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Stray Ducks

As part of an experiment on climate change, NASA dropped 90 yellow rubber ducks into holes in Greenland’s glaciers. More than a decade later, scientists are still trying to locate the ducks, which they hoped to find scattered across the globe. Stray Ducks is the surreal and epic tale of these cute yellow toys and their mysterious disappearance. Anonymous, bobbing across the oceans, they observe human behaviour the world over. With a keen sense of irony and absurdist humour, this film takes an artistic as well as a critical perspective on social injustice and the climate crisis. (Programming Collective)

Stray Ducks

NR 2021
Brett Kissel Live at the Drive-In

After the pandemic forced the cancellation of events worldwide, Brett Kissel set out to bring live music back to Canada. In this documentary, Kissel shows how the drive-in concept became a reality—from video calls to socially-distanced rehearsal to finally being back on a stage, separated from his band with plexiglass. 8 sold out shows over 2 days, this was the beginning of the return of live music in Canada. This is the story about how music brought everyone together.

Brett Kissel Live at the Drive-In

NR 2020
257 Down

For Alex Abbott, a winning dirt bike freestyle rider, the moment of truth came when his dirt bike landed on his head and broke his neck and became an incomplete quadriplegic. During the months he laid immobilized in hospital, the notion of ever getting back on his bike seemed so remote he barely gave it any real thought. But ten years later, with the help of friends and family, Alex is on the verge of finding his way back onto two wheels. 257 Down is a documentary film about patience, endurance and courage. It is a story that will inspire people of all abilities to follow their dreams, no matter how inaccessible they might seem.

257 Down

NR 2020
Aboriginal Radio Waves Part II

Created by Anishnabe Videographer Joe Beardy and trainee Darlene Naponse, Aboriginal Radio Waves Part II is the second part of a two part series about community radio. In Aboriginal Radio Waves II, Joe Beardy and Darlene Naponse detail the steps involved in obtaining a station, from procedure of applying for grants, the start up of the station, to radio programming are covered within the video, and respond to community concerns related to funding and autonomy.

Aboriginal Radio Waves Part II

NR 1996
Wander

Wander is a film primarily experimenting with the effects of superimpositions to play with surreal sensations, as a poetic dialogue floats along the way. No incarnation of the subjects exists inside, only the two's voices hovering over the dynamics like extraterrestrial creatures drifting away from the Earth. The atmosphere is dangerous. And the fluid exhibition of sceneries spans from Asia to North America with chaotic velocity, which may relive a spiritual diaspora after fragmentary experiences here and there. In this visual space, the past is unrelentingly flooded away in the fading memory.

Wander

NR 2020
Conscious: Fulfilling Our Higher Evolutionary Potential

Is crisis pushing us toward a leap in consciousness? Can we live from an inner truth? Can we participate in the evolution of our own consciousness? Inspired by the work of Sri Aurobindo, Conscious: Fulfilling Our Higher Evolutionary Potential asks about our potential to achieve a transformation in consciousness, which might be both inevitable and essential at this juncture in our development if we are going to continue the human journey within the cosmic advance.

Conscious: Fulfilling Our Higher Evolutionary Potential

NR 2017
The Body Remembers

The footage was collected at AIDS fundraisers held at the time in Vancouver East Side, Canada from 1994 to 1996. The Body Remembers chronicles Francisco Ibanez-Carrasco's struggle to make drag into a form of artesania (not art) that heals. Drag allows us to present our damaged selves to others when we are disfigured and ugly by conventional standards. Ibanez-Carrasco struggled with Kaposi's Sarcoma and other AIDS-related opportunistic infections at that time and drag shows were a way to bring his extended family around him and to create awareness about AIDS.

The Body Remembers

NR 1997
The Quoddy Fold

"The Quoddy Fold" is an intimate interaction between a woman and a derelict coastal house. In this one-hour film Phillips dismantles and studies the movement from wood to dust, damp paper to mold, and ponders the house folding back into the land and sea. Phillips' performance constantly seeks evidence of dissolving boundaries, thingness, history and intersubjectivity of space, place and species. Through the poetics of the ruin "The Quoddy Fold" is an interrogation of dwelling and landscape giving space to entertain the ecological, cultural and societal anxieties surrounding impermanence.

The Quoddy Fold

NR 2019
The Hundred Videos #3

The Hundred Videos is a project undertaken by prolific video artist Steve Reinke, including 100 video works made from 1989-1996. Discussing death, sex, the body, philosophy, and contemporary art, The Hundred Videos defines a unique style of video-essay for the end of the 20th Century. This volume includes videos 31-54: Lonely Boy, I Love You Too, Charming Mutt, Ice Cream, Instructions for Recovering Forgotten Childhood Memories, Request, Jason, Experiment, Editorial, Understanding Heterosexuality, Pioneer, My Personal Virus, Vision (With Birds), Self Help, My Erotic Double, Sleep, Dream Work, Artifact, Monologue (with Provocation), Child, Windy Morning in April, Love Letter to Doug, Three Plays, and Screen Saver.

