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Future Remembrance, Photography and Image Arts in Ghana

In the small fishing towns of Ghana, the photographer's studio is the place to go. To get "snapped" - wearing the latest fashion, or posing with a long lost friend. Carrying the tools of your trade. For "future remembrance", to show how that dress was so becoming, how durable the friednship, how you made your living. So that everybody will remember you. Future Remembrance features photographers and artists Nelson Ankruma Events, Joseph K. Davies, Philip Kwame Apagya, Stephen Zanoo, Kwame Akoto Almighty, Yaw Nkrabeah, Daniel A. Jasper, John K. Assan, Azey, Wofa & Louis Ankra and Alfred Six. Research funding from the German Research Fondation DFG.

Future Remembrance, Photography and Image Arts in Ghana

8.0 1998
Bones of Contention: Native American Archaeology

The remains of more than 10,000 Native Americans unearthed at archaeological sites across the U.S. are in the possession of museums such as the Smithsonian. Is the analysis of the bones valid scientific research, or is it a desecration of Native American culture? This program focuses on the tensions between scientists, historians, and museum curators and Native American groups, as the bones take on a central role in a war of alternate perspectives. In examining this debate, the program provides an excellent survey of Native American archaeology in the U.S. A BBC Production.

Bones of Contention: Native American Archaeology

NR 1995
Vance Kirkland's Visual Language

Shot on location in Kirkland's Denver studio and in several museums, this documentary includes video and audio interviews and archival photos of Kirkland, and dramatic recreation of some of his unorthodox painting techniques. Kirkland came to Denver in 1929 as founding Director of the University of Denver's School of Art. This documentary demonstrates that one can be a great artist regardless of location or other career. From his mountain landscapes to his surreal worlds, to his final abstractions -- a cosmos of glowing energy -- Kirkland found his visual langage.

Vance Kirkland's Visual Language

NR 1994
Don't Touch My Holocaust

Israeli film director Asher TIalim, originally from Tangier, Morocco, poses a question to all of us, even those apparently not directly affected: What do we - the generation after - have to do with the Holocaust? Focusing on the Akko Theater Center's award-winning performance, ARBEIT MACHT FREI, also featured in the German documentary, BALAGAN (see listing), he documents the actors as well as the audiences over a three-year period, scrutinizing their souls. Tlalim travels with the Israeli actors to Morocco, to the Czech Republic and finally to Germany, where they compare one society that chooses to remember with one that chooses to forget.

Don't Touch My Holocaust

8.0 1994
When Strangers Re-Unite

Three Filipino families struggle to rebuild their lives in Canada after years of separation. The third part of a trilogy on the impact of labour migration, including Brown Women Blond Babies and Modern Heroes Modern Slaves.Every year thousands of women enter Canada as domestic servants, the majority of them from the Philippines. Leaving their own children and families behind, they can spend many isolated years cooking, cleaning and caring for others. Sending much of their wages back home, they dream of the day their families can join them.

When Strangers Re-Unite

8.0 1999
Echo of the Elephants, The Story of an Elephant Family

Echo is the gentle matriarch of a family of elephants in Kenya’s Amboseli National Park. Watched over by distinguished research scientist and founder of the Amboseli Elephant Research Project, Cynthia Moss, Echo leads her charge through the rough and the smooth, good times and bad, all captured faithfully on film by award-winning photographer Martyn Colbeck. In January 1990, Cynthia and Martyn embarked on the first of what would ultimately be four exceptional films produced over thirteen years in the shadow of the Great White Mountain, Kilimanjaro, documenting the lives of one elephant family for the BBC’s Natural History Unit. These uniquely moving and unforgettable films have wider implications for our understanding of elephants everywhere.

Echo of the Elephants, The Story of an Elephant Family

NR 1992
Animalicious

A film about fate, co-existence, vanity, justice, karma and forgiveness, ANIMALICOUS comprises six stories of people and the animals that shot them, fell on them, and generally caused mayhem of one sort or another. Filmed in Kentucky, Missouri, and England, ANIMALICOUS features a bomb-diving duck, a squirrel which thinks it’s landed on Normandy Beach, a hawk that could easily work for a hair growth pharmaceutical company, a parakeet, a turkey, a hungry snake, and one tiny little dog. It’s a funny but wry account of how animals can be a way of defining ourselves. In ANIMALICIOUS Lewis displays a genuine knack for uncovering the comic and quizzical relationships that exist between people and creatures great and small.

Animalicious

9.0 1999
Return to Sandakan

During World War II there were nearly 2,500 Allied prisoners held in Sandakan POW camp in British North Borneo. Along with the ravages of war and the struggle to survive abject conditions, only six of these POW's were found alive when the war finally ended. In the years that followed, the horror stories of human depravity and the atrocities committed by the Japanese at Sandakan POW camp would come to light, considered by many as one of the most devastating chapters of the Pacific War.

Return to Sandakan

NR 1995