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H.O.P.E. is a life-changing documentary uncovering and revealing the effects of our typical Western diet high in animal-based foods. It contrasts the limited interests of the pharmaceutical and agricultural industry with the all-encompassing interests of living beings on this planet and with the power of responsible consumer action. H.O.P.E. is an urgent call to action to all of us to commit to a change towards sustainability and safeguarding our living environment.

Brian Eno and Roger Eno have been recording together since 1983. This unique musical event not only sees the two brothers performing live together for the first time but is one of very rare occasions that Brian has ever performed live in front of an audience. In front of a sell-out crowd and against a backdrop of spectacular images being projected onto the stones of the Odeon of Herodes Atticus amphitheatre, Brian and Roger perform atmospheric musical landscapes from legendary productions that include ambient records, television soundtracks and film scores.

Puck and Jasko explore their bodies for the first time. Sexworker Jorge feels shy towards porn performer Bishop. Kate & Adrienne end their poly-relationship & dive into a bittersweet sexual en-counter. The film offers an intimate perspective in the discourse about gender diversity and sex-positivity.

What is it like to be a black person in Germany? And what needs to change? DW's Jana Pareigis traveled across the country and met other black people living in Germany, including the artist Robin Rhose, and the rapper Samy Deluxe.

Director Miriam Pucitta grew up as the child of Italian migrant workers in Switzerland in the 1960s and 1970s. She herself has only fragmentary memories of this time; her mother and other relatives evade Miriam's questions. Together with her daughter Giulia, she researches her family's living conditions in Switzerland and finds a new understanding of her parents' difficult decisions.

Travelling between Germany, France, and Tunisia, Viola Shafik reconstructs and deconstructs the unknown life story of El Hedi Ben Salem through interviews with his companions and family members as well as archival material. With openness and slight naivety, the interviewees explain how “Ali” became an oriental object of projection for the Fassbinder group, while El Hedi Ben Salem, the human being, was overlooked in order to establish the foreigner as “other.” A no-frills examination of a piece of German and Munich film history.

Darya Khrenova — a documentalist and the granddaughter of Ilya Trauberg, a successful apprentice of the great Sergey Eisenstein — is trying to solve the mystery of her grandfather’s death at DEFA studio, which he headed after WWII. During the process of the investigation she finds her family, gains more confidence, and takes up a challenge from her grandfather by directing feature films.

One year before the Berlin Wall fell, this silent black&white documentary from 1988 is a profile of West-Berlin: places and people, moods and locations; you eventually see "Checkpoint Charlie" still in function.

Ski racer, pioneer of the sports fashion industry, entrepreneur and filmmaker. Willy Bogner provides a very personal insight into his life, which had many glamorous highlights as well as dramatic changes in store for him.

After years of radio silence, Sharon Ryba-Kahn re-established contact with her father. She talks to him about his absence and his family. From the perspective of someone who belongs to the third generation after the Shoah, the director examines herself and her German surroundings.

A documentary about homeless people living in Switzerland.

The Grüninger case from Switzerland. This is a documentary about a police officer who showed civil courage back in the forties when he led many refugees fleeing German Nazi terror immigrate to Switzerland, although he was advised not to do so. Grüninger later was sued by the state of Switzerland, lost his job and died in the early seventies. The film constructs a just lawsuit with eye-witnesses and thus fully legitimates what Grüninger did.

2024 is likely to be a decisive year for Sahra Wagenknecht's political future. In the arena of power, she might assume a role that she is already very familiar with. In the early years following the fall of the Berlin Wall, Sahra Wagenknecht became the "most famous face" of the PDS, the successor party to the SED. Yet, even as the youngest member of the party's executive board, she was considered a "disruptive factor." She is unyielding and swims against the tide. Sahra Wagenknecht does not distance herself from Stalinism, nor from the Berlin Wall, and wishes for a reformed GDR.

