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Dit is je laatste kans

Documentary about unorthodox social worker Michell Requena, whose shelter is the last chance for youngsters in residential placement to break through their destructive behavioural patterns. The youngsters, often weathered by street culture, ending up in Michell Requena’s shelter get their last chance here. A remarkable one, as this documentary shows, because this social worker heeds their background. They are children of teen mothers, often coming from a background of addiction problems and physical and mental abuse. These kids have always learned the hard way to fend for themselves. But Michell forces them to abandon this fighting mode, show their vulnerable side and take responsibility for their actions.

Dit is je laatste kans

NR 2018
Unknown Distance

After five tours and serving ten years as a Marine Sniper, Sgt. Douglas Brown, takes us on an emotional eight month journey across America, engaging with fellow servicemen who were once a part of a highly trained military team with a specific skill set now rendered useless. The story unfolds when Douglas and an Afghan Interpreter, who served with him in Afghanistan, reveal the story that bonded them for life. Recalling those horrific memories trigger Doug's existing PTSD (Post Traumatic Stress Disorder) that continues to corrode his personal relationships, and has led to his erratic, inappropriate and self damaging behavior.

Unknown Distance

NR 2018
José Louzeiro: Depois da Luta

The documentary narrates the trajectory of Maranhão journalist, writer and writer José Louzeiro, through his own testimonies and of filmmakers such as Sérgio Rezende, José Joffily and Jorge Duran, his partners in screenplays of important films for Brazilian cinema. At age 85, in poor health, Louzeiro recounts her adventures as a police journalist, writer and screenwriter, and shows her impressions of controversial and marginalized characters she portrayed in film, journalism and literature.

José Louzeiro: Depois da Luta

NR 2018
National Narrative

“Hi, what are you up to?” On the video chat, Periscope, the exchange of images can be enriched by text messages and/or a flow of hearts allowing people who are streaming their video live to see strangers’ comments on their appearance or their conversations. Entirely constructed using these exchanges, National Narrative probes the exhibitionist norm of the enhanced selfie. Spontaneous poetry (“Your eyes they wanna drive me bananas”), a burlesque scene between two loafers who are unable to make out which of them is receiving mocking comments as they confuse left and right on the screen… Far from sparking derision, this montage instead points up the users’ self-derision and the paradoxical coyness of a space where people claim to show everything, from breasts to vomit. How does the immediacy of a chat between strangers integrate into its playful and intentionally exaggerated quotidian, the incommensurable horror when a tragic event intervenes?

National Narrative

NR 2018
A Woman Without a Name

Behind the solid concrete walls of the women's prison Gharchak in Iran's capital, Tehran, four young women open the door to their lives and innermost thoughts. They reveal their downfall into substance abuse and violent crime, which led to a life behind bars. All four are sentenced to several years of imprisonment for assault and murder. Their children play on the grey stone floor in the prison, where the women's only contact to the outside world is through a pay phone. Violence, coercion, abuse and sexual assaults were the recurring reasons why the young women broke with the outside world's expectations of proper female behavior – and sacrificed their lives in the process.

A Woman Without a Name

NR 2018
Manry at Sea: In the Wake of a Dream

In 1965, Robert Manry was a typical middle-aged suburbanite in Cleveland, Ohio. However, his colleagues at the Plain Dealer newspaper were shocked to learn he had just set sail on a solo voyage across the Atlantic in his 13½-foot sloop, Tinkerbelle. By the time his 78-day odyssey ended in England, Manry was the target of a wild journalistic arms race, the guest of honor to a welcoming committee of 20,000 Britons, and had become a hero to his countrymen - and to dreamers everywhere.

Manry at Sea: In the Wake of a Dream

NR 2018
Death on the I-95

Drug overdose is now the main cause of death for Americans under the age of 50, they are more likely to die from a drug overdose than a car accident or gun. More than 70,000 people died from overdoses last year as opioids and illegal fentanyl – which is up to 50 times stronger than heroin – unleashed the worst public health crisis in American history. Two years ago, BBC News reported on the growing problem of opioid addiction in the US, now we return to find out what happened to the people we met along our journey down the notorious I-95. This interstate runs from Florida to Maine, and to see what has become of their struggle against addiction.

Death on the I-95

NR 2018
Nacemos de la tierra

Aurélio and his father-in-law Apolinar, both Kallawaya healers, have contributed to several books by German anthropologist Ina Rösing. While the former welcomes urban patients to his native village of Lunlaya at the gateway to the Bolivian Altiplano, the latter has chosen to open a consultorio in the capital, La Paz. Their intertwined trajectories raise questions about the evolution of healthcare practices and the place of anthropological works in the construction of memory.

Nacemos de la tierra

NR 2018
The Meeting

A film about the strength of spirit and love of life of an elderly woman who has experienced a lot over the years but has managed to retain a kind heart and an incredible sense of humor. She used to be the nanny of a girl named Masha. And today, Masha, now an adult, came to visit her nanny. During their brief meeting, the girl learned a lot of new things about the woman's life. Some of the details were beyond her imagination. But the woman made the girl not only cry, but also laugh heartily.

The Meeting

NR 2018
Revitalization of Space

The film crew of the Creative East project is travelling around the Eastern Ukrainian cities researching abandoned areas and buildings. The people they meet offer different perspectives on the problem. Apart from revitalizing abandoned buildings (skate-park Druzhba in Lysychansk), you can also use them for temporarty art interventions (rave parties in the former industrial park in Kostyantynivka) or just leave them as they are (Soviet summer camps on the Azov coast).

Revitalization of Space

NR 2018