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The Nature of Creativity

"The film is a kaleidoscope" of the opinions of its nine main characters - the greatest modern musicians, who almost confessedly talk about the most important for them, the most subtle things seriously and jokingly: about what is the gift of creativity, about the origin of "this" in a person, about how "this" is given or acquired, about where it goes, about individual and collective creativity, about rhythm and pause, about interaction with the viewer, with the world, about where "it" comes from in the end... "Film-mosaic", "film-orchestra", where everyone has their own unique voice, character, their own individual path, worthy of many films about him, but all this, surprisingly, is composed into a single voluminous statement, woven from monologues, confirmed by the author's music of the film's characters... And it all started in the Cultural Center "ART'ERIA Club", at the crossroads of all types of Art.

The Nature of Creativity

NR 2020
Недееспособные

A documentary about people whom the state, the guardianship authorities and the closest relatives recognized as incompetent, perhaps because they are all pupils of the PNI. Our heroes live in a separate house of accompanied residence in the village of Razdolye, where they earn money themselves, partially supporting themselves as far as they can. Famous people often come to this house. The first episode of this series tells about the arrival of the writer Yevgeny Vodolazkin.

Недееспособные

NR 2020
In Transit, Identity and Love in Europe

The film follows six people with dual European nationalities for four years. Some of them are confronted with the current political events in Europe, like the Brexit, the Catalan crisis in Spain, yellow vests in France – and in the end the (possible) consequences of Covid 19. At the same time, we see their personal lives: some of them get engaged or get married, but things don’t always go as the protagonists would like – or as the director would like. ‘In Transit’ shows the implications that politics have on the microlevel of people’s lives and gives the recent political events in Europe a human dimension. The film is also a personal journey into a continent that is going through some big changes.

In Transit, Identity and Love in Europe

NR 2020
Chobham

With interests in the politics of architecture, voyeurism and urban planning, Garland’s latest work "Chobham" focuses on video and sculptural form. Engaging directly with the site of production at a new residential development in east London, "Chobham" is a wall installation that resembles shapes and forms found in architect’splans and models. The presence of whirling fans and small screen pulsating suns creates a rhythmic work that is inspired by the relationship between technology and simulation. This leftfield approach to technology allows Garland to explore illusion and perception. The grey materiality of the concrete casts is in contrast to the vibrant colour of the videos, reminiscent of advertising hoardings that frequent these new types of neighbourhoods. Playing with scale, Chobham’sminiature staircases and video-rendered sun-drenched balconies unpack elements of the developer’s vision where aspiration is sold alongside the mundane.

Chobham

NR 2020
VENOMENON [The Prospect]

Photographer and media artist Elke Reinhuber explores the architectural splendour of Singapore to present a multi-faceted narrative. Images of grand vistas and sumptuous ornamentations frame the story inspired by the many interpretations of Orpheus and Eurydike over centuries. Flashback scenes are set in Haw Par Villa, which was built in 1937and later developed into a sculpture park with more than 1000 statues and 150 giant dioramas. Serving as a colourful backdrop in the poetic short feature, the cement life-size figures convey Chinese folk art into the modern age. The film’s protagonists stroll through a Hakka cemetery, built in 1965 on a historical burial ground, assimilating the architectural style of the adjacent HDB-buildings. Preceding scenes take place in the internationally acclaimed Hive on NTU campus, featuring the ubiquitous project’s housing with their distinct geometric details.

VENOMENON [The Prospect]

6.0 2020
Plantarians: Appendix

Why is it that we place a plant in a pot, confining its ability to grow and occupy physical space? This work is part of "Plantarians" which asks, what does it mean to have a garden? Apportioned into episodes, the film studies the capacity of garden plants to respond to the particularities of their surroundings. At the same time, it tracks the lives of the contemporary men and women who cultivate, enjoy, eat, obsess over, and even grieve with and for these plants. The piece invites audiences to witness the codependent existence of earth’s living organisms, and to reflect on the ways in which this inter-dependence can be characterised by both conflict and intimacy.

Plantarians: Appendix

NR 2020
The Ark

While the first reports of the Covid-19 outbreak in Wuhan are heard on the news, elsewhere in the country Zhang Xiuhua—who is suffering from a different disease—is fighting for her life. The doctors may have given up on her, but her children and grandchildren haven’t, and they’re doing everything possible to keep her with them for a little while longer. We observe the family in restrained black-and-white as they struggle with their mother’s situation, the economic consequences of the pandemic, and each other. Pride and opposing worldviews ultimately put a strain on relationships between the brothers and sisters—but they still don’t budge from their mother’s side. Events within the family remain at the forefront, but the viewer repeatedly picks up on moments from the Covid crisis and the restrictions arising from it. In this way the film subtly interweaves a private crisis with a global emergency, and shows their reciprocal effects on a human life, at both micro and macro level.

