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Haida Modern

In the 50 years since he carved his first totem pole, Robert Davidson has come to be regarded as one of the world’s foremost modern artists. Charles Wilkinson (Haida Gwaii: On the Edge of the World) brings his trademark inquisitiveness and craftsmanship to this revealing portrait of an unassuming living legend. Weaving together engaging interviews with the artist, his offspring, and a host of admirers, Haida Modern extols the sweeping impact of both Davidson’s artwork and the legions it’s inspired.

Haida Modern

NR 2019
Normal

Observes the mechanisms of construction and assimilation of gender in contemporary Italian society, through a kaleidoscopic mosaic of scenes of daily life: what are the choreographies of bodies, collective rituals, behaviors for each of the genres that condition our identities? Through paintings with a strong visual impact, Normal tells the story of normality making it alien to us, exploring the daily and collective staging of the male and female universe in which we all participate.

Normal

8.0 2019
Letter to Theo

The filmmaker Théo Angelopoulos died on January 24th, 2012, knocked down by a motorbike on the set of his final film. In his unfinished film, he was telling the destinies of the victims of the Greek crisis. The list of victims of the crisis has only grown longer, this destitution echoing another that Théo had sensed was coming: that of the massive arrival of refugees who find themselves trapped in Greece by the closure of the borders. Yet citizen resistance is being organized and fights every day to bring those in danger of obliteration out of the shadows. Ironically, the ambulance supposed to come to his rescue broke down because budgetary restrictions had made it impossible to maintain the vehicle. The crisis itself killed Théo. This is a letter addressed to him in the form of a film.

Letter to Theo

NR 2019
Bamboo Stories

A group of men in North-Eastern Bangladesh are facing a dangerous mission. They are to conquer the river, with a 70 meter long raft. The ride is 300 kilometre long, always downstream. The freight: 25 000 bamboo trees. The men's path begins in the dense forests of the Sylhet region in North-Eastern Bangladesh. Millions of bamboo trunks are hacked down there and being slid down by the workers along the dangerous mountain-stream into the valley. The bamboos reach the river Kushiara through hundreds of these channels. Here, the trunks are bundled - a giant raft arises. Then the long journey begins.

Bamboo Stories

6.2 2019
WITCH: We Intend to Cause Havoc

The film follows the 21st Century formation of WITCH (We Intend To Cause Havoc), Zambia's most popular rock band of the 1970s, and documents the life of its lead singer, Jagari, whose name is an Africanisation of Mick Jagger's. Through the resurrection of a music that was forgotten by many and unheard by most, the film explores the life of a former African rock-star, and the excitement around the rediscovery of his music by Western fans, many of whom had yet to be born when his last album was released.

WITCH: We Intend to Cause Havoc

NR 2019
The Day We Walked on the Moon

On July 16, 1969, hundreds of thousands of spectators and an army of reporters gathered at Cape Kennedy to witness one of the great spectacles of the century: the launch of Apollo 11. Over the next few days, the world watched on with wonder and rapture as humankind prepared for its "one giant leap" onto the moon--and into history. Witness this incredible day, presented through stunning, remastered footage and interviews that takes you behind-the-scenes and inside the spacecraft, Mission Control, and the homes of the astronaut's families.

The Day We Walked on the Moon

5.6 2019
What She Said: The Art of Pauline Kael

Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.

What She Said: The Art of Pauline Kael

6.7 2019
The Octopus in My House

A professor develops an extraordinary relationship with an octopus when he invites it to live in his home. The octopus, called Heidi, unravels puzzles, recognises individual humans and even watches TV with the family. The episode also shows remarkable behaviour from around the world - from the day octopus, which can change colour and texture in a split second, to the coconut octopus, which carries around its own coconut shell to hide in. But most fascinating of all is seeing how Professor David Scheel and his daughter Laurel bond with an animal that has nine brains, three hearts and blue blood running through its veins.

The Octopus in My House

8.7 2019
Alice is Still Dead

In an intimate and unflinching account dealing with grief, 'Alice is Still Dead' tells the story of a murdered loved one from the victim's family perspective. From the detective's notification to her family to facing the killer in court, we see the pain, anger and heartbreak a family must endure while the nightmare is investigated. The filmmaker is the brother of the late Alice Stevens and, in this tribute, ultimately asks if it's even possible to move forward after such a traumatic event.

Alice is Still Dead

8.0 2019
The Story of Plastic

The Story of Plastic is a seething expose uncovering the ugly truth behind the current global plastic pollution crisis. Striking footage shot over three continents illustrates the ongoing catastrophe: fields full of garbage, veritable mountains of trash; rivers and seas clogged with waste; and skies choked with the poisonous runoff from plastic production and recycling processes with no end in sight. Original animations, interviews with experts and activists, and never-before-filmed scenes reveal the disastrous consequences of the flood of plastic smothering ecosystems and poisoning communities around the world – and the global movement rising up in response.

The Story of Plastic

8.1 2019
The Rape of Recy Taylor

Recy Taylor, a 24-year-old black mother and sharecropper, was gang raped by six white boys in 1944 Alabama. Common in Jim Crow South, few women spoke up in fear for their lives. Not Recy Taylor, who bravely identified her rapists. The NAACP sent its chief rape investigator Rosa Parks, who rallied support and triggered an unprecedented outcry for justice. The film exposes a legacy of physical abuse of black women and reveals Rosa Parks’ intimate role in Recy Taylor’s story.

The Rape of Recy Taylor

7.7 2019
Robespierre 1789-1989

Robespierre, a child of the Enlightenment, passionate about justice and concerned with order, is thrust into the storms of the Revolution. He becomes one of its most tragic figures. The guiding thread of this dramatic development is Robespierre’s own speech. Excerpts from his major addresses are thus staged, emphasizing the contradictions of a man who advocates for the abolition of the death penalty yet justifies the Reign of Terror, who tirelessly fights for universal suffrage but helps establish an exceptional regime. His life and exercise of power are confronted, thirty years apart, with the analyses and judgments of historians and political figures from the Bicentennial and the early 21st century: Michel Vovelle, Michel Biard, Hervé Leuwers, Patrice Gueniffey, Jacques Chaban-Delmas, Michel Debré, Lionel Jospin, Jean-Louis Bourlanges, and Alexis Corbière.

Robespierre 1789-1989

NR 2019