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Captain Kang is a story about a man who happened to live a dreamlike life and another man who lost his dream by an accident that changed the lives of both men forever. With two aging fishermen, KANG goes on fishing every day and night as if only the weight of a fishnet proved his existence in the world. KANG's teenage son Jong-Jae, a promising baseball talent is now living with his parents while unenthusiastically supporting his father's business. Having lost his dream, Jong-Jae feels that his life in a small harbor city is suffocating while KANG moans inwardly for the son, as he feels responsible for it. The two men's respect and affection toward each other is not spoken outweighed by the guilt and responsibility for each other. As the winter nears, hiring a sailor becomes hard and Jong-Jae is forced to be on his father's ship. In the middle of the sea, the father and the son realize that there is nobody else but each other to rely on.

Every weekend, the gay male choir G-Voice rehearses in Seoul. The choir, being a kind of antidote to homophobic Korean society, makes the everyday lives of gay men its theme in an intelligent and humorous way. For their tenth anniversary, the members are planning to give their first big concert with ambitious arrangements, creative choreographies and many new pieces. Besides preparing for their big day, G-Voice are also politically active, singing for equality and against discrimination.

Gukdo Art Cinema located in Daeyeon-dong, Busan is one of the most representative cinema in Busan for independent films and arthouse films along with Cinematheque Busan (currently moved to Busan Cinema Center) and Art Theater C+C. Gukdo opened in 2004 in Nampo-dong and moved to Daeyeon-dong in 2008 and has been a home for cinephiles in Busan and nearby areas for the last 10 years. The theater closed its operations on January 31st, 2018 after the building owner had refused to renew its contract. The last month of the theater is recorded in the movie Last Scene.

Instability and fear in today's society is portrayed by incorporating the directors' personal story in this experimental piece. The film continually questions and reasons through the images and sounds of both the directors' personal accounts as well as actual records of Korean society.

After my grandfather 's Baek-su (age 99’s birthday party) banquet, asking me to write an autobiography for him. Two years later, he passed away and left his favor as homework to me. I discovered the history of the past that I could not associate with his name. As a filmmaker, I frequently attended burials that were far from my life. I have been living in the United States for a while, and I have often come to think about the country and nationality.

Ep1. The Martyr and the Left: Under the Yoon Suk-yeol administration, construction workers were branded as “construction gangsters,” forced to endure a period of hardship. Ep2. Purple Ribbon: Wearing purple jackets and holding purple light sticks, the families of the victims of the October 29 Itaewon Disaster stand out on the street. Ep3. Dream, Breath: “I” keep waking up from dreams of being chased, a recurring cycle that haunts me day after day. Ep4. Breaking the Silence: Chai-han, who once said their dream was to become a human-rights activist, gradually grows distant from that dream after entering university. Ep5. Dancing Volunteer: After the December 3 martial law was declared, Park Pyeong-hwa felt compelled to return to the square. Ep6. Beyound the Impeachment: We interviewed a diverse group of people who came to the square after the December 3 uprising.

Even in the push and pull era which is full of flour and sugar, rice firmly protects the table of the rice bowl nation! There are farmers who grow the rice in different ways. Nam Ho-hyeon, a young farmer who continues his father's family business, challenges farming with agricultural drones that spray coated rice seeds in large quantities, but new technologies that seemed to bring a rosy future leave only endless homework in a series of trials and errors. Lee Geun, an urban farmer who started farming on weekends and fell in love with farming, lives a life of small farmers who touch and cultivate them with their hands rather than machines, and studies and protects the world of traditional native rice that has disappeared in history. Our rice, which grows with sincerity, is filled with happiness, and conveys the power of life presented by nature for a long time! The moving journey begins now!

It’s been a long time since the incident. They realize that some of remnants of the past do not die out so easily. Two brothers head to the place where it all began.

Yun-hyeok is a young man who was diagnosed with rare cancer in the age of 26. To him, the bicycle that has been with him to fight against the illness is the hope of life. After the illness recurs, he stops receiving anticancer therapy and sets off to France with the goal of completing Tour de France, the dream of all cyclists. But as soon as he starts riding, his fellow cyclist gets injured, and right after that, his bicycle breaks in an accident. With unexpected accidents and incidents, the conflict and discord in the interim group of ten cyclists grow more and more until it explodes into a quarrel. The dream of running the entire Tour de France, the dream he visualized onto the ceiling of the hospital room–could Yun-hyeok make the dream come true?

