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We Are the Roots: Black Settlers and their Experiences of Discrimination on the Canadian Prairies

We Are the Roots is a documentary that tells the stories of African American immigrants who settled in Alberta and Saskatchewan in the early 1900s, with stories from 19 descendants of original settlers, as they moved north to escape slavery, persecution and racism in America. Once in Canada, these families would then experience more discrimination, both in Edmonton and in rural communities they settled.

We Are the Roots: Black Settlers and their Experiences of Discrimination on the Canadian Prairies

4.0 2018
Bimi Shu Ikaya

Bimi became the first Huni Kuin women to organize her own village, an activity once exclusive to men. In her life's trajectory, due to her strong and determined personality, she faced a series of hardships, especially due to the hierarchy and traditions of the Huni Kuin people, an essentially patriarchal society, resulting in the organization of a new village in which she develops many roles, including that of Shaman Healer, keeper of many ancestral knowledges of the Huni Kuin people.

Bimi Shu Ikaya

NR 2018
Le rouge et le gris, Ernst Jünger dans la grande guerre

Result of twenty years of patient and passionate collection, constituting a fund of several thousand images taken on the German side and most of them unpublished, The Red and the Gray offers an adaptation of the famous war story by the German writer Ernst Jünger, Storm of Steel. Confronting History, photography and writing, carried here by the voice of Hubertus Biermann, the film documents the passage from the old world of 1914-1915, the Red of the 19th century, to the Gray which replaces it, that of "the inhabitant of 'a new world'.

Le rouge et le gris, Ernst Jünger dans la grande guerre

6.0 2018
Gharshelegh

Gharshelegh is a tradition among the Turkmen people of Raz and Jargalan County located in Northeast Iran. This is in fact a kind of boy and girl exchange among families, with an intention of marriage. Alireza is a young man of 36 years who, along with his sister, became a victim of this tradition after being forced to marry his own cousin. After visiting Tehran and seeing open relationships between men and women, he gets frustrated and after a while separates from his wife. After several years, Alireza has now decided to choose a spouse once again, regardless of the wishes of his parents, and by ignoring cumbersome old traditions.

Gharshelegh

NR 2018
The Colour of Wine

If there’s a message in the bottle, then Omotoso presupposes it’s not only about a winemaker but a country. Through the lens of first generation black vintners, The Colour of Wine looks at the history of South Africa wine-making and how we are still working to eradicate the ignoble rot of apartheid from our vineyards. The personal stories of four winemakers are blended with interviews of wine experts from around the world to tell the bigger story of a passionate group who are bringing about transformation in the industry, one glass at a time. This is the fifth film for renowned director Omotoso, whose works include God is African, Man on Ground and Vaya, all of which have premiered and won awards at festivals around the world.

The Colour of Wine

NR 2018
First Step

The 'North Korea Freedom Week' events have been held every year since 2004, but have not garnered that much interest or awareness. There is much talk of the defectors doing a lot of work for reunification, but in reality, many do not how or what work the defector are doing. The purpose is to show through the documentary, what effect the 12th North Korea Freedom Week has had both here and abroad. There was a desire to show what could be accomplished by the defectors who have been training and learning, and preparing. There was a desire to show what we as a society must do first, for reunification.

First Step

NR 2018
Confusion Is Next

A visual and thematic exploration of the idea of 'mental time travel', shifting between documentary and fiction, between remembering the past and simulating the future. The film acts as a structural model through loops, repetitions and layering – until a completely new structure is created. The focal point of this structure is the portrayal of Thai noise musician Thom Assajan-Jakgawan (known as Thom AJ Madson). Thom decided to impose solitary confinement on himself in a small room – a form of hibernation – and meditate on an experiment to give a sound to a plumeria tree. Deploying feedback loops, among other techniques, he alternates between creating sound experiments and continuing the meditative rhythms of his daily spiritual routine. Later, he finds himself morphing into an invisible entity. As he tries to retrieve his body, he finds another invisible person inhabiting it.

Confusion Is Next

NR 2018