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Stratum 2: The Asthenosphere

This is a film both about the spectacle and the space, about how the spectacle has caused the mutation of the (physical and phycological) space in which we reside. This film is determined to be the ‘film on space’ of our times, an epic theater, the general observation of the geological structure of this time. I therefore invent or re-invent some terms for my purpose: Archae(now)logy; Ruinology; space bankruptcy; theater of life -- theater of cruelty -- theater of spectacle; the body-film; the New Berlin Wall - Iron Curtain; and “refugees without camps”, ‘the plants”, “the ghosts,” the asthenosphere, dark energy... I have stolen a great amount of found footages/ready materials or already existed films. This “stealing” is exactly the way to get connected with history and the history of film, to construct an “echo film”.

Stratum 2: The Asthenosphere

NR 2021
THE NEW NORMAL

It’s January 2021, the world is in lockdown and our economy is on the brink of collapse. Will the new vaccine enable our lives to return back to normal or does it mark a pivotal point in the evolution of humanity (one that is driven by artificial intelligence, will reimagine capitalism and be governed by extreme tyrannical laws that are dictated by global elites)? The New Normal, a factual, 50-minute documentary, investigates The Fourth Industrial Revolution, what the 1% has to gain and the rest of us are about to lose.

THE NEW NORMAL

8.5 2021
Music’s Dirty Secrets: Women Fight Back

In an exclusive interview, Hana, former girlfriend of hotly tipped rapper Octavian, reveals why she decided to go public on social media with claims of physical abuse at his hands. Her Instagram post led, in November last year, to the artist and his long-awaited debut album being cancelled by his record label, Black Butter, part of Sony Music. Tamanna explores why Hana felt she had to go public with her allegations. Questions are also asked about the relationship between Island Records, a subsidiary of Universal, and one of music’s most dangerous men, Solo 45. Today the grime star is in jail for 30 years for raping and torturing women. But before Island handed him a deal, he served six months in prison in Cyprus for domestic violence. Was this taken into consideration before the label invested in his music?

Music’s Dirty Secrets: Women Fight Back

NR 2021
I Wish The World Was a Paper Plane

In the summer of 2019, a group of youths from Syria, Turkey, England and Denmark meet up for a two-week theatre workshop in Antalya. Here, they are given the task of staging human rights in a collective performance. First, they must agree on how to interpret the rights, both artistically and politically – and then it suddenly makes a difference if you come from Syria or Denmark, even if you are not aware of it yourself. The director Camille Bildsøe observes with an attentive presence how empathy and tolerance come about during the process. And, not least, how both can make an active difference in the real world.

I Wish The World Was a Paper Plane

NR 2021
Missivas

The Documentary tells the story of Jane Vanini from the author's reflections on her militancy-building process. Starting with the meeting of the two during the “Jornadas de 2013”, we will look at Jane's path as we follow steps, from her hometown, Cáceres, to Concepcion, in Chile. It is the possibility of discussing this journey from a personal point of view that makes this project unique and takes us to social, political and human borders. This window is opened to us through Jane's 41 letters to her family, allowing us to glimpse nuances of her intimacy and militancy choices. It was while researching Jane's militancy that the author debated these reflections on his own militant career and the context in which it takes place. Telling Jane's trajectory, going through her family and religious formation and its implications for her activism was one of the moments of encounter between these two days.

Missivas

NR 2021
How to Make Kimchi (or How to Be Korean)

"How to Make Kimchi (or How to Be Korean)" is incidentally not a film about how to make kimchi. Weaving together archives and intimate homemade footage the piece rests itself on the anchor of family. Through this anchor point the past is explored and reconciled with imagery from the Korean War and ideas of nationality are questioned and probed. What does it mean to be Korean? What does it mean to be American? Will I lose all my connection to my Koreanness when my parents pass? Wrestling with these questions, the piece acts as a patchwork, picking up and stitching together folk tales, family dialogue and the past, hoping with an open honesty and love to find answers to the question of belonging.

How to Make Kimchi (or How to Be Korean)

NR 2021