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About sailing on reed boats.

Documentary about italian western movies.

Diamond Rivers is a portrait of Geraldo Santos da Silva, part of a dying breed of diamond prospectors who still scour the riverbanks of Brazil looking for this rare gemstone. In his eighties, Geraldo continues to prospect as he reflects on the boom-and-bust cycle of the sleepy town he refused to leave. His children have long since gone, and the few remaining neighbors practice the arts of caçhaca and barrell-making, in the same way they did before the diamonds were discovered there. The wind flaps through the shutters of this near-abandoned town, and more people live under tombstones than walk the streets. The church and the market are the two remaining centers of this town, where the circus passes through every five years. Geraldo himself says, the diamond prospector has no future, no stability. He lives only for the day, but then again there are some very good days. Good days indeed.

The reconstruction of Yungay seven years after the terrible earthquake that destroyed the city.

An Israeli Film Service documentary, describing the two faces of the Negev: unspoiled desert landscape alongside modern Israeli settlements. The film documents the culture and commerce in Beersheba, the works in Timna Valley’s copper mines and the Aravah’s agricultural fields, and the technological strongholds of Ben Gurion University’s labs, the Wise Observatory, and Eilat’s desalination plant. Alongside the modernization, the film captures the surrounding desert nature and wildlife, the Nabataean archaeological sites in the Negev, as well as the remains of the War of Independence in Mizpe Revivim.

Produced for NBC by Joan Konner, this documentary investigates the problem of radioactive waste generated by nuclear reactors and weapons programs. The film examines existing disposal methods, the increasing volume of radioactive waste, and the scientific and political challenges involved in developing long-term storage solutions.

A 1976 color documentary by Felix Greene examining changes in Tibet between 1950 and 1976, made after a period in which few Westerners were reported to have entered the region.

Documentary following an attempt to find, net, and train a bottlenose dolphin for Napier marine mammal park Marineland.

Zurich’s Urdorf school was pioneering in terms of sexual education for children in Switzerland. Starting in 1970, pupils of all ages there were offered wider information and more perspectives on gender relations than was habitual then. The Werkfilm Collective portrayed this experiment at a decisive moment: towards its end, when the question arose of whether or not to institutionalise such courses.

Programme on film appreciation made for Bombay TV.

A documentary resembling a moving photo album that describes Warsaw's Praga district, which has its own urban legend. The least damaged area during the Second World War, its tenements and wooden houses from the turn of the century remained intact. Praga has its representative part in the Art Nouveau Śródmieście district. Its small-town soul could be seen at the back of the streets, the suburban part may be noticed on the outskirts of the city. Apparently, one could be born and die without leaving the surrounding buildings, Praga satisfied all the needs of the inhabitants. The voiceover mocks the artistic aspirations of "better people" preserved in the facades of the tenements. It appreciates the architecture of the wooden houses, the workshops of old crafters. Through the architecture, the story of the district is told.

A documentary chronicle of the excavation of a Western Han dynasty tomb in Hunan province and the camera-observed autopsy of a remarkably preserved female corpse — a 2,100-year-old noblewoman whose burial goods and condition revealed details of elite life in the Han era.

"Denain, Blast Furnace of Wrath" was produced with very few means but the film was widely distributed until in Norway where it came to support the strike of steelworkers engaged in their country for the same fight. Only one regret: despite all my efforts to seek funding, I was never able to shoot 'USINES' which would have been the continuation and the observation of this situation triggered in the process with the closure of the Usinor site. Neither Robert, nor Pierre, nor the others, and there were many of them, were never able to speak.

Eyes and ears. It's your lookout. An exercise in how to cross the road when there are no marked road crossings.

The first half of the film features neon signs and scenes of Chicago night life. The second half of the film depicts scenes around Kleinhans' home in Logan Square during the infamous "Blizzard of 1979."

A film on transvestism (cross dressing) and transexualism (sex change), consisting mainly of interviews with transvestites, transsexuals and their families, in which they discuss the problems they and others face in coming to terms with this experience. One transsexual relates her treatment at the hands of neighbours and police, whilst another examines these sexual variations in the context of gay and women's liberation.

