentaries with a Huston interview shot just prior to his death.

John Huston War Stories

9.0 1999
The Tourist

From 1984 to 1988, Robb Moss travelled around the world as a free-lance cameraman. In 1984 he got married, to Jean. They decided to start a family. During the subsequent four years, Robb's life moved to and fro between his job as a cameraman and the regular, but failing attempts to have children. In THE TOURIST he brings these two worlds together and examines the various ways in which the personal and professional crises mirrored each other: at times comically, sometimes ironically, at other times confusedly. A reflection on fertility, uselessness, and making documentaries. -IDFA

The Tourist

NR 1991
Daley: The Last Boss

At the center of the politically stormy 1960s was the controversial but beloved mayor of Chicago, Richard J. Daley. Through archival footage and interviews with both friends and foes, this frank political biography reconstructs how "Da Mayor" rose from his Irish roots to build a power base securing his mayoralty for 21 years. Daley: The Last Boss depicts Chicago's infamous past, from bootlegging to ballot-box stuffing, to the race riots and antiwar demonstrations that tore the city apart.

Daley: The Last Boss

NR 1996
N.E.P.

N.E.P. or The Stones God Threw on the Barricades was made as an independent project by TV Bordoshbagn for A1 Independent Television in Skopje. The film is of an undefined genre and speaks about the Third World lies, which renowned 'well-intentioned' missionaries, founders of certain foundations and institutes, have promoted in the countries of the former socialist regime, especially in Eastern Europe. This project is an outsider's look at the paradox about the secret beauty of power and the submission to that power. N.E.P. is a video reflection on the aesthetics of the transformation of power, looked at from the point of view of the ordinary man in the so-called transitional countries who, after five years of living in 'freedom' still can't understand why the most democratic system of them all – parliamentary democracy – is better than the one before.

N.E.P.

9.0 1995
The Shvitz

A look at the unlikely community forged in the 200 degree heat of the last traditional steam baths in the U.S. From gamblers to "new age" masseuses, from poets to rabbis, the characters form a sometimes conflicting, yet often compelling voice. The film uses the baths to give a perspective on the evolution of city life, while bringing up issues of ethnicity, nostalgia, sexuality, spirituality and ritual. "When we sit in this intense heat", says one patron, "we're all the same - millionaire and pauper".

The Shvitz

6.3 1993
Memories of Fear

Four tales of girls’ coming of age - through the trajectories of aspiration, curiosity, flamboyance and desire - are juxtaposed with testimonies of adult women on familial violence. The fictional tales and the documentary testimonies overlap, complement each other and then create a line of legacy of FEAR. The normalized and habitual moments in the daily lives of the women weave together a formidable web of fear. This omnipresent female fear then accompanies the young girls into the womanhood of vulnerability.

Memories of Fear

NR 1995
Staßfurt – Windhoek

History in a hurry: Namibia becomes independent in March 1990, in July the Publicly Owned Enterprise DEFA becomes a GmbH, in October GDR becomes FRG East, in August a West and an East German filmmaker record one of the last GDR inconsistencies for DEFA. The state in pre-retirement sends 425 Namibian children, whom it had rescued from Angolan camps eleven years earlier, “home.” Hastily. But why? When Grote, Kunert and the children arrive, a Namibian minister explains that the East German supporters of these colonial war victims are now out of power. The new powers had no interest … In the Leipzig festival selection in 1990, and again in 1991, this film about German-Namibian foreignness and alienation cannot be found. The Retrospective 2024 makes up for this strange omission.

Staßfurt – Windhoek

NR 1990