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A Maldita

On March 1, 1982, the city of Niterói enters history and hosts one of the most important cultural movements: a so-called Rock 80 Generation. Radio Fluminense FM, known as “A Maldita”, goes on the air, mixing irreverence, daring and creativity with its programming aimed at music that lacks commercial space. The boldness of believing in the new made “Maldita” become one of the main alternative communication vehicles, launching Brazilian rock groups and independent music and creating a legion of fans.

A Maldita

NR 2019
Code-Breakers: Bletchley Park's Lost Heroes

This is a documentary about unsung heroes of World War II. In 1943, a 24-year-old maths student and a GPO engineer combined to hack into Hitler's personal super-code machine - not Enigma but an even tougher system, which he called his 'secrets writer'. Their break turned the Battle of Kursk, powered the D-day landings and orchestrated the end of the conflict in Europe. But it was also to be used during the Cold War - which meant both men's achievements were hushed up and never officially recognized.

Code-Breakers: Bletchley Park's Lost Heroes

8.0 2011
The Road to Sydney

A documentary that follows the life of Jay Loyola, a Filipina transgender dancer and choreographer, from her early years training and performing traditional dance in the Philippines to her later move to the United States. After transitioning and taking the name Sydney, the film documents the practical consequences of this change, including job loss and housing insecurity. Shot over several years, it traces her movements between the U.S. and the Philippines and her decision to return home, where she revisits places from her past, reconnects with family members, and continues her artistic practice.

The Road to Sydney

NR 2025
Hüzün is a tranny name

Hüzün is a Turkish word originating from Arabic. It barely describes a collective form of melancholia. Many novelists and translators claim it to be untranslatable. Turkish literary figures differentiate hüzün from melancholia with the emotion’s collective characteristics. Hüzün is a tranny name is shot in collaboration with a Turkish trans-activist, sex-worker, artist and writer Gani_meth. The video tackles the mourning and melancholia in the queer community of Turkey while aiming to subvert the meaning of hüzün in a direction that reflects on the violence that the marginalized face every day. The video is shot in parallel to an archival work around Hüzün run in collaboration with Koc University’s Kuar Lab and curator Inez Piso.

Hüzün is a tranny name

10.0 N/A
ET Contact: They Are Here

ET CONTACT: THEY ARE HERE documents the jaw-dropping stories of individuals from around the world who share similar accounts of extraterrestrial and otherworldly encounters. Producer and host Caroline Cory, who has her own extensive history with the supernatural, takes the viewers on an extraordinary journey to uncover whether these seemingly independent yet parallel reports may actually be scientific evidence of a greater phenomenon at work. Through a series of groundbreaking on-camera experiments on human DNA, and interviews with leading scientists, viewers will find themselves pondering the nature of their own reality or yet the true origin of the human species. ET CONTACT may ultimately show that the traditionally unexplained is, in fact, far more attributable to science than fiction. NOTE: This film has been released in some territories under the title: "Among Us".

ET Contact: They Are Here

4.0 2017
Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Workers Leaving the Lumière Factory

6.7 1895
Red Velvet Happiness Diary : My Dear, ReVe1uv in Cinemas

From their debut track "Happiness" to timeless hits like "Ice Cream Cake", "Red Flavor", "Psycho", "Feel My Rhythm", and "Cosmic", Red Velvet has solidified their place as an iconic artist creating unforgettable songs that transcend time. Experience the dazzling live performances from the 2024 Red Velvet FANCON TOUR 〈HAPPINESS : My Dear, ReVe1uv〉 in SEOUL, along with behind-the-scenes stories told directly by the members themselves about the music and cherished moments they've created over the past 10 years. A spectacular finale to Red Velvet's 10th Anniversary celebration!

Red Velvet Happiness Diary : My Dear, ReVe1uv in Cinemas

5.5 2025
Monrovia, Indiana

Monrovia, Indiana explores a small town in rural, mid-America and illustrates how values like community service, duty, spiritual life, generosity, and authenticity are formed, experienced, and lived along with conflicting stereotypes. The film gives a complex and nuanced view of daily life in Monrovia and provides some understanding of a way of life whose influence and force have not always been recognized or understood in the big cities on the east and west coasts of America and in other countries.