East of Toronto on the shore of Lake Ontario, is the Pickering Generating Station, one of the world's largest nuclear power stations. Here it is used to explain how a nuclear power station works, showing the fuel bundles, calandria, fuelling machines, boilers, control room, turbine-generator and spent fuel bay. Part of the multimedia kit The Energy Crisis?. Produced by the NFB for Energy, Mines and Resources Canada.

The We Demand march of 1971 was the first recorded political action taken by queer activists in Canada. The date of this march, August 28, 1971, coincided with the second anniversary of the passing of Bill C-150 which decriminalized gay sex in Canada. Although this reform of the 1969 Criminal Code led to the decriminalization of certain homosexual acts, it did not have much of a tangible impact on the policing and surveillance of queers. In fact, the policing of sex between men actually increased following Bill C-150.

Revised version of the 1962 film The ABC Of Babysitting. Covers safety rules to be observed while babysitting, using the situation of a babysitter's employment and experiences.

Documentary about the history of female athletes and the discrimination they had to face.

A César award nominated short documentary.

A César award nominated short documentary.

“It’s the Same Old Game” is a 16mm color film on urban studies directed by Charles Hobson. It was made to encourage citizen participation in the planning process, and shows examples of poor urban planning and development in which the residents had no voice. This film features interviews with children about their neighborhood, community activists, and planners that advocate for community involvement.

Documentary about a school teacher who becomes the director of the establishment.

Documentary exploring why Puerto Rican men enlist in the U.S. Army

A profile of Alexander Graham Bell, inventer of the telephone.

John Pilger returns to Vietnam in 1974. America had withdrawn its ground forces at the beginning of the previous year, he reports, yet the war had not ended. During this ‘peace’, more than 70,000 soldiers and civilians had been killed.

SOS – help! A clear and simple visual language to disturbing sounds. The distinguished Lithuanian film and theatre director Vladislovas Algimantas Blinstrubas condenses the violent, centuries-long history of the Baltic in timeless metaphors. The naked, vulnerable human being is at the centre of this filmic exploration. The space opens up to pain and grief.

The first Nass El Ghiwane Artistic Soiree was broadcast on national television.

In addition to historical facts based on the presentation of monuments, the short film primarily points out today's lifestyles of the medieval town of Vellberg, Germany

Presentations by popular groups and singers such as Inti-Illimani, Violeta Parra are shown. Its quality and great reception among the attending public stands out.

Treasured moment with a legend in the craft of music. Gregor Piatigorsky, an extraordinarily dramatic cellist.

The Yemen Arab Republic, its people and their day-to-day activities, as discovered on a tour through town and country.

This is a solemn approach to the mundane ritual of the ever-awaited coffee break. It is also a self-portrait among fellow women office workers.

Sir John Betjeman visits and explains the architecture of various churches in the Diocese of Norwich. Among those visited: Sandringham church on the Queen's private estate, the Holy House of Our Lady of Walsingham and Norwich Cathedral.

About three Icelanders living in London, leading very different lives. The film concentrates on the events of one day in June, culminating in an independence celebration at the Icelandic embassy, where all three meet up.

A film about the region of Landmannalaugar.

The result of a three year collaboration [1971-1974] between the Resolution film group and a number of community groups struggling to save their home and neighborhoods from "urban renewal". In San Francisco, as in most other cities, "urban renewal" means destroying minority and working class neighborhoods and building lucrative luxury developments. As usual, the key government people have been bought and paid for by the big developers. Redevelopment is a "tool" not in the "here's how to fix it" sense, but rather as an aid to understanding local issues in the larger contexts of the political-economy of the city and a variety of community organizing strategies. The film has been used and enthusiastically received by community and tenants' groups all over the country. It has proven itself as an effective means of stimulating discussion in the neighborhood and the classroom.

Footage of a sunny village square in Sardinia leads to humorous, philosophical reflections on reality and the role of the ‘objectively recording’ documentary maker. Van Gasteren sees the square as a backdrop in his film, and the chance passers-by as extras. Then, as a ‘director of reality’, he gives an ironic commentary on what he sees. “For a moment I thought, from what source of information am I thinking up what I see. Or, did I just see exactly what I thought.”