The Ark

NR 2020
My Two Lives, Creative Response to the Holocaust

Lotte Weiss is a Slovak Jew, who spent several years of her life at Auschwitz and Birkenau. Now she is 95 years old and lives in Australia. The director and artist Thea Weiss is married to Lotte’s son. Lotte’s stories and experiences inspired Thea to create a documentary. During the war, thousands of Slovak Jews were deported to the death camps. Only 500 survived, and Lotte was one of them. The amount of vital energy she has helped her not only to survive the torture and devastation but also, having carried the trauma in her memory through decades, to remain whole. Her capacity for kindness, forgiveness, and love gave her the strength and the will for survival.

My Two Lives, Creative Response to the Holocaust

5.0 2020
How to Live Together

St. George Monastery 90 km from Berlin is the only monastery of the Moscow Patriarchate in Germany. About 10 monks and novices live here, most of them in their early twenties. They conduct church services, build and renovate the monastery, the isolated location of which and the absence of parishioners make the daily life of novices from large cities in Ukraine, Belarus and Russia similar to the practice of early Christian hermits. They have different motives for staying here, and for some, the tranquility of a remote German village also means loneliness and doubt.

How to Live Together

NR 2020
The Professional Avdei Ter-Oganian

What if there will be the Last Judgment for artists? Will the decision of the Last Judgment coincide with the conclusion of the Russian court, which doomed the artist to 20 years of exile? As a child, Avdei Ter-Oganian was fascinated by the works of avant-garde artists. So, the harder he tried to be the professional in the field of avant-garde art, the more critical and provocative he seems to be. But his colleagues, artists, who often became objects of Avdei’s provocations, and even representatives of authorities tolerated him. But once, during Moscow's Art Manege Fair in December 1998, Ter-Oganian conducted a scandalous performance: with a hatchet, he destroyed several icons - cheap objects, one he painted over with a profanity. His performance caused public protests towards his mistreatment of these icons, although they were just objects sold for tourists as souvenirs on the streets. As the scandal grew, Ter-Oganian's exhibit was closed, and further performances were prohibited.

The Professional Avdei Ter-Oganian

NR 2020
Did You Do It?

Set in Crossings Republik—a sub-city, neither urban nor rural, on the fringes of New Delhi—Did You Do It? explores the dynamics between natural resources and human intervention. Director Aditi Bhande moved to this ‘integrated city project’ with her family last year. After days of commuting to Delhi through a landscape of farms, high-rises, villages, factories and the polluted Hindon river, she reached an epiphany of horror. Where did the water to grow the food she ate come from? Where did the garbage she threw out go, and where did it end up? How was her everyday reality connected to the wider one around her?

Did You Do It?

NR 2020
Hawaiiana

HAWAIIANA examines the enduring legacy of Winona “Aunty Nona” Beamer, a venerated educator, storyteller, composer and hula expert who dedicated her life to preserving and celebrating traditional Hawaiian culture. In her 20s, Aunty Nona formed a Hawaiian dance troupe that toured the U.S., eventually performing at Carnegie Hall and bringing the ancient art of hula to the wider public. Later, as a teacher at the Kamehameha Schools, she became a pivotal force in bringing Hawaiian culture back into the classroom. She coined the now well-known term “Hawaiiana” to represent a curriculum that included the best of Hawaiian culture, history and knowledge. Weaving together archival music and dance performances with past interviews and footage of Aunty Nona and her sons Keola and Kapona Beamer, HAWAIIANA offers a profile of a pioneering woman whose wisdom and life story continue to spread the message of aloha around the world.

Hawaiiana

NR 2020
At First They Don't Believe

"At First They Don't Believe" documents the stories and experiences of two women who survived the regime, Sieng Chantei and Leay Kimchhean, as they navigate and confront these challenges. The film highlights the different ways that they have made their experiences of the regime meaningful. Building on the work of Changing the Story in Cambodia, and by learning from and with the innovative work of Cambodian civil society organisations, the film illustrates the importance of young people learning about and acknowledging the stories of survivors.

At First They Don't Believe

NR 2020
St. Viniri – The Sacred Forest

The forest of Agia Paraskevi in Vovousa, a mountainous village in Western Greece, is one of the last remaining sacred forests. Untouched by the passage of time, it’s being preserved by the myths that comprise the village’s oral tradition, which in turn passes on from generation to generation and building up the forest’s legend. People say that if the forest is “disturbed” in any way, the consequences will be devastating. As a result, the forest survives without any human intervention – something rare in our modern times.

St. Viniri – The Sacred Forest

NR 2020