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ENTRANCE

This is an installation documentary created in 2015. The quiet process of making boxes indoors reflects the author's patience and caution, the narration when the screen is black reflects the author's familiarity and confidence in what he wants to express, and the dodging perspective and trembling picture when facing the crowd outdoors reflect the photographer's cramped and alienated. A lot of things happened after 2015, and the film was re-edited. The current version has almost used the best materials of that year.

ENTRANCE

NR 2015
Garden of Sungeum

Park Sungeum is an elderly woman who lives in a shabby tile-roofed house. The eaves of her roof are sagging, and the utilities have been cut off. When she is not at home, she goes to a local Senior Citizens Centre. The centre is her shelter when it gets bitterly cold in winter. She usually spends a day, however, by the wooden gate at the entrance of her house. By the gate, there is clutter of clothes, dishes, a table and a plastic bag of miscellaneous items. A cat is also leashed there in the dark, and Sungeum cares for the cat.

Garden of Sungeum

NR 2024
Volumetric Interviews: Now You See Me Moria

Years after a fire burned down the infamous Moria camp in 2020, the living situation of refugees in Greece is still dire. Noemí, the Spanish photographer, shares the story of the Instagram project Now You See Me Moria, which she initiated with Amir, an Afghan refugee in Moria. Determined to change the often one-dimensional media portrayal of refugees and raise awareness of human rights violations, Now You See Me Moria depicts the daily lives of refugees through their eyes. Volumetric Interviews follows their memories with Noemí and transforms the videos recorded inside the refugee camps into 3D landscapes, bringing Noemí and the interviewer digitally to the camps. Through the inherently limited view resulting from the cameras’ perspective from the original videos, Volumetric Interviews challenges the limitations of information in humanitarian crises.

Volumetric Interviews: Now You See Me Moria

NR N/A
Rightist Li Sheng Zhao’s Hunger Report

Li Sheng Zhao was born in a landlord family in Sichuan. He used to be a soldier, and then became a student in the Department of Economics at Sichuan University in the spring of 1961. After he became a rightist, Mr. Li was escorted to his hometown of Long Chang County in Sichuan province. He observed that people were dying with hunger in his way to hometown. With his investigative experience in army, Mr. Li was called for conscience and justice, and started a private investigation. He braved the risk of death to write this hunger report to the central party committee leaders, requesting them to take measures to save the country. Although he received a reply from Ma Yin Chu, the former president of Peking University, and Deng Zi Hui, the former vice premier of the State Council, this did not prevent him from becoming a counter-revolutionary and getting into jail for 18 years.

Rightist Li Sheng Zhao’s Hunger Report

NR 2012
Han Ya:The Silent of Country Road

A ordinary village in Jiangxi Province, is the hometown of the director. The youth are heading for the city, the author is anxious of his hometown to be changed too dramatically in the coming days. He records down the precious shots of the villages in its four seasons, and then turns to those youth struggling in the city: their worries, their joys and their missing of the hometown. In the film, the author tries to explore the meaning of hometown for those being forced to look for new chance in the city by the market, although his story is not ending......

Han Ya:The Silent of Country Road

NR 2005
Wild Days

Xiaolong and Tala were ruffians who feel pound walking on the street. Tala stole a DV, Xiaolong fell in love with the girl in the DV tape. By chance, he met her, Yu Qian, a girl who was studying drawing. She studied in the same studio as Wang Hui. When developing friendship with Xiaolong, she indeed loved her teacher. The thirst and shyness for love has cast shadow on the young girl's life. And Wang Hui had also lost in the swirl of love and jealousy. Tala hurt someone and had to run away police. Xiaolong helped Tala's escape, and asked gang members to resolve the problem. Tala had once again returned the town.

Wild Days

NR 2009
The Sea Breeze

The title of the film, "The Sea Breeze", is about the strong winds flowing from sea to the land. Also, it reflects the living style of people who live in Da-chih village. Over the labor, activities and conversations between the villagers, we can observe the relations between people and the natural environment. The film tries to illustrate the feelings of changing and remaining with long takes. Besides, the ecology and evolution of the old abandoned houses present the trace and texture of time and space, people and memories. Lifeless as they seem to be, they imply great power.

The Sea Breeze

NR 2024
The Teacher Who Lived Before

After a heartbreaking experience at school, a teacher took her own life. Her father, a potter, was devastated and could not fire his kiln for a long time. 15 months after his daughter`s death, he finally fires the kiln again. As he watches the flames, he begins to sing a song in her memory. Through the very personal story of the deceased teacher`s family and an artist, this documentary delves into the challenges of the education system in South Korea and reveals the path to healing.