After SEO Taiji's comeback in August 2000, SEO Taiji fans experienced the subversive aspects of a live rock concert and became delighted with slam culture. The fans, while fighting the mainstream media and its inaccurate portrayal of SEO Taiji, stand firm in their opinions and desire for a new culture. This documentary enables us to discern the current situation of Korean pop culture through SEO Taiji fans.

Twenty years ago, at eighteen, Seonyoung suffered a severe spinal injury in a fall. Her family sold their home and shop in Incheon to cover medical bills, moving to her father's hometown of Cheongju. There, tragedy compounded: her father struggled with alcoholism, her mother's health failed from hard labor, and her brother developed a mental illness after a traumatic military incident. Now, Seonyoung studies for the civil service exam, hoping to pass and finally return to Incheon to reclaim the life and memories left behind.​

Based on declassified US military documents and archival footage, as well as testimonies from those who participated in bombings and civilian victims, director Lee Mi-young thoroughly illuminates the reality of the US Air Force’s indiscriminate bombing that resulted in numerous civilian casualties during the three-year Korean War.

Tracing the faded time of those who once turned the pages Chŏng Yagyong(1762-1836)’s Chil Shil Gwan Hwa Seol (On Viewing Paintings from the Dark Chamber). In a dark room of their own, they steep tea, mend fragments with thread, and enfold them in bojagi cloth—crafting a cinema that was unseen.

A woman who entered the island to collect doctoral degree information meets a shaman who received the gods, a hereditary shaman, a shaman who has learned God, and a musician to hear various stories about Jindo shamanism. While having nightmares about an unfamiliar young shaman's suggestion and going through troubles such as seeing ghosts, she finds that there is a shaman in her family. The main character thought the bad relationship between her maternal grandmother and the shaman's maternal grandmother was problematic. However, there is a hidden twist...

The 54th, the record of that summer, is, as the name suggests, the record of the 54-day long struggle for 'nullification of an ex officio sign' by Hyundai Precision Industry workers in Ulsan in the hot summer of 1993. Prior to collective bargaining on wages, the company secretly signed a unilateral agreement (signed ex officio) with one of the labor union leaders and tried to put it into practice. The workers of Ulsan Hyundai Precision Industry were enraged at the sense of betrayal of the union leader they trusted and the despicable treatment of the company, and for 54 days in the hot summer, they start a strike to get a fair price for their labor.

Director Ryu Hyung-seok, who served as a conscripted firefighter during his mandatory military service, made a documentary about firefighters. Responding to calls from those on the edge of life and death, these modern-day heroes at the Yangsan Firestation and Ulsan Fire Headquarters are the focus.

At a school for Korean residents in Japan, KIM Sang-su coaches at an afterschool boxing club. The students in the club start training for the big tournament which all Korean schools in Japan will attend. They train hard as they all work towards their dreams. As the school year moves toward the end, the students prepare to take their first steps into Japanese society.

At the hospice, the average remaining time for patients is 21 days. These patients prepare for their deaths. Park Soo-Myeong is 40 something year old man who is also a husband and father. Kim Jung-Ja is a mother of two sons. Park Jin-Woo was a math teacher. Shin Chang-Yeol lived a lonely life.

On a film set where reality blurs into fiction, there is no clear protagonist-only a fluid network of characters who drift between roles as actors and crew. "Chunhee's Wet Dream of Loving a Pig" is a meta-cinematic, carnivalesque experiment born from unfiltered passion, exploring the raw desire for art and the porous boundary between life and cinema.

In her first feature-length documentary, filmmaker Nam Arum turns her camera on her parents, two members of South Korea’s 386 Generation. The political activism of this generation came to a head in June 1987 with major protests that forced the authoritarian government to hold universal suffrage elections and implement key democratic reforms. Over 35 years later, the filmmaker reflects on the state of this democracy through a warm-hearted family portrait set against the backdrop of the country’s recent history. Using a personal and intimate cinematic style, Arum examines her father's adherence to conventionality as a high-ranking civil servant and her mother's fervent enthusiasm as a feminist activist. In the midst of these two contrasting dynamics, Arum seeks to discover her own role and how she can contribute to social change.

