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Karayuki-San, the Making of a Prostitute

Karayuki-san, the Making of a Prostitute is a 1975 Japanese film by director Shohei Imamura. It is a documentary on one of the Japanese "karayuki-san," who were women that were taken from their homes in Japan and used as prostitutes in the post-war period. Many of these women were told that they were doing this to support their families because of the extreme poverty that the war left much of Japan to live in. Imamura focuses on a particular such woman who was sent to Malaysia and never returned to Japan. Joan Mellen, in The Waves at Genji's Door, called this film, "Perhaps the most brilliant and feeling of Imamura's fine documentaries."

Karayuki-San, the Making of a Prostitute

8.3 1973
Living in a Corner: Director Sunao Katabuchi's Work

On October 28, 2019, director Sunao Katabuchi walks the red carpet of the Tokyo International Film Festival with the lead actress of "In This Corner of the World". About three years have passed since the release of the movie "In This Corner of the World" which started in November 2016. There were many stage greetings held all over Japan, participation in overseas film festivals, and animation production with thorough research and overwhelming commitment to the completion of "and Other Corners".

Living in a Corner: Director Sunao Katabuchi's Work

NR 2019
Documentary of HKT48

Revealing behind-the-scenes documentary about the popular idol group HKT48. Group member-cum-manager Sashihara Rino makes her debut as a film director. Released simultaneously with RAISE YOUR ARMS AND TWIST Documentary of NMB48. HKT48 was formed in 2011 in Hakata, Fukuoka. At the time, the members were on average just 13.8 years old and necessarily faced many trials, but they eventually grew into a major presence with tour performances at four major arenas under their belt.

Documentary of HKT48

7.0 2016
Odoriko

Odoriko performances are intense, sometimes acrobatic choreographies, performed in sumptuous costumes—at least, until the costumes come off, because these dancers practice the Japanese form of striptease theater. The art was once popular, but is now seen only in a few clubs in the country. Filming on mini-DV tape, as if he is not actually in the room, director Yoichiro Okutani observes the unusual, traditional profession of the odoriko and the contrast with the modern, everyday questions the women struggle with.

Odoriko

7.0 2022
Magabanashi

“Magabanashi” (真・狩場噺) is a Japanese collection of chilling tales, notorious for its “true” ghost stories that blend traditional storytelling with the dynamics of social media. Based on this, the drama “Human Story” focuses on the experiences of two members of the FEAR fan community. But is it really just a drama? Or perhaps a documentary? With an eerie intertwining of ghost stories and reality, viewers are taken on the most terrifying experience of their lives.

Magabanashi

6.0 2021
Blind Bombing, Filmed by a Bat

During WWII, the Japanese army developed experimental balloons able to cross the Pacific Ocean and reach the West Coast of North America in 3-6 days. Armed with explosives, they were given the code name fu-go, or fusen bakudan (“fire balloons,” or balloon bombs) in an attempt to instill a culture of fear like that caused by the far more deadly American firebombing of Japanese cities. The U.S. responded by enacting a censorship campaign, requesting newspapers avoid reports of fu-go landings or sightings. Living near the remains of a fu-go launch site in Fukushima Prefecture, Takeuchi mimics their flight take-off using a drone camera, and, traveling to North America, follows their arrival across the shoreline and rural landscapes, using a bat’s echolocation as narrative device to place fu-go and Fukushima as echos across history.

Blind Bombing, Filmed by a Bat

NR 2020
Effects of the Atomic Bomb on Hiroshima and Nagasaki

This was the only documentary made in the aftermath of the atomic bombings of 1945. Japanese filmmakers entered the two cities intent on making an appeal to the International Red Cross, but were promptly arrested by newly arriving American troops. The Americans and Japanese eventually worked together to produce this film, a science film unemotionally displaying the effects of atomic particles, blast and fire on everything from concrete to human flesh. No other filmmakers were allowed into the cities, and when the film was done the Americans crated everything up and shipped it to an unknown location. That footage is now lost. However, an American and a Japanese filmmaker each stole and hid a copy of the film, fearful that the reality of Hiroshima and Nagasaki would be hidden from history. Eventually, these prints surfaced and became our only precious archive of the aftermath of nuclear warfare -- a film that everyone knows in part, yet has rarely seen in its entirety.

Effects of the Atomic Bomb on Hiroshima and Nagasaki

NR 1946