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Berlin - Divided City

Berlin is like an island in the middle of East Germany, a divided city known for its wall, the so-called Berlin Wall. Ever since its inception, this has been extensively exploited by Western propaganda. The notions about it are based in the general public on the fact that it was created to prevent people from traveling as they wish, from escaping. The wall that separates West Berlin from East Berlin is considered a crime against humanity. The truth is that the wall has caused many tragedies, the people on both sides of it are hermetically sealed off from each other. Those who are indignant about the existence of the wall, base their opinion entirely on the propaganda, which in the Cold War game manipulated the background to its creation. The film shows how necessary it was for East Germany to effectively close its border and the consequences of that for West Berlin.

Berlin - Divided City

NR 1971
Home for Christmas

"Here is the quintessential Hancox 'personal documentary,' a film in which both the production and role of traditional documentary and autobiographical filmmaking are thrown into question. Using his camera to record a visit out east by train to spend Christmas with the family, Hancox .... used his familiarization with the annual ritual as a form of a script... Although we see the journey through the subjective judgment of Hancox’s eyes, it is his intent to transfer the material from original event to camera, to editing, and finally to the audience, so that the personal content of the film... becomes universal.” Michael Wade, Ontario Film Studies, Cinema Parallel “It is the honesty of portrayal which is staggering, for instead of an idyllic image which many filmmakers present of themselves, Hancox presents (and thus, sees) himself without cinematic make-up... with ‘wild sync’ sound (reminiscent of an early film), and with the use of only available natural light.” Richard Stanford

Home for Christmas

7.0 1978
Adland

TVTV turns its critical eye to the world of advertising in Adland, subtitled Where Commercials Come From. Focusing on the reality behind the image, and specifically on the strategies of Madison Avenue, they interview prominent 1970s admen such as George Lois and Jerry Della Femina. They also go behind the scenes of commercial shoots, where such figures as Ronald McDonald and the precocious child actor Mason Reese are put through grinding routines, only to reveal themselves as jaded pros off-camera. In this clear-eyed look at the manipulation inherent in advertising, the TVTV crew meets its match in the relentless cynicism and masculine braggadocio of the seasoned admen; ultimately, TVTV conveys respect for the savvy and skills of these shrewd veterans.

Adland

NR 1974
CBS-Lily and Cleaver Tapes

The Videofreex had several experiences with the Black Panther Party, including interviewing Illinois Chapter Deputy Chairman Fred Hampton and New Haven Minister of Information Cappy Pinderhughes. In this tape, recorded on March 5th 1971, the Videofreex one-person camera crew Bart Friedman is walking the hallways of CBS, trying to find out where a video statement by Black Panther Eldridge Cleaver is located. The shots are mostly close up on people’s torsos and there is some image loss, but the sound is intact. The tape has an eerie espionage feel. There is a conflict between station personnel and Bart: they keep telling him, “You can’t tape in here.”

CBS-Lily and Cleaver Tapes

NR 1971
Madarrpa Funeral at Gurka’wuy

In 1976, Ian Dunlop was invited by Dundiwuy Wanambi, a leader of the Marrakulu clan, to Gurka’wuy on Trial Bay in the Gulf of Carpentaria. He wanted Film Australia to record the first major Marrakulu ceremony to be held at Gurka’wuy since its recent establishment as a clan settlement. While they were there, a baby boy died. The Madarrpa men, including the child’s father and Dundiwuy, asked for the funeral to be filmed.Mortuary rites of the Yolngu are extremely complex. Despite some practical modifications to traditional ceremonies as a result of life on mission stations, ritual remains extremely strong.

Madarrpa Funeral at Gurka’wuy

NR 1979