In order to determine the ability to drive after drinking alcohol, three men take various tests when sober and when drunk.
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In order to determine the ability to drive after drinking alcohol, three men take various tests when sober and when drunk.
The historical silent film, which was commissioned by the City of Frankfurt, shows the individual construction phases of the Frankfurt "Großmarkthalle" right up to the traders moving in at the start of actual market operations.
The mountaineers Max Kroneck and Jochen Mesle book a one-way train ticket from Munich to Thessaloniki – and start their way back home by bike and ski. Along the route they explore the mountains of the Balkans, look for the most beautiful ski runs and get to know the local mountain communities.
Documentary about the German opera singer Kurt Moll.
Educational film about urban planning.
Battle of the Queen is a film from and about rural Europe, capturing a timeless cultural event: a series of head-to-head fights of cows set in the valley in sunny Southern Switzerland, nestled amongst the Alps. The fights are sudden snorting seesaws, explosions of mass and muscle, archaic and wild spectacles. We follow three concurrent story lines: an anxious farmer with his beloved contender, a neurotic unemployed reporter from Zurich coming to find a story, and a gang of adolescent boys on mopeds trying to catch a pretty girl's eye. The festival is a balancing act between fascinating tradition and modernity. This black and white film serves as both an exciting visual treat and a long overdue documentation of a fascinating Swiss tradition.
A film about people who fight for their dream and about a country that is still far away from us and undergoing radical change. The Mongolian cross-country skiers train under the most difficult conditions: There is a lack of suitable training facilities, competition courses recognized by the FIS World Ski Federation and much more. Despite all the difficulties and obstacles, the young athletes train with great motivation, joy and fighting spirit. Their dream: to qualify for participation in the Olympic Games.
One year later Kimble wants to go and visit the Monaco Grand Prix once more. So guess what, he invited his friends again, now even a bigger group and they drive off in the most expensive cars you can imagine for a $10.000.000+ weekend in Monaco.
When a woman steps onto the conductor's podium, she is always one of the first: the first to lead a world-class orchestra, the first to conduct the closing night of London's Proms, the first to win the German Conductor Prize. It seems as though the world of orchestral conducting might finally be ready to change its attitudes toward female conductors.
It was months full of drama: Wolfgang Schäuble races through Europe and negotiates for Greece. On Schäuble's countless trips: the closest collaborators, bodyguards and filmmaker Stephan Lamby. Grexit - yes or no? That's the suspense of this extraordinary movie. Rarely before has there been such insights into the backstage of international politics. And Wolfgang Schäuble and his adversary, former Greek Finance Minister Yanis Varoufakis, speak more clearly than usual. Incidentally, this portrait of the Federal Minister of Finance also contains a statement that could put one of Germany's biggest political affairs in a new light.
Like a mosaic, the film “Our Garden of Eden” shows the everyday life in an allotment garden area that reflects the multiethnic and multicultural modern Swiss society today. People of various geographical, religious, social and political backgrounds till the earth of their respective lots here side by side, creating a microcosm full of dreams, loneliness, homesickness, joy, family tragedies, strokes of fate and conflicts. The Swiss concept of tidiness and order meets an exotic talent for improvisation, the will to integrate and respect meet ignorance. Christians and Muslims, people from nations at enmity enjoy a peaceful coexistence in the allotment gardens, sharing what seems most precious in our society today: time, attention and space. They find the path to themselves as well as a place in the eternal cycle that life is.
At the age of seventeen, Irina Chistyakova looks back at an international concert career spanning ten years. Irina is the youngest of the four protagonists of the film Russia's Wonder Children made in 2000. By now seventeen years old, she is going through a drama that many prodigies experience: while they were children, they were able to stun audiences with the contrast of their delicate appearances and precocious talents. Like Irina, Nikita Mndoyants (18), Dmitry Krutogolovy (19), and Elena Kolesnichenko (25), are still showered with praise and distinction. But what price did they have to pay for it?