Nothing is left of the Lithuanian village of Ablinga. Destroyed by Wehrmacht soldiers in 1941, a forest of sculptures was erected in 1972 to commemorate those who once lived here. Larger than life, the carved wooden monuments rise to the sky. In national poet Justinas Marcinkevičius’s poem they wake up again, share some last secrets and become connecting links on a timeline that knows violence and dreams of peace. Dagnija Osite-Krüger’s montage is bold, playful and sometimes brutal, her concern credible and strong. Within a few minutes, “Ablinga” puts a spell on us, becoming a monument to German guilt and the memory of the murdered ones.

“A ‘silent’ interview, QUIET AFTERNOON is the most strange and moving of Turkle’s films, documenting the year-round garage sale of an eccentric, elderly Ohio couple. The omission of sound and the focused, grainy attention of their legacy of bric-a-brac, discarded appliances and collected curiosities adds greatly to the film’s ultimate emotional effect.” – Frank Young, Florida Flambeau.

A community video made by Tom Zubrycki and the residents of Balmain and Rozelle that documents concerns held by residents and local businesses about the impact of an existing port terminal on their community. Residents give their perspectives on the issues of noise, pollution and safety which arise from trucks laden with shipping containers rolling down Mort Street, Balmain towards the terminal. The community’s protests and lobbying efforts are also recorded.

On the buses in Southampton, as this traffic scheme tried to end commuter misery by prioritising public transport

This is a documentary in which the camera's gaze is surrounded by a consciousness of staring, and this consciousness brings about a clear stance in approaching the subject. The distance between the able-bodied and the disabled is made clearer here by depicting it from the side of the disabled, and the film's title, "Why are schools for the disabled wrong? The title of the film, "Why are schools for the disabled wrong? This straightforward attempt at the most basic of documentary filmmaking, how to bring the subject to oneself, succeeds in capturing the full power of film itself, not just within the genre of documentary. The film is a success.

Sven Elfström (1927-2017) was a full-time manual labourer who started off as a welder at the shipyards in Uddevalla. Eventually he moved to the industrial city of Nynäshamn, south of Stockholm, to work at the manufacturing workshops of the state telecommunications company, Televerket. Elfström began shooting 8mm films at an amateur film club in Uddevalla. When moving to Nynäshamn he acquired a 16mm camera. Most of the eleven films that he made in this format are shot in Nynäshamn; the actors in these films were friends and family. The films were self-financed, shot and edited by himself, often on reversal film stock as this was the cheapest way to make a film. This means that usually neither negatives nor additional copies exist of these films, but merely one original print. UTVECKLING? starts with a fierce critique against capitalism, consumerism and man’s exploitation of the world.

Experimental short film, shot in Super 8.

Short film directed by Vlado Kristl

Florida Keys, FL, 1971.

Cats of all colors and sizes are explored in this documentary about the feline lifestyle and how they vie for affection and attention from humans.

Jimmy learns to appreciate his parents when a hand puppet dressed as a jester visits him up in the middle of the night and renders him invisible.

A film about Sergei Eisenstein and Charlie Chaplin which praises their creative freedom and commitment.

The theme of subjugation in an experimental (and political) film by an artist who looks to Dziga Vertov and the historic avant-garde.

Perhaps more than with other examples of Lynda Benglis's "Collage" explores the effects of sound distortion and audio loss across generations of video tape. Tape hiss dominates a limited color palette where images of hands, oranges, and a profile of Benglis peeling an orange with her mouth revolve and seem to replicate as the sound grows less audible.

Documentary.

In 1974, as part of the Family Folklore Program of the Festival of American Folklife, the Smithsonian Institution in Washington, D.C., put out a call for families to bring in their home movies and have portions of them copied for a documentary film. More than 100 families responded to the call, bringing in 16 mm and 8mm home movies, as well as photo albums. The result was the documentary, Home Movie: An American Folk Art by Ernst Star, then a student in the film department at Temple University, and Steve Zeitlin, a student in the Department of Folklore and Folklife at the University of Pennsylvania.