The Hundred Videos #3

NR 1996
The Hundred Videos #1

The Hundred Videos is a project undertaken by prolific video artist Steve Reinke, including 100 video works made from 1989-1996. Discussing death, sex, the body, philosophy, and contemporary art, The Hundred Videos defines a unique style of video-essay for the end of the 20th Century. This volume includes videos 1-14: Excuse of the Real, Family Tree, Watermelon Box, Family Planning, Eleven Dreams, Emergence of Democratic Memory, Speculative Anthropology, Why I Stopped Going to Foreign Films, I Am Not Like You, Barely Human, ROOM, Michael & Lacan, Joke (Version One), and Joke (Version Two).

The Hundred Videos #1

NR 1996
My Body is a Metaphor

This videotape provides electronic, metaphorical images which, in part, illustrate theories of the disappearing body as a result of social controls, social silencing and oppression. The tape is a response to the inability to feel, touch and express in a culture that denies desire as well as non-desire. The struggle to escape the restraints of social regulation is explored through layered images, appropriated from stock biology lab films, and layered narrated sequences. Images of contemporary body decoration practices, such as piercing and tattooing depict the ability of the postmodern body to integrate the power that exists in ones own body.

My Body is a Metaphor

NR 1991
Originate and Recompile

In 1962 Ernesto De Martino travelled to the South of Italy for his ethnographic research and shot "La Taranta". A study around women who were poisoned by a Trantula bite while harvesting in the fields. The remedy against the deadly poison was a folk dance called Taranta. The women danced the poison out of their bodies with the help of local musicians and priests. Studies around this phenomenon have highlighted that, in the majority of cases, these women were suffering severe mental illness and hysteria due to sexual abuse and poverty. In present-day Italy a similar dynamic has resurfaced, uncovering the stories of groups of immigrant women (mostly from Romania) who were victims of agricultural and sexual exploitation in Ragusa, Sicly. I reapprorpiated the 1962 archival footage to propose a different angle of the story surrounding these women. Not from the point of view of a man who has undertaken to observe them, but from the point of view of a woman from the South of Italy. (FF)

Originate and Recompile

10.0 2020
Not Moldova 1937

"In another virtuoso turn, the artist brings her exemplary camera eye to Moldova, home of her grandparents, before they were driven out along with their Jewish comrades, thousands of them killed. Fragments of survivor testimonials mix with archival photographs and objects, along with present-day city celebrations (what is being forgotten in these civic rites of memory?). Haunted natural scapes grow over the dead, the abandoned graveyards and stones mark the places where culture and community used to be performed. This is a synoptic act of grieving, but also: a summoning of the present, a conjuring of the thousand ways that the betrayals of neighbours and friends marked out the Jews who had lived peaceably amongst them for generations, newly caught now in a terror of state oppression and greed."- Mike Hoolboom

Not Moldova 1937

NR 2019
Hands Off Exarchia: New Democracy's War on Anarchists

On July 8th, 2019, the New Democracy government of Kyriakos Mitsotakis assumed power in Greece, after campaigning on a promise to ‘clean up’ the central Athens neighborhood of Exarchia, and ‘take it back’ from the anarchists. Since then, the Greek state has launched a renewed attack against the anarchist and self-organized migrant movements, targeting squats and promising future raids. Against this threat, Greek anarchists have responded with characteristic resolve and determination.

Hands Off Exarchia: New Democracy's War on Anarchists

NR 2020
Once Upon a Sea

Once Upon a Sea is a poetic, interactive XR documentary telling the tragic tale of the legendary Dead Sea. Through a physical exploration of the sea’s forbidden, moonlike landscapes, to intimate encounters with local characters, the user gets a rare glimpse into one of the world’s most dangerous,soon to be extinct, wonders. Centuries of human intervention and political neglect have turned the Dead Sea into a precarious place. Its water levels have dropped dramatically, leaving behind sinkholes and collapsing beaches. The experience offers a deep insight into the complexity and very human impact of this ecological and geopolitical crisis. Once Upon a Sea is our call to action.

Once Upon a Sea

NR 2020
The Downtown Project

Just a stone’s throw from downtown Montreal is the largest social housing complex in Quebec. Built in 1959 where the red-light district used to be, Les Habitations Jeanne-Mance have retained something of the area’s seedy reputation for poverty, prostitution, drugs and violence. But who really knows the projects and the people who live there? Delving beneath the prejudices and stereotypes, director Isabelle Longtin ventured inside the buildings and met the residents.

The Downtown Project

NR 2011