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Sankofa

The marks colonialism left appear throughout, not only the countries that were affected, but also the ones who profited. The ways in which each country decides to deal with those marks, however, differs in interesting ways. A perfect example of such disparity comes in the form of the black man, from the ways in which society sees him to the ways in which he sees himself. This documentary short will be told through a poetic journey of the black male's experience, presenting the audience with Godsway Anderson and Marcquis Graham, two black men from Ghana and the United States respectively. Their opposing stories will showcase the modern effects of colonialism and question how the lives of two unique men from two different countries, while seemingly distinct, intersect in interesting ways. The most interesting intersection, however, happens when the two discover that their future relies on the power of 'Sankofa,' which translates to returning to your roots in order to move forward.

Sankofa

NR 2018
People's Climate Case

In May 2018, families from Portugal, Germany, France, Italy, Romania, Kenya, Fiji and the Saami Youth Association, Sáminuorra from Sweden sued the European Parliament and the Council of the European Union for the inadequate 2030 climate target that the EU had agreed before the 2015 Paris Climate Summit. The plaintiffs claim that the EU’s existing 2030 climate target, is inadequate with respect to the real need to prevent dangerous climate change and not ambitious enough to protect their fundamental rights to life, health, occupation and property. These families and the Saami Youth are supported by broad range of NGOs and more than 175 000 citizens. Three Portuguese families - which represent sectors dependent on the balance of the climate, such as the forest, agriculture and beekeeping - are already feeling the worsening impacts of climate change.

People's Climate Case

NR 2018
Oil Capital Underground: The Genesis & Evolution of Punk Rock in Tulsa-Late 70's to Mid 90's

A documentary about the underground punk/new wave/thrash scene in Tulsa Oklahoma, focusing on the late 70s up until the mid 90s. Going against the grain in the conservative atmosphere of the city formerly known as the Oil Capital of the World, bands such as Los Reactors, NOTA, Pitbulls On Crack, Bunnies of Doom, Baby M, Brother Inferior, Tex Montana's Green Party and many others struggled to make a name for themselves releasing their own music and playing local and national venues. Oil Capital Underground is filled with rare live footage, flyers, photos and interviews with many of the colorful musicians, promoters and club owners discussing the music, personalities and social climate of the time.

Oil Capital Underground: The Genesis & Evolution of Punk Rock in Tulsa-Late 70's to Mid 90's

NR 2018
#Procuram-se Mulheres

Is the woman invisible in samba? Invisible, but essential. What keeps a foot structure almost always invisible. It is necessary to give birth to the samba that in the parades of carnival was deferred to the detriment of the plastic, of the esthetics of a product offered to the world that does not necessarily reflect the reality. Here, at the origin, the woman appears in the segments sustaining the institutions maintainers of the "roots", although the environment remains dry of machismo, they lead wings of composers, they play firm in the battery, they succeed like carnavalescas; are at the forefront of projects to preserve the intangible heritage of their associations. Many are inserted in samba wheels, currently the niche where the most samba root is exposed.

#Procuram-se Mulheres

NR 2018
La Cueca, Before God

This film takes us to Chile for a deep dive into cueca, the national dance of Chile. The cueca brava music scenes in Valparaíso and Santiago, which many compare to the tango scene in Buenos Aires or the fado scene in Lisbon (only much less popular and away from tourism), had been going through hard times under the Pinochet years. They had been manipulated and stripped of their radical potential for social commentary; it was only in the early 2000s that many (young) locals rediscovered it… and danced it, played it and re-invented it.

La Cueca, Before God

NR 2018
Dreaming the Memories of Now

Journeying into the mythical space of southern Mexico, visual artists Geska and Robert Brecevic and their five-year old daughter Katja unearth complex stories in which time, memory and nostalgia are continually reenacted. Dreaming The Memories of Now leads us through a stunning and profound exploration of the artistic process of creation and an ethereal declaration of love for a place. Stretching the genre of documentary, this film poem is a composition of far-ranging thoughts, sun-drenched images and scenes of mystery, guided by the voice of the narrator and a gripping, visceral soundscape.

Dreaming the Memories of Now

NR 2018
The legacy of a driven man - why Rudolf Geigy set out for Africa

The film shows the genesis of the Swiss Tropical Institute under the direction of Rudolf Geigy. From his employees and students he was partly admired, partly feared. His moods and outbursts were legendary. As a wealthy industrialist, he was able to afford virtually everything and generously invested in the establishment of the Tropical Institute, but also made considerable development aid in Africa. A search for traces with contemporary witnesses.

The legacy of a driven man - why Rudolf Geigy set out for Africa

6.0 2018
Love & Loss

Love and Loss follows two surprisingly strong women: Karen Crespo and Nicole Evans. Both women are vibrantly physically disabled; however, Nicole was born disabled while Karen became disabled later in life. Through the observation of the dating lives of them, this film explores the challenging and often unconventional intimate relationships of physically-impaired individuals, as well as how those individuals define and live their lives within the context of their disabilities.

Love & Loss

NR 2018