French musician Étienne de la Sayette has built a distinctive musical world traversing jazz, Ethiopian music, Korean traditional music, and experimental music. In Korea, he gained attention for reinterpreting singer Bae Ho's music. Recently, he formed trio "Tako Toki," experimenting with new sounds using instruments made from industrial waste and recycled materials. He seeks to restore the senses that become music's source through repetitive labor of caring for family, animals, and gardens, aiming to practice harmonious coexistence of human and non-human beings through music.

Song Hae 1927 is a documentary about the character all Koreans know. Song Hae is the oldest active celebrity at 94 and the longest-running host of the ‘National Singing Contest.’ He has been a singer, comedian, actor, and radio DJ, but never a star. Song Hae 1927 shows a backstage face we’ve never seen. His closed eyes and serious look seem like a good place to hide sadness and pain. Song Hae is a man of few words. To the death of his wife, he only said, ‘I wish I had had a chance to say goodbye to him.’

A documentary covering the 1988 Olympic Games in Seoul.

The documentary starts with a diva of a tragic family history related to a history of migration. The rare archival footage reanimates her history reverberating with the current world crisis. Sound of Nomad: Koryo Arirang is a testimonial – a witness to injustice and tragedy, but it is also a declaration of survival – a survival that is not static but transformative – not brittle but fluid. The trains that displace, the deserts that separate form one harsh horizon – a historical limit – but within that limit, against it and across it are people, are a culture, not escaping but flourishing unofficially, with the affective majesty of a melody, a rhythm, an Arirang

Five years ago, a Korean opera singer started a children's choir in a slum in India. Frustrated by the lack of support from the parents of his choir children, he decides to train the parents to sing for a joint concert. But it may be the toughest challenge of his life.

On October 23, 1992, there was an improvised performance in the small auditorium of Washington in St. Louis, USA, without a separate stage and fancy equipment or effects. With the front floor of the small auditorium as the stage, there are only small lights, props, and various lines that illuminate the stage in front with a chair and an amplifier.

Dao, a small and agile jockey boy, has been competing in horse racing since he was five. With the money he earns from completing the races, Dao supports his family’s livelihood. When his baby brother Fatih is born, Dao’s parents face financial difficulties and send him to live with a horse owner. Dao leaves home to work and go to school at the horse owner’s house. At night, Dao studies in a dark corner of the stable under dim lights. He dreams of becoming a veterinarian. On the day of a training race, Dao is terrified when he sees a fellow rider fall from a spooked horse. His father takes him to a shaman who sprinkles him with holy water, says a prayer, and assures him that he will not be hurt even if he falls off the horse. Dao wants to believe those words, but hearing adults saying that Fatih will also be raised as a jockey weighs heavily on his mind. With anxiety and hope, the boy stands in front of the starting line. How long will this race continue?

Why on earth should we use the state-authorized textbook? Many history scholars share their opinions about the nature, background and significance of the book and why history is forcibly imposed.

'How to stop being Korean' is a fake documentary. The audio comes from 'The Voice of Opportunity', the pirate radio channel by 'The Opportunist Peninsula Union Central Committee'. It tells the history of opportunitism in Korea, that is just the history of Korea.

Sky apt. which was constructed in 1969, had long been designated as Disaster Dangerous Facilities. Looking up the concrete building that may collapse soon, suddenly I felt the sensation of shaking my teeth in childhood.

This film traces the history of human-chicken interactions and focuses on the present state of chickens and other marginalised beings. It is a story of ultimate failure for those who fight against the system of ecological annihilation, but also about overcoming pessimism, standing in solidarity, and doing what we can.

Why Does the Wind Blow has been reconstituted from instructional 16mm films collected by the director from film archives. It presents a sensational experience through the juxtaposition of visualized movement of physical objects and the cinematic creation of time.

The film connects the present of a failed revolutionary, who has left the factories and cities behind, with the death of a subcontracted worker two decades prior. Across this temporal divide, it explores the lingering, unabandonable possibility of a new revolution—a stark meditation on struggle, memory, and the embers of hope that refuse to be extinguished.​

Eyeglasses sitting before the camera bring back everyday memories of they witnessed: when the wearer's eyes became poor, and how they felt when they started to wear glasses for the first time. The conversation naturally moves from the old them to missing 'black horn-rimmed eyeglasses.' 30 years ago, when the glasses floated to the surface of the sea, they all started to view the world differently. Now that they are older, they cannot see the world without glasses. Eyeglasses can sometimes be uncomfortable and bothersome, but while memories may fade away, the black horn-rimmed glasses have witnessed decades. The newly-appeared glasses bring with them a question - whether they can go through such difficult times again. The eyeglasses begin to give their own answers.

