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Zechmeister

The authentic story of Maria Zechmeister who lived in an Upper Austrian village and was convicted of the murder of her husband. There was no evidence and no confession. Only rumors. Maria and the witnesses re-enact the trial before the camera. They tell about the marriage, the time the husband was a prisoner of war and his return from captivity. If he really had been poisoned or if she was a victim of injustice remains open. Maria Zechmeister was pardoned after serving 17 years in prison and lives in an isolated house at the outskirts of the village.

Zechmeister

7.5 1981
Standing Alone

Pete Standing Alone is a Blood Indian who, as a young man, was more at home in the White man's culture than his own. Confronted with the realization that his children knew very little about their origins, he became determined to pass down to them the customs and traditions of his ancestors. This film is the powerful biographical study of a 25-year span in Pete's life, from his early days as an oil-rig roughneck, rodeo rider and cowboy, to the present as an Indian concerned with preserving his tribe's spiritual heritage in the face of an energy-oriented industrial age.

Standing Alone

7.0 1982
Casire

Casire is a peasant community on the slopes of the Sara Sara Volcano in the south of Peru. Two hundred people still live in the community. The film narrates the story of the Volcano´s spell on the community, when she discovered that incestous relationships were practised there. She erupted, leaving the village in ruins, but being a female herself considered the men guilty and allowed only the women to remain in the village. The film tells what happens after the Spanish conquest when the Christian decided to put an end to the Volcano’s power to cast spells, and the state of the village nowadays.

Casire

NR 1980
Passiflora

This bold "graffiti" essay on the Pope, Michael Jackson, the Olympic stadium, and the manipulation of the masses, provided a fresh glimmer of hope in a decade of institutional complacency. In Passiflora (named after the anaesthetic tropical flower), the animation, "new music", street theater and dramatization deployed builds on Belanger's observations of the two media stars' simultaneous visits to Montreal to meet with their followers. The film celebrates the resistance shown by a coalition of the unsubmissive: gays, transgendered people, youth, battered women, psychiatric patients, abortion activists and women who have had abortions.

Passiflora

9.0 1986
Walkabout to Hollywood

Produced and directed this documentary for BBC in the 1980’s, about David Gulpilil, acclaimed Australian Aboriginal actor, dancer and musician. The film shows how Gulpilil is always working to bridge the gap between the tribal Aboriginal and Western worlds. He divides his time between a traditional tribal lifestyle and his artistic work, which has included major film roles, collaboration with contemporary dance and music groups and teaching Aboriginal dance and culture. Bill and David travel to Hollywood where David was the most popular Australian in the world at that time, with FOUR films playing in America – WALKABOUT, STORM BOY, THE LAST WAVE and MAD DOG MORGAN. After relating to both the black and native American cultures and filming a quick scene for a big Hollywood picture, he pines to head back through the Outback to his beloved Arnhem Land. Edited by Simon Dibbs and shot by Ray Henman.

Walkabout to Hollywood

NR 1980
Newsreel 1989: The Double Hell

The first film about people living with HIV/AIDS in Bulgaria. А powerful and deeply moving documentary that exposes the harsh treatment faced by people living with HIV/AIDS in Bulgaria at the hands of the state, medical institutions, and society at large. Told through the voices of several HIV-positive men, healthcare professionals (including gay cardiologist Chavdar Dragoychev), and poet Miryana Basheva, the film is a powerful call for compassion and justice.

Newsreel 1989: The Double Hell

NR 1989
Michel Marlétaz, Cooper

Michel Marlétaz lives in Les Echenards, a seven-person hamlet without an access road. After a bad car accident left him injured, he had to find a new livelihood, and so he learned the cooper's trade in classes set up for mountain farmers. He now makes his living from the manufacture of small wooden ware, like pots, spoons, butter churns, buckets, and milking pails. Marlétaz is the only cooper left who knows how to make the large butter churns used in the high Summer pastures. In November, he cuts the wood he will need - elm, spruce, cherry wood - then, during the Winter season, he makes the pieces he will deliver in the Summer.

Michel Marlétaz, Cooper

NR 1988
Missile

MISSILE follows the 4315th Training Squadron of the Strategic Air Command at Vandenberg Air Force Base in California, where Air Force officers are trained to man the Launch Control Centers for the Minuteman Intercontinental Ballistic Missiles. Sequences include discussion of the moral and military issues of nuclear war; the arming, targeting and launching of the missile; codes; communications; protection against terrorist attack; emergency procedures; staff meetings and tutorial sessions.

Missile

6.9 1988
Armageddon

Armageddon explores centuries of predictions that seem to converge on a single message—the end of human history may be near. From Saint Malachy’s 12th-century vision foretelling every Pope, to Nostradamus’s chilling prophecies of war and the rise of three Antichrists, to Edgar Cayce’s uncanny insights into modern events, the film weaves together history’s most haunting forecasts. Alongside the miracles of Fatima and Garabandal and the biblical prophecies of both Old and New Testaments, these revelations form a powerful warning about the times we may now be entering.

Armageddon

NR 1982
Our Nazi

In Our Nazi, we are plunged into a situation we barely, and only slowly, understand: the filming of Thomas Harlan’s experimental feature Wundkanal (1984), in which true-life ex-SS officer Alfred Filbert, now very old, is ‘put on trial’ for the camera, without him suspecting what is to come or why he is really there. Kramer’s confronting film is an essay about the sticky complicity of everyone present at this event, each bringing their own history, their own political ideology, their own desires to take revenge, to seek redemption or compassion, or just to put their heads down and ‘get the job done’ professionally, or (in the case of Filbert) to be a star, a part of the magnificent, magical, seductive world of cinema, even if it kills him.

Our Nazi

8.7 1984