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Chobham

With interests in the politics of architecture, voyeurism and urban planning, Garland’s latest work "Chobham" focuses on video and sculptural form. Engaging directly with the site of production at a new residential development in east London, "Chobham" is a wall installation that resembles shapes and forms found in architect’splans and models. The presence of whirling fans and small screen pulsating suns creates a rhythmic work that is inspired by the relationship between technology and simulation. This leftfield approach to technology allows Garland to explore illusion and perception. The grey materiality of the concrete casts is in contrast to the vibrant colour of the videos, reminiscent of advertising hoardings that frequent these new types of neighbourhoods. Playing with scale, Chobham’sminiature staircases and video-rendered sun-drenched balconies unpack elements of the developer’s vision where aspiration is sold alongside the mundane.

Chobham

NR 2020
nothing_fucking_matters_II: cuter on the internet.mp4

Digital intimacy is about exchange, but what is it that it is made of and how are we exchanging it? A PERSONAL PROJECT is a series of online artifacts ranging from videos and erotic stories to photos and snapchats created to expose power dynamics in online, browser-mediated affairs. Who or what controls who's arousal? Who gets paid? Are there different kinds of currency used for pay-outs? Who gets what kind of currency-- is it all equal? Guilt and shame are explored as a possible substance that can be communicated through interface obfuscated online interaction. This project was exhibited in an account on XTUBE until 2019, an amateur porn site. nothing_fucking_matters_II: cuter on the internet.mp4 (2014) is an artifact from that XTUBE channel.

nothing_fucking_matters_II: cuter on the internet.mp4

NR 2020
Centen van Knegsel

The grandparents of the director, Marieke Widlak, confront her with a complicated question. Along with several inhabitants of Knegsel, they have been supporting the Indian priest Christopher Bara and his poor community for the last forty years. Does Marieke want to continue this project? She hesitates and raises confrontational questions. Is something like this effective, or just self-interest? To get real answers, she looks up Bara himself. The bond with him grows, but so do her doubts. Until an unexpected message from India clarifies things.

Centen van Knegsel

NR 2020
The Professional Avdei Ter-Oganian

What if there will be the Last Judgment for artists? Will the decision of the Last Judgment coincide with the conclusion of the Russian court, which doomed the artist to 20 years of exile? As a child, Avdei Ter-Oganian was fascinated by the works of avant-garde artists. So, the harder he tried to be the professional in the field of avant-garde art, the more critical and provocative he seems to be. But his colleagues, artists, who often became objects of Avdei’s provocations, and even representatives of authorities tolerated him. But once, during Moscow's Art Manege Fair in December 1998, Ter-Oganian conducted a scandalous performance: with a hatchet, he destroyed several icons - cheap objects, one he painted over with a profanity. His performance caused public protests towards his mistreatment of these icons, although they were just objects sold for tourists as souvenirs on the streets. As the scandal grew, Ter-Oganian's exhibit was closed, and further performances were prohibited.

The Professional Avdei Ter-Oganian

NR 2020
24 Hours of Le Mans Reviews

The 24 Hours of Le Mans (French: 24 Heures du Mans) is the world's oldest active sports car race in endurance racing, held annually since 1923 near the town of Le Mans, France. It is considered one of the most prestigious automobile races in the world[2] and has been called the "Grand Prix of Endurance and Efficiency". The event represents one leg of the Triple Crown of Motorsport, with the other events being the Indianapolis 500 and the Monaco Grand Prix. Unlike fixed-distance races whose winner is determined by minimum time, the 24 Hours of Le Mans is won by the car that covers the greatest distance in 24 hours.

24 Hours of Le Mans Reviews

NR 2020
Did You Do It?

Set in Crossings Republik—a sub-city, neither urban nor rural, on the fringes of New Delhi—Did You Do It? explores the dynamics between natural resources and human intervention. Director Aditi Bhande moved to this ‘integrated city project’ with her family last year. After days of commuting to Delhi through a landscape of farms, high-rises, villages, factories and the polluted Hindon river, she reached an epiphany of horror. Where did the water to grow the food she ate come from? Where did the garbage she threw out go, and where did it end up? How was her everyday reality connected to the wider one around her?

Did You Do It?

NR 2020
Hawaiiana

HAWAIIANA examines the enduring legacy of Winona “Aunty Nona” Beamer, a venerated educator, storyteller, composer and hula expert who dedicated her life to preserving and celebrating traditional Hawaiian culture. In her 20s, Aunty Nona formed a Hawaiian dance troupe that toured the U.S., eventually performing at Carnegie Hall and bringing the ancient art of hula to the wider public. Later, as a teacher at the Kamehameha Schools, she became a pivotal force in bringing Hawaiian culture back into the classroom. She coined the now well-known term “Hawaiiana” to represent a curriculum that included the best of Hawaiian culture, history and knowledge. Weaving together archival music and dance performances with past interviews and footage of Aunty Nona and her sons Keola and Kapona Beamer, HAWAIIANA offers a profile of a pioneering woman whose wisdom and life story continue to spread the message of aloha around the world.

Hawaiiana

NR 2020
The Right to Sexuality

Paul and Hava met at a performing-arts social event for people with intellectual disabilities. With the assistance of their parents, they went on a few successful dates. The connection was immediate. After some time, they decided to make their strong, loving bond official. The couple made each other so happy that their parents saw no good reason to deny the proposal. The group homes where Paul and Hava lived, however, stood in the way of the couple’s union. “They want us not to get married—not to live together,” says Paul in a new short documentary.

The Right to Sexuality

NR 2020
At First They Don't Believe

"At First They Don't Believe" documents the stories and experiences of two women who survived the regime, Sieng Chantei and Leay Kimchhean, as they navigate and confront these challenges. The film highlights the different ways that they have made their experiences of the regime meaningful. Building on the work of Changing the Story in Cambodia, and by learning from and with the innovative work of Cambodian civil society organisations, the film illustrates the importance of young people learning about and acknowledging the stories of survivors.

At First They Don't Believe

NR 2020
St. Viniri – The Sacred Forest

The forest of Agia Paraskevi in Vovousa, a mountainous village in Western Greece, is one of the last remaining sacred forests. Untouched by the passage of time, it’s being preserved by the myths that comprise the village’s oral tradition, which in turn passes on from generation to generation and building up the forest’s legend. People say that if the forest is “disturbed” in any way, the consequences will be devastating. As a result, the forest survives without any human intervention – something rare in our modern times.

St. Viniri – The Sacred Forest

NR 2020
Garment/Movement

In Garment/Movement, Lily Ashrowan explores space, physical response and time. Ashrowan depicts two women playing and performing amongst industrial debris, likening human arms and non-human levers in Hawick’s derelict Peter Scott mill, a site imbued with the past labour of women. A tense countdown booms out as the site’s discarded present is explored through the female body and entrancing gestures of the passing of time. Ashrowan challenges notions of play as simply jovial or as pastime, and fixes it firmly in real human experience, a method to understand the world.

Garment/Movement

NR 2020
I Am An Other

Percy and Elija are in a relationship, they live together in a suburb of Copenhagen and don't only share a passion for cosplay. They also share the entire universe that they have built together in the performative Japaneses role-playing universe, where they can live out other sides of themselves. We experience the two young people 'in character' and in full makeup, but also when they share pillows with each other in their intimate and private 'backstage' home in their apartment. Victoria Salomonsen's 'Jeg er en anden' is a stylish and psychologically astute film about being young in a performative age, where you have the freedom to be yourself and someone else – if only you have the courage too.

I Am An Other

NR 2020