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Alexander Calder : Inventor of the Mobile

Alexander Calder is the definitive portrait of one of the pre-eminent artists of the 20th century, and the inventor of an art form, the mobile. This acclaimed film shows Calder at work in his studio and never-before-seen archival films and photographs. It includes contemporary shooting of dozens of works, and features interviews with Arthur Miller, Ellsworth Kelly, I.M. Pei, Brendan Gill, Marla Prather, David Ross, Calder's daughters and grandson, Sandy Rower, and others.

Alexander Calder : Inventor of the Mobile

9.0 1998
The Upper Gate

The Upper Gate was about Sidon (The capital of the south of Lebanon), the filmmaker Arab Loutfi’s home town; in which she wove a history of the city through the stories of its people. In her film she tries after the 1982 Israeli invasion, which caused so much damage and chaos, to reconstruct her own memories of the place offering accounts of herself, her sister Maha, her uncle and her friends, interspersing them with newspaper clips and personal photographs to illustrate her preoccupations and concerns in relation to Sidon at different times.

The Upper Gate

NR 1991
Everest At Any Cost

In 1983, three climbers became the first French people to reach the summit of Everest. Among them were expedition leader Pierre Mazeaud and a promising 25-year-old climber, Jean Afanassieff. Twenty years later, the two legends, accompanied by mountain guide Michel Pellé, retrace the steps of their exploit and make the trek from Kathmandu to the foot of the roof of the world. This is an opportunity to retrace the history of the successive assaults on Everest and to assess the current situation of a mountain that has become a victim of its own success: while Sherpas have been able to take advantage of Western enthusiasm and thus enrich themselves and equip the summit to make it more accessible, the site's attendance poses numerous problems, both human and ecological.

Everest At Any Cost

10.0 1999
Merchant of Feelings

An intimate portrait of late director, George Obadiah, made when Tal was a student at Tel Aviv University’s Department of Film and Television Studies. In the film, the immensely popular Obadiah who was loved by audiences and loathed by critics, sits down with Tal for an on-camera conversation, just two years before his death. Elderly, poorly, and frustrated that he is no longer making films, Obadiah opens up about his love of filmmaking and the principles that have steered him throughout his professional career.

Merchant of Feelings

NR 1994
Art in an Age of Mass Culture

Art in an Age of Mass Culture pulls back the curtain and takes a look at the cultural climate surrounding MoMA's now famed exhibition, "High and Low: High Art and Popular Culture". Opening in the fall of 1990, the show placed a spotlight on the rapid merging of consumerism and the artistic avant-garde. Curated by Kirk Varnedoe and Adam Gopnik and featuring work from artists such as Jeff Koons and Roy Lichtenstein, "High and Low" ignites conversations of mass culture and our society's ever-changing relationship with the arts.

Art in an Age of Mass Culture

NR 1991
Il Film di Mario

It's Christmas. Mario, a forty-year-old unemployed grandfather who lives by his wits but has an equally chronic dream of becoming an actor, is hired as a caretaker (sixteen hours a day) of a grotesque nativity scene set up on the main street of Bari by a photographer who uses it as a backdrop for photographing children. For us, it's a great opportunity to make a documentary about him... But for Mario, too, we are an excellent opportunity to make his film, the dream he had in his drawer, the film about his life: we are his crew and he is the director! The result is a constant battle: between us, who want moments of the real Mario, the cheerful and optimistic one despite the objective difficulties of his existence, and him, who proposes a tragic but partial Mario, convinced that by loading his testimony with suffering and melodrama, the story of his life will have more appeal...

Il Film di Mario

NR 1999
The Shoga (Glass and Gas) Company

"I have not been very active as a social filmmaker anymore after the revolution, though I had great plans and projects at the start of the revolution! So far I have made many so-called commissioned industrial films for national oil, gas, and steel companies as well as for government ministries, in which I tried to bring the films as close as possible to my taste and to my way of thinking and make the films' sponsors to see the world from content and formal viewpoints. Some of these films encountered serious censorship problems and part of them were cut for their public screenings, such as Gas, Fire, Wind and The Genaveh Project, both of which were filmed during the Iran-Iraq war." - Kamran Shirdel

The Shoga (Glass and Gas) Company

3.7 1990
Neighborhoods: The Hidden Cities of San Francisco - The Castro

Now known internationally as the world's first "gay hometown," San Francisco's Castro District was a quiet, working-class neighborhood of European immigrants only a few decades ago. In this documentary, the story of the Castro's transformation is told by those who lived it, young and old, straight and gay. It's a tale of social upheaval, exuberant street culture, political assassination, and the inspiring coming-of-age of an entire community an ongoing saga even today.

Neighborhoods: The Hidden Cities of San Francisco - The Castro

3.3 1997
Be Careful!

The mankind, laughing, to all gets used. Slowly, but correct. It is necessary to recognize, that on a background of prompt growth counterskyscraper and other terrorism, general degradation and degeneration of tastes, the problem of former terrible AIDS is not considered now as something out of the common leaving in a turn universal bad. In comparison with all by rest of the same sort, is in it even and something positive: for pleasure suffer, instead of so that sleep, and wake up under concrete ruins, not having and opportunity to send last "forgive" over the mobile telephone. From asheses send - in ashes we will address, as teach us clever books. In film, about which there will be a speech, the alternative way which was less giving back with didactics, formalin and fatalism is offered.

Be Careful!

NR 1997
A Sense of Belonging

Made in 1991, A Sense of Belonging is Morrison’s four-part documentary series, the first of its kind, on the history of Jewish life in Britain. TJFF is thrilled to present three of the four episodes, which have been out of circulation for decades. “A Sense of Belonging was my attempt to put Jews on TV. Ordinary Jews, the ones I knew, were invisible on British television; apart from the Holocaust and Israel, Jews didn't exist.” recalls director Paul Morrison, “We went for a structure for the series that followed the arc of the pilgrim festivals. The premise of the series that Jews in Britain have been allowed in on sufferance, led restricted Jewish lives as a consequence, and are—or were—challenging that straight jacket.“

A Sense of Belonging

NR 1991
Gesetz der Straße

Travelers have wandered the Irish countryside for centuries. They were tinsmiths, harvesters and migrant laborers, fortune- and story-tellers, horse-traders and peddlers, knife grinders and scrap dealers, always performing a welcome chore for the settled society. As the centuries went by the so called tinkers adjusted their lifestyle to the changing conditions. Today, however, their traditional life on the road is coming to an end. "Rules of the Road" is a contemporary road movie forgoing the familiar cliché of romantic escape. Instead it focuses on Irish travelers who not only herald a sweeping economic migration, but also are the living exponents of an odyssey. An odyssey reflecting the state of mind in an absolute industrial society. The Irish travelers have no place to go. And they never had a place there they could stay. —Oliver Herbrich

Gesetz der Straße

7.0 1994