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Kenyatta

Jomo Kenyatta's death in 1978 brought to an end a political career that encompassed more than 50 years of African history. Kenyatta entered politics in the mid-1920s and then spent 17 years in exile in Europe. He returned to Kenya in 1946, and was elected president of the nationalist movement, the Kenya African Union. Arrested and imprisoned in 1952 for allegedly leading 'Mau Mau', he was released in 1961 and two years later became Kenya's first Prime Minister. In power, the man whom European settlers had once reviled as "the leader to darkness and death" was eulogized by them as a pillar of stability, while former allies challenged him by creating a left-leaning political opposition. Kenyatta weaves archival and contemporary images with interviews with friends and relatives, comrades and opponents, to create a biographical portrait of a key figure in 20th century politics, and a case study of what Frantz Fanon called the pitfalls of nationalism as a political force in Africa.

Kenyatta

NR 1973
Cesar's Bark Canoe

"This documentary depicts a canoe being built in the traditional manner. Cesar Newashish, a 67-year-old Attikamek of the Manawan Reserve North of Montréal, uses only birchbark, cedar splints, spruce roots, and gum. With a sure hand he works methodically to fashion a craft unsurpassed in function or beauty of design. Building a canoe solely from the materials that the forest provides may become a lost art, even among the Native Peoples whose traditional craft it is. The film is free of spoken commentary but text appears on the screen in Cree, French, and English." - Anthology Film Archives

Cesar's Bark Canoe

10.0 1971
Mexico: The Frozen Revolution

A thorough analysis of the socio-politics of Mexico, within the historical context of the Mexican Revolution reality. Includes footage from the 1910s, interviews with farmers, politicians, intellectuals, middle class, union, etc, as well as scenes from the life of an Indian family in Chiapas, their religious rituals, their crops, trials and bilingual schools. The film ends with the slaughter in the Plaza de Tlatelolco in 1968, during the infamous Olympics.

Mexico: The Frozen Revolution

6.6 1973
Blondie in Concert

The Apollo Theater, Glasgow, Scotland - December 31, 1979. This concert video was originally broadcast live by the BBC on the OLD GREY WHISTLE TEST program. It was the 2nd night they'd played at The Apollo, with the first serving as a warmup. Only the second half of this show was broadcast, minus a few encores. Set List: Dreaming, Slow Motion, (Commercial Break), Shayla, Union City Blue, (Commercial Break), Atomic, Picture This, Pretty Baby, (Commercial Break), Heart of Glass, Hanging on the Telephone, Sunday Girl, (Commercial Break), Heart of Glass (Promo).

Blondie in Concert

7.3 1979
Who Are the DeBolts? And Where Did They Get Nineteen Kids?

Who Are the DeBolts? And Where Did They Get Nineteen Kids? is a 1977 documentary film about Dorothy and Bob DeBolt, an American couple who adopted 14 children [12 at the start of filming], some of whom are severely disabled war orphans -- in addition to raising Dorothy's five biological children and Bob's biological daughter. The film won an Academy Award for Best Documentary in 1978. Preserved by the Academy Film Archive in 2007.

Who Are the DeBolts? And Where Did They Get Nineteen Kids?

6.4 1977
WEED

This 1971 color anti-drug use and abuse film was produced by Concept Films and directed by Brian Kellman for Encyclopedia Britannica. “Weed: The Story of Marijuana” combines time-lapse, montage, illustrations, animation (by Paul Fierlinger and emigre Pavel Vošický) and dramatized, documentary-style interviews to survey the evolving role of cannabis in U.S. society, with emphasis on the legal risks faced by young people. A unique score of experimental synthesizer music is provided by Tony Luisi on an EMS VCS 3 “Putney”

WEED

6.0 1971
Klassenphoto

In this two-part documentary, Eberhard Fechner reconstructs the story of a class of pupils who passed their A-levels at Berlin's Lessing-Gymnasium in 1937. The starting point for the research is the class photo that gives the film its title. The conversations with the men, which revolve around their lives, bring back memories. However, it becomes clear how many of them have repressed the events of the Nazi era. Apologies, excuses and trivialization of the violence and crimes come out of many mouths.

Klassenphoto

9.0 1971
Mistletoes

Judit Ember returns to follow the life of Nóra Szabó, the heroine of her documentary film 𝘛𝘢𝘯𝘵𝘰̈𝘳𝘵𝘦́𝘯𝘦𝘵 ("Instructive Story", 1975). The troubled young woman who formerly attempted to commit suicide by jumping off a fourth floor is now an unmarried and pregnant mother with two children. Her own mother also brought up her children in similar circumstances, in a closed community without men. But Jenő, the unflaggingly energetic labourer and father of Nóra’s third, as yet unborn child, brings change into their lives.

Mistletoes

7.0 1977
Extremes

"EXTREMES" covers the whole gamut of present day human behaviour, from carefree pop fans bathing nude at the Isle of Wight to withdrawn, pathetic junkies hastening their own deaths with hard drugs. Such is the range encompassed by the so-called "permissive society", doubly significant because it usually involves young people who have either never known discipline or are rebelling against an overdose of it. They can't change society so they have no alternative but to drop out from it. In some of the most natural and remarkable film footage ever obtained, Tony Klinger and Michael Lytton have captured a unique cross-section of them going their chosen ways, and talking freely and frankly about doing so. Nothing was pre-arranged, nothing rehearsed: everything was filmed as it happened. Hippies, homosexuals, junkies, Hell's Angels, alcoholics, drop-outs - all fall into the category of nonconformist minorities.

Extremes

7.0 1971
What Did You Take?

Stresses recognition and treatment of drug abuse emergencies, accurate identification of symptoms, and immediate clinical procedures. Presents scenes of actual cases in the emergency room and adjoining physician's offices of Beth Israel Medical Center in New York City. Viewers observe emergency treatment of patients in the major classes of drugs commonly abused, opiates, depressants, stimulants, and hallucinogens. The film demonstrates to health professionals that successful management of drug overdoses can save most lives and avert additional organic and psychiatric complications.

What Did You Take?

NR 1971
Phenomenon

A portrait of Baba Vanga, born Vangeliya Pandeva Dimitrova, a blind Bulgarian prophet, mystic, clairvoyant, and herbalist. Millions of people believed she possessed paranormal abilities.The first part of the documentary portrait of the prophet Baba Vanga not only as a mysterious supernatural figure, but as a living and immediate person. The second part follows the discussion between prominent Bulgarian scientists and intellectuals who, with few exceptions, completely reject Vanga's abilities and advise the film to be reworked with a view to a materialistic understanding of man. The two parts contrast Vanga, the crowds of visitors to her home and the stiffened way of thinking of the representatives of science in Bulgaria in those years. Forbidden to the general public after its first screening.

Phenomenon

10.0 1977