He is known as the Nazi officer who saves "The Pianist" -Wladyslaw Szpilman, in the Roman Polanski film, but his German hometown from which he ran the local school and went to the war, still refuses to recognize him as a hero. 70 years after the end of the war, a group of residents demand to commemorate the Nazi Officer, Wilm Hosenfeld, in the local school and the reactions are stormy. In the meantime, Hosenfeld's grandchildren discover their grandfather's secret diaries in which he documented Nazi war crimes and they embark on a journey of discovery. During this journey, they will find out that their grandfather was a serial savior and aside from "The Pianist", another 60 people owe him their lives.

Hitler's biography told like never before. Besides brief historical localizations by a narrator, only contemporaries and Hitler himself speak: no interviews, no reenactment, no illustrative graphics and no technical gadgets. The testimonies from diaries, letters, speeches and autobiographies are assembled with new, often unpublished archive material. Hitler's life and work are thus reflected in a unique way in interaction with the image of the society in the years 1889 to 1945.

The exiled Austro-German musician and composer Artur Schnabel was a giant of his time, but in Germany today he is nearly forgotten. Pianist and Schnabel devotee Markus Pawlik (in collaboration with baritone Dietrich Henschel and the Szymanowski String Quartet) brings Artur Schnabel's greatest compositions back to Berlin with a filmed commemorative concert. Along the way, Pawlik visits the places, landscapes, and history that shaped Schnabel's life and music. "Artur Schnabel: No Place of Exile" rediscovers an essential artist displaced by the catastrophe of the two World Wars and the Holocaust and inspired by the possibilities of modernism.

Digital Dissidents are the warriors of the digital age: republican patriots, radical anarchists and cyber-hippies fighting side by side for transparency and privacy in a digital world which is permeating our lives more and more. For this they are imprisoned, live in exile, and have lost careers and families. Why do they do it? What motivates them? What are they warning us about?

Dieter Roth was an artist who combined art and life in a unique way. He painted, drew, printed, wrote, filmed and made music. He created his own universe in which he turned all materials, no matter how banal or ephemeral, into art. The film "Dieter Roth" is conceived as an inner and outer journey, just as Dieter Roth lived, worked, taught, learned, loved and suffered while traveling. The starting point is his works, including videos and films in which he himself acts - friends and companions will also accompany this cinematic journey, above all his son Björn, who has worked with him for the last 20 years.

A documentary about the making of Rolf Olsen's "Blutiger Freitag" aka "Violenza contro la violenza" aka "Bloody Friday".

"Deutschland privat" is a special project by Robert van Ackeren, who in 1979 asked people to send him their 8mm home movies by placing ads in several magazines in Berlin, Germany. In the ads he announced that he was planning to blow up and mount the best of those movies into a feature documentary to be released in German cinemas. He was surprised how many home movies he received and how generously people allowed him to use them for his feature. Part 1 of "Deutschland privat" gives us typical German home movies of the 1970s, i.e. private holidays, family parties, etc. Part 2 consists of what is now called "amateur porn"; home made 8mm movies featuring real porn action.

Putin’s invasion of Ukraine in 2022 has fundamentally changed the German-Russian relationship. This is especially a special topic for those people who grew up in the GDR. Because what the USA were to many in the west, the Soviet Union was to many in the east: “the big brother”. And now? The invasion of Ukraine by Russia calls old certainties into question, rocked convictions, and runs like a rift through families. In this film, the ARD journalist and host Jessy Wellmer embarks on a very personal journey through the east of Germany. Born in 1979 in Güstrow in Mecklenburg, the Russian war of aggression also caused intensive discussions in her family which ultimately were the cause for this film. How do the East Germans think with regard to Russia? Why is there often a greater deal of closeness to Russia here? And what does it say about the divide which still exists in the German populace more than 30 years after the fall of the wall?

Filmmakers Ibrahim, Suliman, Eltayeb and Manar, close friends for many years, left their motherland in the sixties and seventies to study film abroad and founded the Sudanese Film Group in 1989. After years of distance and exile, they are reunited, hoping to finally make their old dream come true: to bring back cinema to Sudan by reopening the Halfaia Cinema, a dilapidated theater in Khartoum.