The Teacher Who Lived Before

NR 2024
The Eternal Jinshan Temple

Jinshan Temple is the only Buddhist temple built on water in China, which dates back to the Southern Song Dynasty (1127-1279), almost a thousand years in the past. Observant Buddhist believers often converge here to perform a rite known as "fangsheng", or "life release", which refers to the practice of saving animals from captivity and releasing them into the water. The film tries to form a slice of the history of this eternal artificial architecture through ecology, geography and folklore. A Gopro camera was tied to a turtle that was released in the river to inspect the underwater space of the temple.

The Eternal Jinshan Temple

NR 2022
Separation

"Separation" is an essay documentary that delves into the intricate relationship and conflicts between contemporary Taiwanese society and European and American values. This exploration takes place through the lens of three millennial Taiwanese artists who share their overseas experiences during the pandemic and post-pandemic era. Hsiao-Chu resides in New York, Shou-An in London, and Chen-Yi in Philadelphia, each offering a unique perspective on the evolving immigrant status, personal exploration of sexuality, and the artist's profound understanding of self and community.

Separation

NR N/A
The Vast Deep Blue Ocean

When Director Laway was small, his father began working as crew on fishing boats out of the port of Kaohsiung. All through his youth, Laway's mother took him by Kinmen bus from Taitung to Kaohsiung to visit his father every year or two. Amis people have worked on fishing boats for years, and such family visits were common in the years from 1940 to 1960. With permission granted in April of 2013, Director Laway picked up his camera to film six of the Amis crew members. He boarded a Taiwanese ocean-going ship on Bona Bei island - an American possession in the South Pacific. With this ship he followed a purse seiner for 20 days, filming the crew's hard work and difficult life. To conclude, how was Laway’s father able to get through twenty years of his working career as a crew member? The director's only assistant is the son of a photographer - Mayaw‧Laway

The Vast Deep Blue Ocean

NR 2015
Lights

"I've been screening film works for nearly 50 years, and out of the many screenings I've been to, there have been two times when the audience fainted. My work "Memories of the Seaside" and a certain work by Mari Terajima. However, Hideto Ishii's "Lights" was the only one that immediately after the screening, one audience member exclaimed, "It's amazing!" and stood up and applauded. When I thought who it was, it turned out to be the filmmaker Isao Kota. Sitting through this film for nearly 50 minutes can be a pain. However, what is unfolding here is neither a spectacular view nor a visual pleasure. If you were to ask me what it was, I would have to say "abyss." That's why I'm attracted to. As you watch this movie, you can eliminate the distractions that occupy most of your mind one by one. After just under 50 minutes, you might be able to reach some kind of catharsis." — Mikio Yamazaki

Lights

6.0 1999
Legends of Wood and Silk

Having existed for over two thousand years, the Guqin is one of China's most original string instruments. In the year 2019, the 82-year-old Guqin master, Wong Duo, reluctantly performed in his hometown of Suzhou, where his lifelong dedication to the revival of traditional silk string style has made him a minority among the predominant steel string players. To support him, Li Guo, Wong's youngest disciple whose playing strongly echoes that of her master's, invited Wong to give a truly authentic Guqin concert in the modern cosmopolitan of Shenzhen, in order to reach a larger and more diverse audience.

Legends of Wood and Silk

NR 2024
The Homecoming

Muay Thai was introduced to Taiwan when Thai migrant laborers came here to work. Han Reng-ding, a Taiwanese who for a long time had no fixed address, joined Li-Chin muay thai at age 22 and, for the first time, found a sense of belonging as he was learning the martial art. The boxing gym’s Thai head coach, Sonsumrit, took special care of him, and the migrant Thai workers taught him everything they knew about boxing and life. They were as close as family members for six years. However, Han’s life will unfold differently due to a new plan.

The Homecoming

NR 2024
Song of maengkong

In the midst of political battles, people sang together, hoping for solidarity and a brighter future. The lyrics and syllables people used to chant always seemed to align with the song's ideals, but in reality, it's heading to a blurry past. The Maeng-Kong's cry, however, is not tied to a specific era that people yearned for. Their song simply echoes as their mating call rather than a political statement. The sound "Maeng-Kong-(Croak- Croak-)" howls; could we imagine a space of struggle and solidarity once more?

Song of maengkong

NR 2024