The music that adorned the time of Kivotos is reborn through the majestic melodies of an orchestra. All the precious moments shared with the students are woven into one grand harmony in '2025 Sound Archive: The Orchestra'. The melody that resonates deeply in your heart is filled with unforgettable memories. The emotions of the day will echo once again in theaters.

Roro, a writer-in-the-making in her thirties, dreams passionately of a post-nuclear world and a transition away from capitalism. Convinced that farming and living self-sufficiently is a path toward systemic change, she joins a program for young people exploring self-reliance through agriculture. But the physical demands of fieldwork wear her down, leaving no time to read or write the novel. As the crops defy her expectations, the future feels increasingly uncertain. How close can Roro come to the transformation she imagines—for her own life, and for the system itself?

Sujin and her grandmother are shamans living in the mountains. It is their important daily routine to offer purified water to gods and tell a fortune for troubled hearts. During high school, Sujin works hard to go to college with hopes of escaping her fate and living a normal life. But the excitement of busy college life deepens her conflict with her grandmother.

A documentary about the 8-day sit-in struggle by GANG Cheolmin, a 22 year-old private in the South Korean army who declared his objection to military service on November 21, 2003 in order to stop the South Korean government from sending troops to Iraq, and the peace groups supporting him.

Sunk in chronic lethargy, "I" follow my mother on a walk along Namdaecheon stream and recall an old elementary school assignment: catch a planarian. I never found one back then; I just played on the trampoline ("bang-bang") nearby. An unsolved mystery remained: do planarians really live in Namdaecheon? This film is the story of a middle-aged woman with a new ADHD diagnosis who, in trying to find the answer, tumbles down a rabbit hole of planarian obsession.​

Sun shines on a village on a mountain. In the village are trees, people, animals, and houses. One night, an unknown light shines.

Why is there a wedding anniversary and no divorce anniversary? My parents divorced after 15 years of marriage. 2020 marks the 15th year since their divorce. The daughters want to throw their mother a fancy party to celebrate her 15th anniversary of divorce.

When director Mun accidentally discovered the diaries of his late granduncle, who was mentally ill, he unexpectedly learned about his family's secret history. The small mountain village in South Jeolla Province where Mun's family lived, was nursing the wounds from conflicts of class, ideology as well as from the displacement of family members in South and North Korea, and even in Japan. It turned out that the history of his family contained all the tragedies of modern Korean history, a history he had only known through textbooks. This interesting documentary investigates a complex history linking the repercussions of Japanese colonialism and the Korean War to the director's family memories.

Round and Around is an audio-visual project planned and produced to observe modern Korean history on multiple levels. By associating video and exhibition based on archived references, Round and Around intends to overview Korean society in the 1980s based on various non-linear axes of time and space. Jang Minseung's brilliant directing and Jeong Jaeil's choir music created with the excerpts from psalms lead the audience to experience 'Gwangju in May 1980.'

The death of a soldier at Panmunjeom, the symbol of the division of the Korean Peninsula, still stands as an unsolved case. Was it death by suicide (as the official investigation team announced) or was he murdered? What is the truth?

In 2009, a group of Korean obstetricians blew the whistle on their fellow doctors and hospitals that performed surgical abortions, leading to an uproar in the society. This gave various organizations such as religious and civic groups to issue statements about this issue, and the media did not miss the chance to make reports almost every day. After a few years, a group of women stand before the camera, holding an online poster that read “I Want to Hear Your Voice.” As the women’s experiences that had been thus hidden behind the arguments are revealed bit by bit, the story then takes us back to the past.

A man spoke Bach while everyone else was busy singing activist songs. Korea as he lived it from 1991 to 2017. Now is place where past and future meet. And his experiences are also ours, are also our memories.

The Heart-Heart Orchestra, an ensemble composed of members with developmental disabilities, is raising awareness of disabilities through various performances both domestically and internationally. They are developmentally disabled, but they are also professional musicians who take on roles in the orchestra. This film observes how these two identities interact.