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Tender Fictions

Childhood stories of the artist as a young lesbian and intimate tales of the lesbian as a young artist underscore the filmmaker's life of performances. With a Swiss army knife she robs an American Express Bank in Morocco, accosts a shepherd in a field on International Women's Day, and tap dances on Shirley Temple's star on Hollywood Boulevard. This child movie star was the ideal by which Hammer's ambitious mother measured her own Barbie. Grandma, already a cook for Lillian Gish in Hollywood, introduced the cute, loquacious child and her mother to D.W. Griffith. Lesbian autobiography is a slender genre, so Hammer draws from general culture studies for critique and to provide an ironic edge to the synthesized "voices of authority".

Tender Fictions

5.9 1995
An Untidy Package: Women and the Newfoundland Cod Moratorium

An Untidy Package sets out to dispel the popular misconception that Newfoundland women weren’t major players in the cod fishery before the moratorium, and that the federal compensation they received was only added to their husband’s claims to increase their family’s allowance. We learn at the outset that one third of the 35,000 workers displaced were women. Using the viewpoint of some of these women, this video examines the cod crisis and its social implications for families.

An Untidy Package: Women and the Newfoundland Cod Moratorium

8.0 1997
The House of Science: A Museum of False Facts

The winner of numerous festival prizes, this early work by Lynne Sachs is a provocative film essay on women's perspectives on their bodies in a "man's world." It touches on everything from the female form's depiction in Renaissance art to the school of 19th century "scientific" thought equating "abnormal" physiognomy with criminality. This adventurous collage also features the filmmaker's own diaristic recollections (notably of being fitted for a diaphragm by a cold, intimidating doctor), poetical staged sequences, other women's audio testimonies, an old classroom instructional reel about menstruation, prose by Gertrude Stein and feminine "ideals" like the undulating young woman performing in fish-tail costumes at Florida's kitschy Weeki-Wachee Springs "Underwater Mermaid Theater." - Dennis Harvey

The House of Science: A Museum of False Facts

NR 1991
Lost Civilizations: Greece and Rome

Reader's Digest Invites you to journey back through 6,000 years and revisit some of the greatest cultures the world has ever known. Journey back to Athens, the world's first democracy, as Pericles helps usher it into a Golden Age of unparalleled achievement in philospohy, science and art. And, discover the very essence of what it meant to live as an ancient Roman, part of a military colossus that, even to the present day, is regarded as "The Ultimate Empire." Celebrate the gods at the Colosseum... spy on a Roman emperor's wife... dance with the cult of Dionysus... mingle with gladiators preparing for battle... join Socrates at the Symposium... see why Caesar was assassinated... and much more!

Lost Civilizations: Greece and Rome

NR 1995
Speaking of Abstraction: A Universal Language

At the beginning of the twenty-first century, abstraction - that most quintessentially modernist innovation - maintains a peculiarly contradictory position. Used, on one hand, by post-modernist artists as just one more quotable style amongst many, it is on the other hand still considered an elitist or hermetic language by audiences intimidated by its lack of recognizable subject matter. Yet ultimately, abstraction continues to be a viable creative path for contemporary artists of all generations, many of whom embrace it as the most inclusive and fundamentally resonant of artistic languages. Filmed at the artists' studios, the Dia Center for the Arts, and the Guggenheim Museum during their exhibition, "Abstraction in the Twentieth Century."

Speaking of Abstraction: A Universal Language

NR 1999
The Cave of Hercules

Despite seeing his film project HERCULES rejected by DEFA Studios in 1983-84, Dammbeck remained fascinated by the Hercules story. He started experimenting with different media combinations, using overpainting, photography, film clips, collage, painting, and movement. These experiments resulted in groundbreaking multimedia collaborations, as well as the film THE CAVE OF HERCULES, in which Dammbeck explores a series of questions inspired by this classical figure. Who was the legendary hero Hercules? Is there a new Hercules today? How are heroes created in a totalitarian society? What are the virtues of heroes? This multi-layered experimental film combines projections of collected film clips, quotations from “The Willful Child” by the Brothers Grimm, and “Hercules 2 or the Hydra” by Heiner Müller, as well as dance scenes with Eva Schmale that were performed – at Kampnagel in Hamburg – specifically for the film.

The Cave of Hercules

9.0 1990
Leros - The Τransformation

“Now I am happy, I am very well... I am cooking.” Six years after Jane Gabriel made the documentary “Island Οf Outcasts” revealing the inhuman conditions in the adult asylum on Leros, she returned to meet some of the men who had been kept naked in block 16 for decades, and women who had lived in filthy conditions. Now living freely with support in the community they talk about their new lives. This film records how Leros was transformed for both the ex-inmates and the staff - from being an island of incarceration and misery, into an island of liberty.

Leros - The Τransformation

NR 1995
Endlich fliegen

The dreams of young Andrea. The camera accompanies the seven-year-old girl in 1976 when she was at school dressed up and singing as a flying butterfly. Later, at the age of 17, she wanted to be "free" from her parents and tried to realize her dream as a dancer at a ballet school in Leipzig, but quickly failed and gave up. From then on, she works as a waitress in a restaurant because she is around people and feels comfortable there. She meets new people outside of her parental home, learns to discuss and represent other opinions. Her boyfriend accompanies her on her new path, but she can rarely see him as he works in another big city, which in turn leads to problems. The life of Andrea, now 19 years old, is portrayed here with excerpts from the film "Butterflies" and shows us what happened to Andrea's dreams of "flying and being free".

Endlich fliegen

NR 1990
Zbrodnia katyńska

Katyń. The name of this town was banned during the communist era in Poland. It appeared as an entry in only one edition of the PWN encyclopedia from 1958, where the Germans were blamed for the crimes. When, in 1989, one of the periodicals placed this word on the cover of its April issue in the context of National Remembrance Month, the publication provoked deep and loud outrage from Wiesław Górnicki, a publicist and official advisor to General Wojciech Jaruzelski. The name Katyń had been ruthlessly and consistently erased from the national memory.

Zbrodnia katyńska

NR 1991
Alma Negra da Cidade

The existence of racial discrimination did not prevent the affirmation of the black community in the urban space of São Paulo. Members of the black community, in intimate accounts, tell their origins, life trajectory, dreams, anxieties and how they see the situation of blacks, 102 years after the supposed abolition of slavery. Black women and men continue to have to fight for minimum rights and recognition of existence. Black resistance is an example of the struggle of oppressed peoples.

Alma Negra da Cidade

NR 1991
Little Angels: Jam On Film

"Jam on Film" is a VHS video tape released in 1993 by the English hard rock band Little Angels, featuring promotional videos and live performances from the band. Setlist: "Too Much Too Young (Promo Clip)", "Womankind (Promo Clip)", "The Way That I Live (Live)", "Don't Confuse Sex With Love (Live)", "Splendid Isolation (Live)", "Boneyard (Live)", "Soapbox (Promo Clip)", "Sail Away (Promo Clip)", "Sail Away (Live)", "I Was Not Wrong (Live)", "Eyes Wide Open (Live)", "Too Much Too Young (Live)", "Makin' Jam"

Little Angels: Jam On Film

NR 1993