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Humans belong to a group called anthropoids. Gibbons have the most human-like traits among the anthropoids. Gibbons are the only apes capable to sing like humans and communicate through their songs. This film documents an unprecedented attempt to investigate the musicality of multiple species of wild gibbons - siamang, the white-handed gibbon and the javan gibbon - surviving in the South-East Asians habitats. The story of endangered Asian Ape unfolds in this documentary with their songs in various situations.

This documentary follows vegan animal rights activists who have led the Korean animal rights movement for the past decade. Beyond advocating for pets, they fight for the rights of farmed and captive animals, striving for a world where all beings coexist. From rescuing pigs and dolphins to challenging the system, they have built a movement.

Author Han Kang mourns everything that fades and perishes in the world, including her sister, who died just two hours after birth. Her mourning transcends writing; she composes music, sings, and even holds rituals for the dead at times. This documentary spotlights Han Kang as a unique artist who communicates with the world through diverse forms like art, music, and documentary. "Han Kang Chronicles: A Tale of Seven Lives" sensuously captures her literary world through dance and theater.

A couple who have lived under the same roof for years without speaking a word, as if practicing a silent meditation. Marina, who came to Sawai Island in search of a legendary love story, and another foreigner, a young man with the same name as the legendary protagonist. The landscape of foreigners living difficult lives in Guro-dong, Garibong-dong, Sillim-dong, and Ansan, Gyeonggi-do, South Korea. Director Kobayashi Masahiro, beloved by Cannes, Edwin, the future of Indonesian cinema, and cineaste Jang Ryul unfold a story of "people who feel alone even when together."

Yu-nan, who took a role of a drummer in director Shin’s debut film, is preparing a solo album. Shin gives her a camcorder used in her film Passerby #3 and asks her to take a selfie. One day the camcorder that Shin lent to Do-yeon arrives. In the box, there was a documentary of her daughter she shot. Shin wonders who were the first woman to hold a movie camera in Korea.

As the historical community regards the marriage voyage of the 'Indian Princess, Heo Hwang Ok' 2,000 years ago as a myth or a legend, the roots of 8 million descendants, including the Kim and Heo clans in Gimhae are always shaken, and the beginning of Gaya Buddhism as well as the history of Gaya are pushed back hundreds of years. The documentary traces the three-day honeymoon record of 'Indian Princess Heo Hwang Ok' in the Memorabilia of the Three Kingdoms, drawing a unique historical reality in a scientific way that no one has predicted or attempted to try before.

My parents were real estate developers and dealers in the 1980s. They achieved the ‘middle class dream’ thanks to the development boom. However, the Asian financial crisis swept everything away.

The characters in the movie are as follows. Hunter 1, 2, 3, 4. Skilled trade helper, Welder, Fabricator. Zzu Zzu, Dean, Aha

What kind of person will you be in an era where there are no adults and only oldies?' In Jinju, Gyeongsangnam-do, there is Kim Jang-ha, a herbalist who has kept the herbal medicine for 60 years. A person who gives back all his fortune to society, does not interview many people, but does not buy a piece of his own clothes in vain. Kim Jang-ha's story comes to you, who is waiting for a good adult.

Korean pop culture has taken over, but another Korean export is also becoming very popular - the culinary delicacy of kimchi.

The folk duo 'Yeoyu and Seolbin' completed their third album, 「Comedy」, while living in Jeju. The record swept the Folk category at the Korean Music Awards and was praised as "a single album that has it all—regret and sympathy, rage and sorrow, and hope." Exploring what it means to be alive in the face of life's tragedies, the duo weaves a subtle yet powerful narrative through Jeju's landscapes: an old house and its yard, a Chinese restaurant where they once worked, and the recording studio.

According to a survey by the U.S. military government in 1946, 78% of the South Korean people wanted socialism and only 14% capitalism. By appointing the pro-Japanese collaborators and the rightists, Rhee Syngman, who had not received the people's support, massacred those groups and civilians that were political stumbling blocks. In dealing with the Jeju 4.3 uprising in 1947 and the Yeosun incident in 1948 and The Korean War having broken out, massive civilian massacre became regularized.

Have you ever learned something just for fun? The Little Garden Sisters in Myeongju-dong, famous downtown in Gangneung, have been learning photography with smartphone for the past three years. They decide to go one step further and shoot a movie. Their average age is 75 years, but it is still fun. Their short film My Neighborhood Postman was invited to film festivals and won awards. So now, the new project is documentary filmmaking. However, it is not easy to accept the wrinkled and old self inside the frame, and the older sisters are now unable to move and can no longer film together. Besides, it is difficult to even get together due to COVID-19. Will they be able to complete the documentary?

Third part of Gina Kim’s VR trilogy on US military comfort women in South Korea. In 1969, a 500-unit brothel, recruiting women from across the country, was established for the US military in Kunsan. Viewers traverse this uncanny deserted town, guided by the ghosts, sounds, and voices from its past.

The film opens with the words of Taebaek's last miners: "I had to earn a living." These are the first words, spoken over the shot of a cage descending endlessly into a mine—the place that the miners of the soon-to-be-closed Jangseong Mining Station call hell. They began working out of poverty, needing to make a living somehow. Though they planned to quit after three days, they ended up staying for over 30 years, and in all that time, they saw nothing good.

Mioka, a Korean-American adoptee, has attempted to find her birth family multiple times but failed. During her journey, she discovers ‘Banet,‘ a group of Korean women who help adoptees find and reunite with their birth families. Banet supports Mioka in finding her family based on her adoption documents, and as the journey goes on, they figure out that there is a chance that the documents were fabricated.

Venerable Aloysius Schwartz founded the Religious Congregation of the Sisters of Mary on August 15, 1964 in Amnamdong, Busan, to help the poor who were suffering through the aftermath of the Korean War. He also established Boystowns and Girlstowns to take care and educate the orphans, street children, and children from poor families. This documentary follows the life of Venerable Aloysius Schwartz, who was a good father to those in need.

An intimate 7-year journey of a family struggling to overcome past wounds of reverse migration (from Canada to Korea) begins when the director's little sister decides to be an un-wed single mom. The little sister decides to raise the child in Canada as she never felt welcome in her parent's homeland, South Korea. The lives of parents, intertwined with Korea's modern history is revealed, while family members try to come together to face the challenges of raising a new baby outside of the traditional family form. What starts out as the director's personal journey of re-discovering the lives of family members and self, evolves into broader themes of cultural differences, identity, and belonging.

The watch tower is an unattractively battered piece of lighthouse-looking architecture standing on a Yaksa-dong hilltop in Chuncheon. No one knows when, who and why it was built, but the tower which was rumored to have been raised as a fire watch during the Japanese Imperialist times, was used as a surveillance point for the Chuncheon Penitentiary and now a broadcasting tower where sirens are played during Civil Defense Drills.

A documentary about the continuing case of Samsung semiconductor plant. The film is a story about nameless people wearing white coat, hat and mask worked in a clean room exposing eyes only.

Junsang, who participated in the Seoul Jazz Festival as a band “J n joy 20” is hurt by the people’s comments on the internet. He goes on his second musical trip with his bandmate Junwha to USA to write better songs, but doesn’t work out easily. On the way to Cleveland, the police pulls over their car and Junwha gets arrested due to unknown reason, Junsang gets left alone on the highway.

Drawing on films made by Chinese state studios in the 1950s–1980s, this work revisits island narratives of war, revolution, espionage, and class struggle once shaped to engineer shared sentiments. Images from these features are dismantled and recomposed as propaganda dissolves into tropical murmurs, blurring borders between history and fantasy, individual and collective.

From servants of men to servants of the Lord! The servant Kim Chang Sik becomes the Paul of Joseon. Outraged by the rumor that Westerners abduct and boil Joseon children, Kim Chang Sik enters Ohlinger missionary's house as a servant to find evidence. However, contrary to expectations, he begins to be moved by the kindness and gift of the Ohlinger missionary couple, and his life changes when he encounters the phrase "the Simon on the Mount" in the Bible they handed over. In the same year, Kim Chang Sik, who received the world from Appenzeller missionary and became an official member, later joined the missionary work in Pyongyang with James Hall missionary, and difficult hardships await him… Meet the story of Kim Chang Sik, the 'Paul of Joseon' who became the first Korean pastor in 1901!

A prisoner of 7 years who was innocently jailed by political prosecutors looks into the case himself, and seeks the punishment of those political prosecutors who shut him away illegally by suing them. However, no one takes him seriously or even investigate the case, let alone charge them as guilty. The prisoner takes matters into his own hands... A true story about the need of the Senior Civil Servant Corruption Investigations Unit! Anything can be done if you know the law! The citizens of Korea are not dogs or pigs! The sovereignty of the people that has been taken away by political prosecutors must be won back! A law-themed and educational true story the citizens of the Republic of Korea must see.

Follows Seventeen as they prepare to perform at Lollapalooza Berlin 2024

After quitting filmmaking about the tidal flat that underwent Saemangeum Seawall Project a few years ago, she moved to Gunsan-si, a city of Saemangeum, as she seemed destined to. Sura: A Love Song delivers the course of rediscovering the beauty of the tidal flat working together with the Citizens’ Survey Group on Saemangeum that has continued its research for nearly twenty years.

At the eastern end of Seoul, in a huge apartment complex, it has long been a paradise for cats and people to run around and give love and joy together. However, there are people who are worried about cats who are not leaving the place which will be demolished soon, ahead of reconstruction. "I want to ask. Do you want to keep living here?" For the happy farewell of cats and people, a beautiful struggle begins!

During the rehearsal of the short film God’s Daughter Dances, Hae-Joon faces difficulty on his first acting session, and Woo-kyeom is having a hard time playing his gay role.

Woman’s body bleeds regardless of her will. Through untold ages, this bleeding has been the symbol of secret, mystery, fervor and disavowal. The process of bleeding which has been taken care of with any absorbent materials, however, has undergone changes through critical moments of human history. NPR, the public channel in USA declared the year 2015 as ‘The Year of the Period,’ and ‘Free Bleeding Movement’ arose also in Korea. Numerous startup companies launched products for “New Bleeding.” Over a million viewers are visiting pages of sanitary-products-reviewing youtuber, and politicians start to talk about the blood. The walls of information collapse, and women choose their own way of “how to bleed.”

In 2009, a group of young people quit their jobs and founded an alternative fashion company, Orgdot, in the hopes of creating an ethical fashion brand. In contrast to the bloodsucking practices found in the current fashion industry and its status quo, Orgdot’s goal was to establish a win-win platform for both the producer and the consumer. is about the dream of those who chose to bring such a challenging endeavor into their lives and the inevitable anxiety and conflict they faced because of it. However, the film is not about Millennials, the so-called anxiety generation, and its general fears, but about this one small group’s anxiety surrounding a chosen goal, one that lacks the security found in the accepted norm. The film is the second part of director Min Hwan-ki’s exploration of a generation’s place and latent power. sets out to chase down and analyze the struggle that follows the anxiety and, of course, express support for those choices.

Kelvin Kyung Kun Park’s Invitation to a Peaceful City, poetically mediates on the various forms of cultural resistance and simple quotidian ways of making do, that a variety of displaced Korean villagers have made after being first displaced by the Japanese and then the US Air Force. Park’s work sensitively speaks about the conflict that has arisen between the locals who are now tied into the economy of the base and others who still live under its shadow.

Everyone mentions her when asked who the 1st generation of jazz musicians is in Korea, adding that jazz wouldn't have been continued in Korea if not for her. It's Park Seong-yeon, the musician who ran Korea's first jazz club - Club Janus - and she provided it for other musicians to perform. Diva Janus follows the late Park's footsteps through her past and interviews by her peer musicians.

Asia, America, