Discover Movies

9,083 Matches Found

Wasser einmal am Tag – Stadtfrauen auf den Kapverden

The people of Cape Verde are suffering from a lack of rain. In some parts of Praia, there are only water stations with a few taps, which are open just once a day for three hours to serve 3,000 residents. There are always arguments. Those who arrive first always take more than their fair share. Those at the end of the line often go without water. An elderly blind woman named Balila makes a living selling water. She regularly brings water to the homes of the better-off and sells it to them. The film follows Balila’s life as it might unfold over the course of a single day.

Wasser einmal am Tag – Stadtfrauen auf den Kapverden

NR 1982
Kampuchea from Tragedy to Rebirth

Focuses on the struggle of the Cambodian people to regain and rebuild their nation through education and industrialisation. Features harrowing images of death and starvation, and footage of victims recounting their experience of life under Pol Pot's regime. Scenes of towering temples and traditional dancing are contrasted to the training of enemy soldiers, armed with US weapons, and scenes of warfare. At a celebration to mark the 60th Anniversary of the Soviet Union, the Cambodian leader voices his gratitude to the Communist Party and the Soviet people, who are shown teaching technological and construction skills to their Cambodian comrades. Includes foreign newsreel footage.

Kampuchea from Tragedy to Rebirth

NR 1982
Anholt - stedet, rejsen

The director's personal account of a year at Anholt, where he settled down and lived alone in a house: It is my attempt to glimpse an origin and heritage that we all have within us, and on the understanding of which our continued existence depends. It is an investigation of an existence where it is possible to live in an agreement with nature, which makes death present without it becoming frightening, but on the contrary the very prerequisite for a life in peace, security and harmony.

Anholt - stedet, rejsen

NR 1988
The Golers: The Untold Story

The spotlight is shone upon the Goler family when a 14-year-old female member of the family flees the family and reports her lifetime of abuse. The Goler family lived together in two dilapidated shack shacks in a remote wooded area on South Mountain, located south of the community of White Rock, outside the town of Wolfville. Their ancestors occupied the area since at least the mid-1800s and due to their isolation, this caused generations upon generations of incest. Charles and Stella Goler, the patriarch and matriarch of the family, lived together with their five sons and grandchildren in the shack.

The Golers: The Untold Story

NR 1986
RAC Rally 1983

The historic RAC Rally - one of the most prestigious events in world rallying, and often one of the most competitive and unpredictable. Relive the incredible drama of the 1983 Lombard RAC Rally, as legendary drivers do battle on British special stages in the final round of the World Rally Championship. Follow the action from airfields, safari parks and famous racetracks to the forests of Yorkshire and Wales in this fascinating look back at five days of the incredibly challenging rally competition.

RAC Rally 1983

NR 1983
33rd. Witnesses’ Testimonies.

Filming of this documentary began in 1987 and ended in 1989. As archival materials and newsreels were inaccessible, the authors of the film appealed to the Holodomor witnesses through the press. Their stories became the basis of the documentary. Stalin’s supporters tried to prevent the authors from making the film, and it was forgotten for a long time. Only in 2005 the film 33rd. Witnesses’ Testimonies was re-filmed from the newsreels of 1989 version and the memoirs of Mykola Loktionov-Stezenko himself. At his anniversary party at the Cinema House on February 16, 2009, the author called this documentary a testimony to his personal tragedy: his parents died of the Holodomor of 1932–33. For the film 33rd. Witnesses’ Testimonies Mykola Loktionov-Stezenko was awarded the Order of Merit of the III degree.

33rd. Witnesses’ Testimonies.

NR 1989
Love and War

Love and War is a documentary film about the relationships between Icelandic women and foreign soldiers stationed in Iceland during World War II. Directed by Anna Björnsdóttir, the film is based on research by Inga Dóra Björnsdóttir, a Social Anthropologist, and contains color footage shot in Iceland during the war by an American army photographer, Samuel Kadorian. The film consist of interviews with Icelandic women living in Minnesota, Colorado, California, Virgina and Iceland.

Love and War

NR 1987
Tutuguri: Tarahumaras 79

This film was shot in summer 1979. The repeated ritual of Tutuguri that Tranquilino the saweame sang and danced six times in a short, strictly accurate duration. Secret words from which only emerge vowels, dance that builds a sacred space between the four cardinal points of a cross, a black and pagan sign. A native solar rite, prior to the Spanish conquest. The assembly here builds in a single plane the two poles of real time and an expanded space-time, from dual material: Tutuguri and Carreras.

Tutuguri: Tarahumaras 79

NR 1980
In the Footsteps of the Pale Fox

The filmmakers find the Abruzzo National Park to be the most suitable place in Europe to film the wild fox, one of the most elusive and fearful animals in the forest, with its proverbial cunning that allows it to escape all the traps set by man. For five months, the documentary filmmaker and his assistants live in these forests, observing the landscape and its inhabitants: deer, bears, wolves, wild boars, and roe deer. They manage to gain the trust of a female fox, accompanying her, waiting for her, losing her, and finding her again.

In the Footsteps of the Pale Fox

7.0 1984
L'Égalite professionnelle : ça avance dans les transports

The film presents a series of portraits of women working in traditional male jobs in the transport industry: the SNCF, the RATP, Air France and Air Inter, and at Paris airports. Each woman talks about her professional choice, her training, what responsibilities she holds, where she fits within the company, and her work relationships. They all underline the need to be organised to manage personal and professional lives, and the growing number of women who choose these jobs. They are on the whole positive and their views often inspiring.

L'Égalite professionnelle : ça avance dans les transports

8.0 1987
Clothed in Muscle: A Dance of the Body

This is the most complete evocation of my raison d'etre—at least my avowed raison d'etre as a filmmaker. The star of the film is Claudia Wilbourn who you may have seen on TV. She is one of the founding mothers and champions of Women's Body Building. She is a sculptor and writer and felt as I did that the effect of body building when filmed nude as I did makes it look in frequent sections like antique Greek sculpture. The effect of filming a body building performance repetitively is to create a dance of the body. —Gutman

Clothed in Muscle: A Dance of the Body

NR 1981
Aida

Words of the poet Mahmoud Darwish float through this film: “Tell me. Perhaps I will remember my home whose perfume is only on my lips.” A 17-year-old Palestinian introduces herself: Aida, the returning one. When her father was killed in battle, her mother was already dead, killed by a bomb. When she was eight, she was sent to a PLO orphanage in Beirut, then to an orphanage in Damascus, then to an orphanage in Tunis. Here she takes care of new orphans. The portrait of a girl expands: countless children who will forget their homeland and origin. There is nothing but war left in their drawings. The PLO had assigned its collaborator Marwan Salamah to study cinematography at Babelsberg. Here, he is also the director. In 1985, “Aida” won the Prize of the World Federation of Democratic Youth in Leipzig.

Aida

NR 1985