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Elephant: Lord of the Jungle

Great herds of Asian elephants once roamed from Baghdad to Beijing. Now only remnants of these once mighty herds survive, protected today by the Indian government. It is here that filmmaker Naresh Bedi turns his camera, capturing an intimate portrait of thee largest of land mammals. An adult elephant eats 300 pounds of green fodder and drinks 40 gallons of water a day. This film follows these gentle giants as they forage and feed, wallow in watering holes, dust their skin with dirt, and care for their young.

Elephant: Lord of the Jungle

10.0 1987
Moscow Postcards

In this video diary of Breder’s trip, the viewer is given an after-hours tour of the Soviet capital. The different segments include a daylight panorama of Red Square, a scene in which Breder is handed the phone by his Russian artist hosts, a walking tour precursor of My Body Sees You, an underground performance with gas flames in a glass column, the midnight changing of the guard at Red Square, and a hypnosis session with a psychic that ends with a close up of another Russian magician on television.

Moscow Postcards

NR 1989
The Life and Work of Georges Seurat

In Georges Seurat’s work, the viewer will surely never “miss the point”. The son of wealthy Parisians took modern life as his theme. Excited by recent theories of colour, he developed the technique of pointillism, whereby individual colour-dots, set side by side on the canvas, meld, in the eye of the viewer, into whole colour-surfaces. Dying suddenly at age 31, he left behind only a few large paintings, including A Sunday Afternoon on the Island of La Grande Jatte. David Thompson investigates, with the aid of such artists as Henry Moore, the artistic and theoretical work of the man who founded Post-Impressionism in modern painting.

The Life and Work of Georges Seurat

9.0 1988
The Cubist Painting

Commissioned for the French television series Regards Entendus, La peinture cubiste is a multilayered, elusive investigation of the perception of reality and representation through cinema, painting and video. Unfolding as an evocative, implied fictional narrative, this work was suggested by a Jean Paulhan text in which a man experiences and perceives everyday life as though in the multifaceted space of a Cubist painting. Alternating between film and video, Kuntzel and Grandrieux explore physical and psychical perception, constructing an analogy between the way video transforms conventional filmic representation and the way Cubism fractured the perspectival codes of classical pictorial space. Shifting between abstraction and materiality, the real and the imaginary, this work suggests passages between painting, cinema and video.

The Cubist Painting

NR 1981
Nobody Had Informed Me

Menno de Nooijer had previously collaborated on Paul's films, but this one marks the launch of a directors' team that lasts until today. Two man stick their heads through a decor, photographs revolve around their heads. Unfettered reflection on their own work, the basic assumption being a quote from 18th-century writer Horace Walpole, which also appears in other titles of their films: 'Nobody had informed me that at one view - I should see a palace, a town, a fortified city, - temples on high places […]'. In 1989, this film was granted the jury award at the Holland Animation Film Festival. (filmcommission.nl)

Nobody Had Informed Me

NR 1989
The Secret Country: The First Australians Fight Back

The shameful history of persecution of the Aborigines in Australia. The secret history of Australia is a historical conspiracy of silence. Written history has long applied selectivity to what it records, largely ignoring the shameful way that the Aborigines were, and continue to be, treated. Because Aborigines had not cultivated the land they were seen by British colonists as having no proprietorial rights to the land. They had no treaty and therefore no rights under British colonial rule. Little of their resistance is recorded.

The Secret Country: The First Australians Fight Back

9.0 1986
Gossliwil - Five Essays on Peasant Culture and Peasant Economy, on Work, Property and Time

The film authors cautiously approach the village of Gossliwil in Bucheggberg, Solothurn, with its 160 inhabitants, and sift through traces of a rural culture of survival under modern conditions without romanticization. Knowledge of the destructive threat of industrialization and the mechanisms of a global food market for the farming world is included in the research. The farmers themselves have their say; at the same time, their tradition is traced in pictures, deliberate narrative rhythm, repetitions and sayings. The result is a clever analysis of Swiss agricultural policy, whose clear structure never slips into nostalgia; a highlight of Swiss documentary filmmaking.

Gossliwil - Five Essays on Peasant Culture and Peasant Economy, on Work, Property and Time

NR 1985
Qatar Rally 1989

The Qatar International Rally held near the Qatari capital Doha, dates back to the 1970s and has long been one of the main events of the Middle East Rally Championship (MERC). 1989 was the sixth year of the MERC with Qatar marking the opening round. The reigning champion Mohammed Bin Sulayem, driving a Toyota Celica GT-Four turbo, was eager to open his season account with a win but his arch rival Saeed Al-Hajri would push him all the way to finish line in the Ford Sierra RS Cosworth.

Qatar Rally 1989

NR 1989
It's Hard By Oneself...

The documentary takes the viewer to the Polish countryside of the mid-1970s. Andrzej, Leszek, Eugeniusz, Ryszard and Jerzy are young men who dream of finding their other half. The film's protagonists have advertised in newspapers and talk frankly and without inhibition about their search and the dilemmas it involves. The picture is complemented by the statements of their parents, who watch their sons' efforts to start a family with love but also concern. The film also gives an insight into the problems farmers face - not only love but also hard work on the land awaits the chosen one of their hearts. "Either get married or quit this farm", "What's one to do on a farm?" - say the characters in the film. The countryside is not a place made for living alone.

It's Hard By Oneself...

NR 1980