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Animal Farm

James Hollenbaugh takes us to Animal Farm, a residence where animals are taken to die, their parts later being sold on or left to decay. The description of this site is recalled by the narration and drawings of young Sofia, whose Uncle Steve runs Animal Farm. By juxtaposing images of death and decay with Sofia’s colourful drawings and ambiguous understanding of the place, Hollenbaugh creates an uncomfortable tension between dark human reality and the optimistic worlds of children.

Animal Farm

NR 2020
Exhumed: A History of Zombies

There are few monsters more recognizable or popular than the zombie. The reanimated corpse has been a staple of folklore, film, literature and popular culture for nearly 200 years. Join Dr. Emily Zarka, who studies literature and film through the lens of monsters, as she deconstructs some of the most significant moments in zombie popular culture over the last two centuries to reveal what these creatures say about us. In New Orleans, Dr. Zarka explores how zombie folklore arose before it became mainstream and discovers more about the spiritual and historical roots of zombie lore.

Exhumed: A History of Zombies

NR 2020
Somewhere In Between

Somewhere in Between is a short film about how queer Canadian singer-songwriter Kate Reid decided to undergo a surgery that altered her body, and her relationship with her body. It is the story of how they felt about and in their body in relation to others, and the meaning that the world impressed upon their body before the surgery. Since having top surgery, Reid has felt more at home in her body than ever before. Like so many people in the world, Reid’s gender identity is hybrid and fluid. It is an assemblage of many different ideas, words, feelings, energies, lived experiences, and now, altered body parts. It is a gender that is somewhere in between.

Somewhere In Between

NR 2020
Tugging Diary

Tugging Diary documents a footbridge over a year between August 2019 to January 2021. Due to social unrest and the uncertainty of various immediate happenings, both the internet and physical spaces act as critical communication platforms of its own during this period. As such, information can be circulated in the community more widely and rapidly outside of the existing mainstream media. As time goes by, these materials are continuously altered, some were renewed, while the others were removed, covered with paint, or overlaid by other information.

Tugging Diary

7.0 2020
Dying in Your Mother's Arms

If losing a child to an illness is one of the worst things that can happen to a family, Dr. Nadia Tremonti has made it her mission to make it better. It's not easy. But as a pediatric palliative care physician, she works to ensure that terminally ill children receive quality end-of-life care. Palliative care is sometimes misunderstood to shorten life expectancy, but it's a method that increases quality of life, improves symptom burden and decreases medical costs. We follow Dr. Tremonti in the short documentary above as she works to make death less medical and more human. In the process she asks a critical question: When a child is terminally ill, how can we make the end of life a better one?

Dying in Your Mother's Arms

NR 2020
Ride To The Top- Germany's Highest Construction Site

Precision work at an altitude of 3,000 meters. A unique construction is being built on the Zugspitze - Germany's highest Mountain. With a total distance of 4.5 kilometers, the suspension railway being built there is not only the highest, but also the longest cable car in the world. But that's not all: it drives over a single support that sets another record at 127 meters. How does the alpine climate influence working conditions? Our documentation takes a look behind the scenes of the cable car construction site and accompanies the creation of the impressive structure.

Ride To The Top- Germany's Highest Construction Site

NR 2020
State of emergency

The world has become akin to an abandoned video game: frozen and endless. State of Emergency wants to recreate this strange video-game reality. The film is an attempt to save a place in time: to describe it, and to remember it. Our current present — our own state of emergency, the Covid-19 pandemic — began more than a year ago, and no one knows how long it will last. The main markers of this new reality are isolation and distance. In the film, we see a virtual city has become like time itself, a labyrinth that is endless and uncertain. Meanwhile, lines from a diary collect the disparate thoughts accumulated over the course of a month.

State of emergency

NR 2020
Viva Presidio!

In Presidio, Texas, it is customary to hear Norteña music, typically Mexican, in the bars of the city. John Ferguson, american, governs the 4,426 inhabitants of the small town, is the principal of the city high school. As mariachi, John and Mariachi Santa Cruz also play in nearby Ojinaga, Mexico, distant the Rio Grande river from Presidio. The need to understand the history that binds Mexico to the United States, during one of the periods where the thread that weaves them seems to have become tangled. Viva Presidio! tells the story of a man whose ethnicity represents 2% of the population who voted to elect him, of the affection for his city and of the walls and customs in a reality where, the real cultural accents,represent an element of union between two communities in conflict today.

Viva Presidio!

NR 2020
What Should I Put in My Coffee

What Should I Put in My Coffee? is the world’s first feature-length documentary about coffee creamer. Using this seemingly light-hearted topic as a starting point, the film explores big ideas about farming and animal agriculture, the environment, and the role of consumers in our current food system. Follow filmmaker Jon Lanthier as he searches across the Pacific Northwestern US for the most delicious and most morally responsible creamer, interviewing dairy farmers; baristas and coffee roasters; Oatly, the oat milk producer; animal welfare researchers; vegan activists, and many more.

What Should I Put in My Coffee

NR 2020
Lost Kids on the Beach

Filmmaker Alina Manolache was born 1990, the year after the fall and execution of Romanian dictator Ceausescu. It marked the beginning of a new, post-communist era. At the start of the film, she calls out to people who had ever been lost on the beach in the nineties to get in touch with her. This seemingly random appeal leads to her traveling around the country and having conversations with a large number of peers about their memories of the experience, and about their life now.

Lost Kids on the Beach

6.0 2020