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The Ox

"That's how it is, and it's fine," says the main character in Jozef Cyrus' documentary - a lonely, ageing farmer who endures daily inconveniences without complaint and runs a traditional rural farm. "(...) The field cannot stand, you have to work all the time," he explains. The camera accompanies the efforts of the protagonist, who - although the 1970s are coming to an end - does not have any agricultural machinery at his disposal and works like 19th century peasants. His only helper and faithful companion is the eponymous ox. Gradually, in successive shots, we learn about the protagonist's world view. This is the testimony of a man from a different era, who refuses even to sleep on a mattress because he was 'born on straw and will live on straw'. The successive parts of the film, including the scythe, the yoke, the birthday, the hayride and the autumn, are the elements that give rhythm to the main character's life.

The Ox

2.0 1977
Algunos segmentos

Elda Cerrato was an artist that set out to conquer materials. Her prior biology studies, her research with geometry and pictorial scales materialized in experiences with papers and pigments over wood, fabric or rice paper, giving shape to a body of work dominated by abstraction and symbolic narrative. “Energy transforms until it forms an image,” she would say, and that statement becomes palpable in her series La epopeya del ser beta, inspired by Aldo Pellegrini’s poetry. With the conviction of exploring other formats, drawings and paintings from this cosmological period are animated in celluloid. Shot on 16mm film and produced in collaboration with artist Ramiro Larraín, Algunos segmentos is a plastic unit of abstract motives and color planes to the rhythm of the music by the Improvisation Group of La Plata (GILP).

Algunos segmentos

NR 1970
Beyond the Wall

Ignorant of democracy but hungry for the West they cannot visit, the 17 million East Germans are a force that could decide the fate of Russia's European Empire. For most of the past decade they have been isolated by the Berlin Wall and a fortified border over 600 miles (965 km) long. Cold War attitudes have been slowest to melt in East Germany but this summer for the first time the German Democratic Republic opened its borders for three weeks to let in a BBC film crew. This is the first full-length report by a British television team on the life of the Germans who live 'Beyond the Wall.'

Beyond the Wall

NR 1970
The Black Indians of New Orleans

“This classic award-winning documentary is the first definitive treatment of the origins and rituals of the Black Mardi Gras Indians of New Orleans, It features two tribes: The Yellow Pocahontas led by Big Chief Allison “Tootie” Montana, and The White Eagles, led by Big Chief Gerald “Jake” Milon. The first part of the film reveals the sociocultural history of the Mardi Gras Indians, their costume prepartion, music, songs, dance and gatherings for a ritual practice. The second part is a sunrise to sunset visual account of the processions and street culture of the Black Indians on Mardi Gras Day. The film was screened for a full week in the New York Whitney Museum’s New Filmmakers Series. also was a finalist in the Cine Golden Eagle Awards and was screened at the Margaret Mead Film Festival. International festivals/screenings include: The Pompedeau Centre in Paris; London; Berlin; West Africa.”

The Black Indians of New Orleans

NR 1976
Cardinal Fires

Peter Wiehl: Artwork 1975-2018 (2018) featured Cardinal Fires and Arrowcatcher, among other digitized films, paintings, and sculptures. The exhibition was held at the Mark W. Potter Gallery, Taft School, Watertown, Connecticut. Arrowcatcher was the subject of a 2007 spotlight presentation by the non-profit screening space Oporto, Lisbon, Portugal. After a couple of years in the San Francisco Bay Area, Wiehl moved and worked in the film industry. Wiehl has performed and exhibited at such venues as La Mamelle, San Francisco, Exile Art Gallery, Los Angeles, Spokane Art Center, Washington, Denise Bibro Fine Art, New York City, Albright Knox-Museum, Buffalo, New York, Nexus Contemporary Art Center, Atlanta, among others. Wiehl currently lives and works in Bridgewater, Connecticut.

Cardinal Fires

NR 1976
Nadia Boulanger: Mademoiselle

This documentary is the first film ever made by Bruno Monsaingeon. It was shot in the 1960s and early 1970s in grainy black and white and only average sound, when Boulanger was in her late 80s and still fearsomely in command of her abilities. Monsaingeon re-cut the film in 1977. This film remains one of the most important documents concerning this fabled teacher. She is seen at one of her fabled 'Wednesdays', a composition lesson held weekly in her apartment for almost six decades and attended by anyone who would come. In this particular session she talks illuminatingly with students about a small portion of Schumann's 'Davidsbündertanze'.

Nadia Boulanger: Mademoiselle

NR 1977