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National Narrative

“Hi, what are you up to?” On the video chat, Periscope, the exchange of images can be enriched by text messages and/or a flow of hearts allowing people who are streaming their video live to see strangers’ comments on their appearance or their conversations. Entirely constructed using these exchanges, National Narrative probes the exhibitionist norm of the enhanced selfie. Spontaneous poetry (“Your eyes they wanna drive me bananas”), a burlesque scene between two loafers who are unable to make out which of them is receiving mocking comments as they confuse left and right on the screen… Far from sparking derision, this montage instead points up the users’ self-derision and the paradoxical coyness of a space where people claim to show everything, from breasts to vomit. How does the immediacy of a chat between strangers integrate into its playful and intentionally exaggerated quotidian, the incommensurable horror when a tragic event intervenes?

National Narrative

NR 2018
A Woman Without a Name

Behind the solid concrete walls of the women's prison Gharchak in Iran's capital, Tehran, four young women open the door to their lives and innermost thoughts. They reveal their downfall into substance abuse and violent crime, which led to a life behind bars. All four are sentenced to several years of imprisonment for assault and murder. Their children play on the grey stone floor in the prison, where the women's only contact to the outside world is through a pay phone. Violence, coercion, abuse and sexual assaults were the recurring reasons why the young women broke with the outside world's expectations of proper female behavior – and sacrificed their lives in the process.

A Woman Without a Name

NR 2018
Giant Generation Change - The New Rethe Bridge

It is heavier than a dozen jumbo-jets and twice as high as the Brandenburg gate. It is more than just a bridge. It is a landmark – Hamburg's Rethe Bridge from 1934. The bridge is one of the first job-creation schemes of the Nazi regime. It’s a massive structure that captures the basic meaning of the Hamburg harbour. It is only because of its overpowering size that the bridge managed to survive the wear and tear of the decades and the second world war. But, like all things, its time has come to an end. The bridge is to be replaced – completely. A film that highlights the history of the old bridge: the Nazi construction, the demolition, the reconstruction, the add-ons and the maintenance

Giant Generation Change - The New Rethe Bridge

NR 2018
Manry at Sea: In the Wake of a Dream

In 1965, Robert Manry was a typical middle-aged suburbanite in Cleveland, Ohio. However, his colleagues at the Plain Dealer newspaper were shocked to learn he had just set sail on a solo voyage across the Atlantic in his 13½-foot sloop, Tinkerbelle. By the time his 78-day odyssey ended in England, Manry was the target of a wild journalistic arms race, the guest of honor to a welcoming committee of 20,000 Britons, and had become a hero to his countrymen - and to dreamers everywhere.

Manry at Sea: In the Wake of a Dream

NR 2018
Death on the I-95

Drug overdose is now the main cause of death for Americans under the age of 50, they are more likely to die from a drug overdose than a car accident or gun. More than 70,000 people died from overdoses last year as opioids and illegal fentanyl – which is up to 50 times stronger than heroin – unleashed the worst public health crisis in American history. Two years ago, BBC News reported on the growing problem of opioid addiction in the US, now we return to find out what happened to the people we met along our journey down the notorious I-95. This interstate runs from Florida to Maine, and to see what has become of their struggle against addiction.

Death on the I-95

NR 2018
Angin Pantai Sanleko

The film addresses the exile of approximately 12,000 alleged sympathizers and members of the Indonesian Communist Party, who were sent to Buru Island. The story follows Hersri as he returns to Savanajaya Village, where he lived during his exile. Sanleko Beach, the site where the first political prisoners landed, becomes the place where he recounts these bitter memories to his son, Ken. With no historical landmarks as evidence and his fading memories, Hersri struggles to preserve the painful past.

Angin Pantai Sanleko

NR 2018