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Form Sorcerer - Portrait of Sigurjón Ólafsson, sculptor

A documentary about the Icelandic sculptor, Sigurjón Ólafsson. Shot between 1978-1984, the film shows Mr. Ólafsson making a portrait in clay of the late president of Iceland, Dr. Kristján Eldjárn. The proces is shown almost from the beginning until the sculpture has been moulded into bronze. The film also deals with some of Ólafsson's other work and a visit is paid to the artists's place of birth, Eyrarbakki, a small village on the south west coast of Iceland.

Form Sorcerer - Portrait of Sigurjón Ólafsson, sculptor

NR 1988
Snakes Natures Armored Warriors

Poisonous snakes are among the most deadly feared, yet fascinating creatures on earth. They strike their prey with pin-point precision, injecting lethal doses of poison. Now, for the first time on video, you can take an inside look at the exciting world of these intriguing reptiles. Witness lightening quick strikes and live capture scenes of America's most deadly snakes, the Rattler, Water Moccasin and the Coral Snakes. Join host and expert snake handler Bob Popplewell as he separates myth from reality!

Snakes Natures Armored Warriors

NR 1989
Meine Mutter wird sichtbar

My mother lights 80 candles and becomes visible. When I set to work, it turned into an intense confrontation between mother and son. I finally learned the unvarnished story of my mother's life and began to understand why we both became who we are. I interwove the film image with two layers of sound: the Suite in C minor for violoncello, Bach, and dialogical texts spoken by mother and son, based on our conversations and describing how she gave birth to her seven children during the years of Hitler's fascism. I will continue to work on my mother's biography.

Meine Mutter wird sichtbar

NR 1986
Die Kinder vom Bullenhuser Damm

On April 20, 1945, twenty Jewish children were hanged at the Hamburg school on Bullenhuser Damm. SS doctor Heißmeier had previously conducted "medical" experiments on the children. To conceal this crime from the advancing British forces, the SS, under the command of Obersturmführer Arnold Strippel, killed the children, two prisoner nurses, two prisoner doctors, and 24 Soviet prisoners of war. One of the children's murderers, Arnold Strippel, who now lives in Frankfurt, has been under investigation by the Hamburg public prosecutor's office since 1979, but so far without any results. The film documents the children's story through eyewitness accounts. It conveys impressions of Nazi propaganda through "Die Deutsche Wochenschau" (The German Weekly Newsreel) and shows the dangers of neo-fascism in the Federal Republic of Germany. In April 1980, a few days after a memorial service for the children, neo-Nazis planted a bomb in the school on Bullenhuser Damm...

Die Kinder vom Bullenhuser Damm

9.0 1983
Hearts & Hands

The film chronicles the lives of ordinary women as well as individuals such as Harriet Tubman, Elizabeth Keckley, Frances Willard, and Abigail Scott Duniway through the great 19th century events: industrialization, abolition, the Civil War, westward movement, temperance, and suffrage. For nineteenth century women, quilts were the podium, the pulpit and the judges' gavel, which their society denied them. Their quilts speak the language of abolition, patriotism, politics, social justice, and westward expansion.

Hearts & Hands

NR 1988
Kababaihan: Filipina Portraits

Portraits of women activists in the Philippines and their role in the national democratic movement. Portraits of women women activists from all sectors of Philippine society in the movement to overthrow the Marcos dictatorship in the 1980’s. Women farmers, workers, students, mothers, and revolutionaries of the New People’s Army join forces in the people power uprising that ousts the US-backed President Marcos. We meet beauty queen Nelia Sancho, Sister Mary John Mananzan, head of a private Catholic college, Concha Araneta, guerrilla commander and daughter of a prominent landowning family; Alicia Barros, mother of fallen student leader Lorena Barros, and many more, in this inspiring documentary that introduces some of the heroines of the national democratic movement in the Philippines.

Kababaihan: Filipina Portraits

NR 1989
House of UnAmerican Activities

"You are not fit to be a citizen of the United States," said a U.S. Representative to Werner Marx, German-Jewish refugee, distinguished sailor in the U.S. Navy during WWII, American Communist -- as he tried to have him de-naturalized in a hearing of the House Committee of UnAmerican Activities. House of UnAmerican Activities draws on a wealth of family archives (stills, home movies, documents, and a video interview with the filmmaker's mother), as the filmmaker searches for the father he never really knew and for the meaning of a troubled era.

House of UnAmerican Activities

NR 1983
Terre, or et azur

The tradition of ceramics with metallic reflections, discovered in the eighth century in Mesopotamia, spread to the East before being introduced to Spain, where it gave birth to the Hispano-Moorish style. In Nabeul in Tunisia there are a very large number of potters' workshops. The phases of pottery making are shown in detail: kneading the earth, turning the shape according to two different techniques (Nabeul-Djerba), firing in a traditional kiln and applying a decoration with metallic reflections. In Manises in Spain, a potters' workshop still manufactures ceramics with metallic reflections according to traditional techniques kept secret. The appearance of the metallic reflections is due to the cooking methods, each piece undergoing three successive firings. The potters turn, dry and apply this decoration on different dishes and jars.

Terre, or et azur

NR 1988
From Bitter Earth: Artists of the Holocaust

From Bitter Earth powerfully examines the drawings and paintings that survived the concentration camps, ghettos and hiding places of the Second World War. While most of the artists who created them perished, Morrison interviews painters like Yehuda Bacon, Dinah Gottliebova and Walter Spitzer who talk about the extraordinary perseverance and ingenuity that such artists demonstrated in attempting to capture the world around them, which was often punishable by death. Upon its initial airing on the BBC in 1988, The Independent referred to Paul Morrison’s documentary as “a worthy footnote to Shoah.”

From Bitter Earth: Artists of the Holocaust

8.0 1988
Face

Life in the Tajik city, everything a neighbor of everything else: a Muslim burial rite, a Soviet May 1st demonstration, women sweeping the floor, a quarrel in a theater about a contemporary set, old men queuing for groceries, young men leaving home for the army, an elderly women coming up to the camera and asking “And why are you filming?” The film, capturing the time, faces, songs, thoughts and hopes of the people, ends with a panorama of peaceful Dushanbe and a song in the background by Boris Grebenshikova.

Face

NR 1989
Matai Samoa

The film is a valuable treatment of archival footage that George Milner shot while conducting fieldwork in 1955 and 1959. The footage (18 minutes of the total film) focuses on the traditional Samoan way of life. Then the footage is discussed and analysed by Christina Toren, a South Pacific specialist, and Reverend Lalomilo Kamu, a Samoan scholar. The interview gives a rare opportunity to hear a scholar from the filmed group comment on and explain the symbolism behind the pictures.

Matai Samoa

NR 1989
Cape May: End of the Season

Cape May: End of the Season captures the individuality and idiosyncrasy of the beach community of Cape May, New Jersey. Cohen’s interviews along the seashore with retired vacationers who linger after Labor Day reveal a clichéd, postcard world crystallized in a whimsical reverie devoid of sorrow or youth. The good-natured relaxation of the elderly couples, interspersed with picturesque miniature golf courses and a shimmering empty beach, reveals the autumnal mood of the waning season and the twilight of old age.

Cape May: End of the Season

NR 1981