Discover Movies

9,043 Matches Found

El Nganga y los Árboles

The world is a timeless and single organism, everything is animate, alive, inhabited by spirits you can talk to. This is how conscience is born and knowledge of the Sacred begins. The tropical jungle that runs along the Atlantic coast of Central Africa at Equatorial Guinea is the land of the ndowé, an ethnic group who understand the world as a set of invisible forces that interact with each other. According to the ndowé, there is an occult side to every element of reality and, for example, each plant has its own power, just as each person does. The nganga (witch doctor) is the mediator between the two realities, and the video show how he controls this whole universe of forces.

El Nganga y los Árboles

NR 2002
Birds of Passage

Birds of Passage presents a lyrical journey through the everyday lives of two young Uruguayan songwriters. Ernesto and Yisela have moved to the capital, leaving behind their respective hometowns on the borders of Brazil and Argentina. After many years of composing songs that reflect their origins, both decide to explore new horizons and each seeks to fulfill the dream of recording a first album. While Yisela struggles to reconcile the emerging possibilities of a career in Uruguay with her plans to move to Argentina, Ernesto confronts personal conflicts that threaten to sabotage his creative passion. The film fuses the arts of documentary film and music, interweaving the songs and stories of these two young composers. With vérité cinematography and an unforgettable soundtrack, Birds of Passage explores the challenges of being a young artist, and the art of searching, inside and outside of oneself.

Birds of Passage

1.0 2009
Dyke Jails

Andrea took a drug mule trip from Argentina. She was taken directly from Barcelona airport to prison. Katia was imprisoned for two years at Martutene correctional facility in the Basque Country. Marta Dillon, journalist and feminist, visited over several years the female prisoners at the Ezeiza prison in Buenos Aires and captured their experiences in the book "Corazones Cautivos". These stories, along with those of other ex-prisoners and researchers, are part of the documentary "Cárceles Bolleras" (Dyke Jails), that pictures the reality of women behind bars and how gender inequality affects their lives there. Under these circumstances , lesbian desire becomes a form of resistance to the penitentiary institution. Through these interviews, we depict the prison universe we are unallowed to access.

Dyke Jails

NR 2018
Araucanía herida

Araucanía Herida, is the portrait of the repression that was unleashed in the provinces of Cautín and Malleco, after the coup d'état in 1973 by the armed forces, together with numerous civilians from different towns and cities of Araucanía. The documentary is a journey from mountain range to sea, passing through different locations where people who lived the facts, tell us what happened in each of those places and what they lived. Not only being a case, but several in a geographical territory, one after another each testimony, we unveiled a coordinated and ruthless strategy of repression, not portrayed before in any region of Chile.

Araucanía herida

NR 2014
Hombres del Marañón

The Marañón River is born in the highlands of Peru and it flows across large areas of the Peruvian territory and through the life of a peasant family that dwells upriver, over four thousand meters high. It runs into the warm lands of the Inter-Andean valley, where a 13-year-old girl exposes herself to risk by selling fruit to truck drivers, and through the Amazon rainforest, where indigenous Awajun children make competitions to prove their knowledge. It eventually arrives at the mouth, the workplace of a river merchant. The core theme of the four stories brought together in the documentary is the challenge of surviving amidst isolation in remote regions bathed by the waters of the Marañón River.

Hombres del Marañón

NR 2007
Video documentation of the piece Night, They Said, by Eva Lootz, at La Caixa's Sala Montcada, Barcelona

"This piece –the number 8 inscribed within a chequerboard of marble and dry ice blocks– was inspired by the fact that, in all Indo-European languages (apart from the Slavic languages), the words for night and eight only differ in the negating n at the start: in Spanish, noche-ocho; in French, nuit-huit; in Italian, notte-otto; in German, Nacht-acht... I was fascinated by the way dry ice disappears without a trace, a flirtation with the remnants of a process which, in this case, can only be seen in language. Sometimes, language is the only place that retains the built-up layers of changes in consciousness, and this is one such example. The number eight –which comes up frequently in mythological thinking– thus becomes a figure that recalls a time of consciousness before the birth of opposites and dialectics." - Eva Lootz

Video documentation of the piece Night, They Said, by Eva Lootz, at La Caixa's Sala Montcada, Barcelona

NR N/A
In Ruins

Two women sustain a world where care is in ruins. Gladys, from her everlasting confinement in the house where she works as a live-in servant. Ima, in her everlasting waiting on the seashore for the next ship breaking its nets. Both have unrecognised jobs in which duties invade them until there’s no room for their own lives. It doesn’t matter what time their phones ring. Gladys can never answer, Ima is obliged to answer at all times. They both have to leave their families behind. Spaces that are work, work that is about houses and houses that are not always homes. The memories of their experiences are intertwined in a sensory story that leads us to a question: whose hands are the ones to change the situation?

In Ruins

NR 2022