Monrovia, Indiana

6.2 2018
Bosnia!

The carnage in Sarajevo provides the focus of this French documentary which seeks to call attention to the terrible conflict in the hopes of finally ending it. The film is divided into five parts. Each part covers a time frame ranging from April 4, 1992, the beginning of the war, to the present. The major issues that occur are three-fold. It depicts the systematic genocide of Bosnians, the silence of Western countries, and the determination of the Bosnians to resist. They refuse to be seen as victims, even though the filmmakers portray them so. Also included are the origins and political aspects of the war. It offers interviews with participants. It also reveals how the U.S. State Department censored reports about Serbian death camps.

Bosnia!

4.3 1994
Balseros

In the summer of 1994, a team of public television reporters filmed and interviewed seven Cubans a few days before their risky venture of setting out to sea in homemade rafts to reach the coast of the United States. Six made it far enough to be picked up at sea by the U.S. Coast Guard. When these balseros (rafters) were finally allowed to go to the United States, the film crew went with them to a string of several cities. Seven years later, the film crew visits them again, to discover that their destiny has been in the United States. Theirs is a true story about some of the authentic survivors of our times, the human adventure of people who are shipwrecked between two worlds.

Balseros

6.5 2002
Sementes: Mulheres Pretas no Poder

In response to Marielle Franco's execution, the 2018 elections turned into the biggest political upheaval led by black women that Brazil has ever seen, with candidacies in all states. In Rio de Janeiro, Mônica Francisco, Rose Cipriano, Renata Souza, Jaqueline de Jesus, Tainá de Paula and Talíria Petrone applied for the positions of state or federal deputy. The documentary accompanied these women in their campaigns, showing that a new way of doing politics in Brazil is possible, transforming mourning into struggle.

Sementes: Mulheres Pretas no Poder

5.6 2020
Umbracle

This film turns on two basic axes: the inquiry into ways of cinematographic representation and a critical image of official Spain at the time of the Franco dictatorship. “Montage of attractions” and Brechtianism in strong doses. Umbracle is made up of fragments (some are archive footage) that resound rather than progress by unusual links, with dejá vu scenes that promise us more but remain tensely unfinished. Jonathan Rosembaun said: “few directors since Resnais have played so ruthlessly with the unconscious narrative expectations to bug us”. Learning from the feeling of strangeness caused by Rossellini as he threw well known actors into savage scenery in southern Europe. Portabella makes Christopher Lee wander around a dream-like Barcelona. Without a doubt Portabella’s most structurally complex and most profoundly political film, that is ferociously poetic.

Umbracle

6.0 1972
Sergio Leone: The Italian Who Invented America

To mark the recent thirtieth anniversary of Sergio Leone’s death, this documentary sets out to pay tribute to one of the great legends of world cinema. The singular artistic vision of Sergio Leone has transcended national borders, creating the Spaghetti Western genre and transforming the international cinematic panorama forever with his innovative stylistic and narrative solutions, which have now become part of the language of the movies. The film, which is enriched with precious archive footage from the Cineteca di Bologna, including rare audio recordings and film clips shot behind the scenes, sees for the first time the direct participation of the Leone family and has interviews both with Leone’s longtime collaborators and with icons of Hollywood who have been profoundly influenced by his work.

Sergio Leone: The Italian Who Invented America

7.4 2022
The Island

The Island is a short film shot entirely on Pulau Bidong, an island off the coast of Malaysia that became the largest and longest-operating refugee camp after the Vietnam War. The artist and his family were some of the 250,000 people who inhabited the tiny island between 1978 and 1991; it was once one of the most densely populated places in the world. After the United Nations High Commissioner for Refugees shuttered the camp in 1991, Pulau Bidong became overgrown by jungle, filled with crumbling monuments and relics. The film takes place in a dystopian future in which the last man on earth - having escaped forced repatriation to Vietnam - finds a United Nations scientists who has washed ashore after teh world’s last nuclear battle. By weaving together footage from Bidong’s past with a narrative set in its future, Nguyen questions the individual’s relationship to history, trauma, nationhood, and displacement.

The Island

NR 2017