The film's principal character is Jean Neuenschwander, who left his home in French-speaking Switzerland in 1956 for Canada, where he was soon appointed manager of a large luxury hotel in Vancouver. In 1971, he bought a house in Tangiers where he settled down a few years later, at the age of 51, for a cosy and opulent retirement. “My Sweet Little Ass” is the account of his personal life, which Jean Neuenschwander clearly takes delight in recounting. He is a likeable hedonist who manages his affairs and his pleasures with considerable skill. From this somewhat comfortable existence, Simon Bischoff subtly extracts a group portrait of the homosexual subculture of Tangiers, which for some has the power of myth, particulary when frequented by characters such as Paul Bowles.
For over half a century, the filmmaker Edgar Reitz, one of the signatories of the Oberhausen Manifesto and a pioneer of epic film narration, has explored, as a practitioner and theoretician, the rules and limits of cinema, which he always seeks to break and extend in new ways. One example of his tireless search and research are the Geschichten vom Kübelkind, which he co-directed with Ula Stöckl in 1969/70, 22 absurdly funny, subversive and anarchistic short films of different lengths, which consciously oppose all conventions, with incredible success. The films remain unrivalled in their Dadaistic inventiveness.
Amir fled from Afghanistan to Germany. He is a chess player. Luck plays a role in life, but not in chess, he says. A cinematic game of chess in three phases.
A portrait of three friends from the GDR. Dieter, a painter, spent ten years in prison on account of his "aversion to work". Alfred, promoted to the position of deputy executive editor, ends up in prison and receiving psychiatric help as a result of a catch-22 situation involving protests and alcoholism. Michael, who had studied foreign trade in Moscow, was kicked out of the Academy and now earns a living crafting lamps.
Papua New Guinea is dangerous, unpredictable, fascinating – and sometimes terrifying. ARD correspondent Florian Bahrdt and his team are on a road trip through the highlands of Papua New Guinea. Traveling there is a strenuous ordeal. And very risky. Brutal fighting between villages leaves people dead and injured every day. Robberies and roadblocks are commonplace. But Papua New Guinea is so much more: "Expect the unexpected!" advises Mundiya Kepanga. The chief, who likes to show off his traditional outfit and moves effortlessly between the rainforest and climate conferences, shows the team the island's threatened and vital natural resources. Why is Papua New Guinea still so unique? ARD correspondent Florian Bahrdt is looking for answers – where few others go.
Memorial service of the Reichswehr on Magdeburg Cathedral Square for the fallen of the First World War, with a flag company and a field service.
Muharrem has dedicated himself to the Kurdish cause since the 1970s. From a theater artist living in exile, he has transformed himself to an activist. As a political prisoner, he was called many different names: Terrorist, comrade, friend.
The first cinematic review after the fall of the Wall and the end of the GDR. In the context of a reunion of the "children of Golzow" on the 1st anniversary of German unity and their joint trip to Hamburg also a workshop report documenting the thirty-year history of the Golzow Chronicle from the new German situation as well as the thoughts and feelings, hopes, fears and objective changes in the lives of now already 13 portrayed.
Growing up in times of conflict - 13-year old Palestinian girls Wafaa and Raneen from two different Westbank villages are faced with the option of going on a one-day trip to the beach in Israel. Although they live only a few kilometers away, they have both never been to the sea. Israeli peace activists organize a day at the beach in Tel Aviv for Palestinian women and children, to let them exchange the view on the Wall against the horizon. One summer morning, Wafaa is preparing for the journey and imagining pretty people in Israel, while Raneen is playing freedom fighter with her friends. Her village is in constant conflict with the Israeli soldiers and for her and her parents it is out of the question to spend a beach day with the "others". Is the day by the sea a one-day utopia? Or a possible future?
A cinematic reflection on structural change in the Ruhr region. Where coal was once mined, steel produced, and machines built, industrial buildings are now falling into disrepair, unless they are listed as historic monuments. A new world of consumption and leisure is emerging on the huge open spaces: supermarkets, shopping areas, and amusement parks. Is this new world real, or does the experience only extend to the hours of the program?