Europe is seeing a clandestine emergence of illegal underground "No Rules" fight clubs: no rules, no rounds, no gloves. Young men are risking life and limb at these hidden events, which allow everything from biting and head-butting to eye-gouging and neck stamping. This world is one of unfiltered ultraviolence and raw instinct. Away Days got special access into this scene. We spent three years attending hidden brawls all over Europe to document what is one of the most authentic new countercultures on earth.

What happens when a documentary film breaks out of its comfort zone and openly provokes the society? To what extent my compatriots are willing to reflect on one particular episode, the reprisals in Odessa from October 1941?

Every human being knows it: privacy. Where do intimate moments occur, moments in which intimacy is openly expressed. In search of these moments, a gay-porno production firm, the Wa(h)re-Liebe television reporting team from Berlin, flew to Majorca with Lukas Schmid, a documentary film director. Intimitaeten is a cinema-direct documentary film in which various ways of approaching and analysing intimacy are explored.

Emma Freese is desperate when her husband Alfred falls ill at the Howaldtswerke in Kiel. How is the family supposed to get by without their wages? The war has scarred this generation, but now things are supposed to be looking up. The workers want their fair share and are fighting for an income that also gives them room to live. In October 1956, 34,000 metalworkers in the shipyards and factories of Schleswig-Holstein walk off the job to fight for justice and their dignity. This strike is still regarded as the toughest and longest in Germany. Employers and politicians stand in the strikers' way.

Masha and Ilya were born around the time Vladimir Putin came to power. The girl and the boy, just like their friends, wanted to live in a free, democratic and open country. Fighting for freedom and their future, our heroes organise discussion clubs and protest actions, participate in pickets and give lectures, support their comrades who are behind bars, try to change the minds of their relatives, friends and ordinary passers-by in various Russian cities. "Moscow, come out!" shouts Masha at a rally. But Moscow does not come out, it is busy and in a hurry. The centuries-old machine of unfreedom sweeps the boys away. War breaks out. And we all find ourselves in another reality.

A look at the pervasive power of dust from its tiny particles settling in unseen places to its ability to cause illnesses and create the cosmos.

Maja is searching for traces of her past. As a small child, she and her mother, a street clown, took each day as it came, not knowing where they’d be spending the night. By chance their journey took them to a village on the Italian coast. A life as if carried on wings, yet one with no roots, as Marie could not provide them. It was only when living with her grandfather that Maja was able to have something resembling a home.

15 athletes, 8 disciplines, 7 countries and 100% Europe. The Old World is the first dedicated European bike movie that bridges the gap between mountain biking and BMX.

Journalist Sandra Harkow produces a promotional film for the RFID industry. Through a time traveler, she learns about the dark future triggered by RFID chips. Her encounter with the time traveler makes her prick up her ears and she researches the radio chips. The so-called docu-fiction style, which coherently combines real interviews with film scenes, gives the viewer the impression of being part of this reality.

In Germany’s big cities, members of families involved in crime live in a parallel world. Young men with well-kempt beards, bulging muscles and big cars let us into their homes and share their dreams. Gangsta rap and a different kind of integration. Better than any fiction.

Between 1979 and 2016, trans people in Norway were forced to undergo sterilisation, depriving them of their right to bear children. Kris has dreamed of becoming a father since kindergarten. Anticipating a euphoric pregnancy, he exudes a sage positivity despite past and present injustices. Together with Sindre and David, and their devoted families, Kris becomes a part of the resistance forging change

Heinz Emigholz, the premiere purveyor of architectural oddities (Sullivan’s Bridges, Goff in the Desert), meticulously documents 15 rooms of the enormous Villa Cargnacco in Lombardy, Italy, designed by proto-fascist poet Gabriele D’Annunzio (1863–1938). The controversial figure spent 17 years designing the Vittoriale, a state museum on Lake Garda, and furnishing the Villa Cargnacco, which is part of the grand complex. This unusual documentary resulted from a photography session in the villa, when four friends—cinematographers Irene von Alberti, Elfi Mikesch, Klaus Wyborny and Heinz Emigholz—simultaneously filmed the rooms and furnishings of the villa in their own specific styles.

