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Sardón

Juan Sardón will turn 85 years old. He lives in the community of Coraguaya, in the department of Tacna, Peru. For 65 years he has used his hands to bend the metal of alcohol cans that serve as raw material to make zampoñas. Despite his advanced age, he still retains the precision and meticulousness that the job demands. Recently he learned of the death of a craftsman, his friend, who also knew this art. There are only two left in the town, including Sardón. His children have decided to devote themselves to agriculture, nobody else will continue his work, his art will go with him.

Sardón

NR 2015
On Nation (and other dogmas)

From the re-appropriation of archive images with various contents (war images, soccer matches, social celebrations, religious rites, historical characters, etc.) and from different sources (including films by Chris Marker, Alain Resnais, Leni Riefenstahl or Gianikian and Ricci Lucchi, as well as images from ads and news...), together with reflections of Pierre Bourdieu, Zygmunt Bauman, Bertolt Brecht, Hannah Arendt, Stanley Milgram, Eric Hobsbawn, Amin Maalouf, Josep Fontana, etc., Zavan Films producer develops this complex and kaleidoscopic work on (national, religious, commercial...) identities and their relation with war, economic profit and "legal crimes".

On Nation (and other dogmas)

6.0 2015
A punto de despegar

Some arms do not stop tearing down walls and houses. Others insist on cleaning and tidying rooms that will be gone the next day. Collapse and resistance coexist. In A punto de despegar we witness the disappearance of San Agustín, the last town that survived the era of the great haciendas of Lima. The expansion of the airport causes the eviction of the entire place and with its demolition comes the end of several traditions and ways of life. Modern Peru is a one-way train where the archaic has no place. A respectful camera preserves the faces, gestures and words of those last days. A film built after a decade of friendship with the neighbors. A farewell that radiates affection, intimacy and uneasiness in equal measure.

A punto de despegar

5.0 2015
That's how it is, and what!

Abraham Bojórquez - Ukamau Y Ké - developed hop hop in the Aymara language and with his rebellious lyrics, shook up Latin American society in the early 21st century. At the cusp of his musical career he died violently the same day he finished recording his second record. Years later, his friend, the rapper and documentarian, Andrés Ramírez returns to Bolivia to uncover the reasons for his death and to find him among the Andean circular temporality. In this surreal journey, Ukamau y Ké is revived through archival footage, testimonials and in dreams.

That's how it is, and what!

NR 2017