Super 8 (Black & White) film by Helga Fanderl
Short documentary on fish
A staged documentary by Berlin’s Rosa von Praunheim, who gathers five women who came of age in the 1930s—ranging from a lesbian-feminist journalist to a pro-Hitler housewife—for a week in a small apartment to see what will happen.
A documentary about the 23-year-old Turkish woman "Berlin", who lives in the German capital with her parents. Her parents, devout Turkish Arab Alawites, think that her daughter should get married. Despite many attempts of rebellion Berlin can lead not an independent, self-determined life. She would much rather be a stewardess, than to be search by her family a man. Her only hope is to attain through marriage a little more freedom.
In the footsteps of Heinrich Schütz (1585-1672), a German composer rooted in his era, who sought to console his contemporaries from misery and death with comforting works heralding the Baroque period.
Kimble, our internet hero goes to Monaco with his friends, spending a good $10.000.000 during one Formula 1 weekend.
Amany Al-Ali stands out as one of Syria's few female cartoonists, residing in her father's home in Idlib, the last city unconquered by Assad's forces. Like her remaining neighbours she's submitted to relentless Russian airstrikes and caught between advancing troops and extremist groups. Despite acclaim for her art, she faces threats, condemnation, and degradation, causing her to contemplate leaving. Ironically, her artwork has graced galleries in France and Italy but never received exposure within Syria's borders. The film captures her endeavor to organize her inaugural exhibition in Idlib. This experience compels her to confront the harsh realities of a city defined by bombings and male interference. While organizing drawing lessons for women and girls, comforting her young niece, and sharing her story with the documentary crew, Amany's outlook on the future gradually erodes.
Elke Sommer talks about her career in the film and music business.
Documentary about film director and actor Bernhard Wicki.
A Nazi propaganda film meant to glorify German history and to persuade people that the Teutons weren't barbarians but had a notable culture of their own. The topic is embedded into a little story line of an academic giving a lecture.
Gabriele Haring and Josef Broukal guide you through cyberspace in a virtual studio, where they meet numerous Austrian experts and internet pioneers.
In August 1961, a few railway cars and barbed wire divided East Germany from West. It was a barrier that would be extended and become increasingly more sophisticated, a technological counter to each escape attempt. Computer imagery reconstructs how the Berlin Wall grew from a meager obstacle to a 97 mile barrier of concrete slabs, watchtowers and guards.
An analysis of The Magic Mountain, a novel by the German writer Thomas Mann (1875-1955), published in November 1924.
Louis Fried goes in search of traces in the Hamburg district of Hammerbrook. An area in whose appearance war and Nazi rule are inscribed to this day. Between wasteland and reconstruction, memorials and urban planning, he encounters his own family history.
Educational film about sexually transmitted diseases.
In twelve short episodes, which are interwoven into the course of a day, the film depicts situations that arise from keeping and caring for two cats for a family with six children in a suburban home. In addition to aspects of animal care, the film also addresses social problems and conflicts that arise from dealing with the animals in this family.
Flanked by her phlegmatic sidekick, Dariko is the only outside broadcast journalist at a local Georgian television channel. With derisory resources, she races from one report to another to give an honest, if not objective, image of the current events that shape her environment.
Short film about the 400th anniversary of Augsburg, Germany
Bruno S., musician and actor in several films by Werner Herzog (Kaspar Hauser, Stroszek), leads us round along the former front lines in Berlin. A film about the division of a city.
Every year, top athletes set new world records. But are today’s record holders really better than those of the past? Or do modern athletes get their edge from their high tech gear? Top sports scientist Steve Haake sets off on a journey to investigate. He travels to Canada, the USA, and Germany to meet five champions. Each athlete demonstrates how their modern training and equipment enhances their performance, and then Steve challenges them to compete against a legendary athlete using old-school vintage gear. Each experimental matchup has a surprising result.
ANDRO DADIANI's political performances dissect the oppression by state and church in Georgia and conquer Tbilisi's urban spaces. As a queer, non-binary protest and performance art figure, their identity remains a secret. The danger of open resistance is too great.