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Eduardo the Shaman: A Case Study of Culture and Hallucinogens

Full film record explores a pre-Columbian tradition of folk therapy known as in northern Peru. Based on seven years of ethnographic research by Douglas Sharon, the footage documents the activities of Eduardo Calderon, a Peruvian fisherman, ceramacist and (healer). Scenes of the healer in various daily interactions with members of his family and local community illustrate the impact of Eduardo's charismatic personality and serve to underscore the importance which a specific cultural context has upon the diagnostic and healing process. Also explored is the importance of the local pre-Columbian ceramic art and iconography to Eduardo's healing practice; the use of herbs (including the San Pedro cactus), divination with the use of a live guinea pig, and the various ritual manipulations of the healer on his (table). Featured are scenes from a number of "seances" or curing ceremonies. The edited film EDUARDO THE HEALER was produced from this footage.

Eduardo the Shaman: A Case Study of Culture and Hallucinogens

NR 1977
Speaking Directly

Speaking Directly is an essay-film making for a kind of State of the Nation address, from the perspective of someone other than the President of the United States, circa 1973-5. This film addresses both the political and cultural situation of the US at the height of the Viet Nam war, Watergate and its aftermath, and likewise addresses the personal life, in this context, of the filmmaker, at that time thirty years of age, recently out of two plus years in federal prison for refusal to accept military service.

Speaking Directly

8.7 1973
On a Wedding, a Departure, and Love

Using the village of Ulyakhino in the Gus-Khrustalny District of the Vladimir Region as a case study, the filmmakers chronicle the changes taking place in rural life: year-round employment for residents, diversified economic activities, increased crop yields and milk production, and the desire of young people to remain in the village to live and work; they also depict the daily duties and concerns of the collective farm chairman, Stepan Petrovich Ginin—a Candidate of Economic Sciences.

On a Wedding, a Departure, and Love

NR 1972
Our Wonderful World: Kula – Argonauts of the Western Pacific

An ethnographic documentary filmed among the Trobriand Islanders of the Western Pacific, directed by Yasuko Ichioka for Japanese television. The film documents the Kula exchange system, a ceremonial network of inter-island gift exchange that structures social relations, travel, and status among participating communities. Produced within the context of Japan’s Our Wonderful World ethnographic television series, the film presents sustained observational footage of ritual activity and daily life associated with the Kula cycle. (Note: Although produced for television within the Our Wonderful World series, the film is consistently cited in ethnographic filmographies, festival programs, and scholarly sources as a self-contained work with a distinct title, director credit, and runtime, supporting its treatment as a standalone film.)

Our Wonderful World: Kula – Argonauts of the Western Pacific

NR 1971
The Most Beautiful in the World – Books of Today: International Book Art Exhibition Leipzig 1971

Commissioned by the German Book Traders’ Association, Lotte Thiel follows the preparations for the 1971 International Book Art Exhibition, prominently supported on screen and on the soundtrack. The tradition of this fair is recalled, from its predecessor BUGRA 1914 to the first IBA in 1927 and the subsequent events that took place every five to six years starting in 1959. Award-winning illustrations can be viewed in detail.

The Most Beautiful in the World – Books of Today: International Book Art Exhibition Leipzig 1971

NR 1971
USSR: A Society Without Crisis

Through an interview with Professor Leonid Abalkin and the Anikeev family, the documentary's proposal is to present the quick improvement of life felt by the Soviet population, obtained with the increase of the population's income and expansion of social rights. With still dynamic growth, the Soviet economy was consolidating mass production in several economic sectors. The examples used in the documentary, the ZIL, KamAZ factories and the construction of the Baikal-Amur railway (BAM) seek to demonstrate the development of this centralized economy. Attention was also paid to the new technologies of integrated circuits, which enabled economic calculations, previously impossible to be processed manually. The automation of industries was also addressed by the documentary. The marxist idea presented was that the automation of industries in Soviet Union don't promoted layoffs, as a result of the contradictions between work and capital, which occur in capitalist countries.

USSR: A Society Without Crisis

NR 1977
Letter from the New Town

What more understated, and yet more effective, ode to urbanization than Mesaroș’s film, which consists entirely from dynamic black&white photographs connected by a voice-over commentary written from the perspective of a naughty pre-teen boy who enjoys to the full the benefits of modernization? His village (Nehoiu, in Buzău county) is about to become a town; the boy writes a letter to his cousin from the capital, Bucharest, to tell him about his daily life. As in Red Flag, humour is a crucial element employed to smooth down the otherwise transparent political ‘message’ of the film: when the boy swallows a button, the mother takes him to the “new” hospital, where the doctors take an x-ray picture “to see if it’s from the shirt or the pants”; the machine is “so good” that they can clearly see what sort of button it is.

Letter from the New Town

NR 1978