A documentary about Germany's last emperor Kaiser Wilhelm II.

Lucy, who is already human-like, claims that the first humans were mothers: The mother built a nest to secure the child when it became too heavy to carry. This is how she invented the house. She penetrated the dense branches with her voice to maintain contact with the child. That's how she invented language. Today, Lucy shakes her head and asks: "How did you let yourself be dragged down like that?".

Grandma has become a little doddery. And since the death of her husband, called E.O., ever bigger gaps have opened in her memory, and her disorientation has increased. Director Astrid Menzel makes a decision: to take a ten-day canoe trip on northern German waters with her brother and the 86-year-old lady. An adventure whose outcome is uncertain and which the three travellers have to face anew at every stage.

Is it possible to get close to someone who sees their sole task in life in losing themself in the parts they play? How can a film portrait be created when every image only contributes to further fictionalization? Who is facing each other when the line between fact and fiction becomes blurred? Katharina Pethke looks back to dissect the past and her contradictory feelings for the celebrated actor Philipp Hochmair, following the lines of her own artistic and personal doubts.

Portrays the film star Mario Adorf and his passion for acting, the stage, the cinema, singing and writing. Together with the director Dominik Wessely, the film comes closer to Mario Adorf as a person and highlights important stations of his private life and his international career. When Mario Adorf begins to talk about his life, over 60 years of theatre and film history come to life. A dialogue with him is not only a retrospective, but also an intensive exchange of ideas about film and theatre and his view of the world, love and ageing.

Filmbros are everywhere. Even in this movie. Learn more about them in this short documentary.

Helga Reidemeisters poetic documentary gives various residents of East and West Berlin a chance to have their say. They discuss their different ways of life and the nature of their divided city. All interviews are refreshingly sincere when they consider the future of the city, and none of them are even remotely pro-American.

Documentary feature about German actor Heinz Rühmann made shortly before his death in 1994.

German filmmaker Susanne, married to a Korean man named Kim Jeong Rae, turns the camera toward her own intercultural marriage and family with both humor and tenderness. Blending vérité and performance, the film dives into the beautiful mess of love, identity, and cultural collision. Becoming Kim asks: How do we stay true to ourselves—while learning to love another?

Jonasz studies insects and fishes, Signe leaves and herbs. After a day spent in gardens and libraries, they meet, take the train and leave the city, pitching their tent on the shores of a lake. As they read, eat fruit, wander the forest and swim in the cold water, the outside world feels further and further away. A stranger appears and a trio is formed. But there are also other trios, other lakes, different places, different times.

A personal essay about the United States viewed through the life and work of the late American film and stage actor Henry Fonda.

With two Olympic victories, four world championship titles and six European championship titles, Katarina Witt is the most successful female athlete in the history of figure skating. She combines East German identity with international flair and is still the "most beautiful face of socialism" - and the most internationally renowned citizen of the former GDR. The film follows the path of the girl from Saxony all the way to Hollywood.

Funnyman John Cleese leads viewers through an exhaustive -- and hilarious -- tour of the world of soccer, complete with the sport's most memorable goals, kicks, saves, goofs and penalties. Also included are reflections on soccer's impact on culture, including the Monty Python sketch "Philosophy Football," and interviews with celebrities Dave Stewart, Dennis Hopper and Henry Kissinger, as well as soccer icons Pelé, Mia Hamm and Thierry Henry.

He climbed solo, without a rope, the north face of the Eigers in 2h47. Below him the rock wall steigen über 1000 Meter ab. Mehr Ueli Steck, the lone wolf, does not lose his temper. For a year, Steck has meticulously prepared this record of less than three hours. The portrait of an extraordinary man who takes us on a journey to the most beautiful and challenging peaks in the world.

Documentary short film in which we see Günther Grass giving conferences, signing books and speaking, among others, with Chancellor Willy Brandt.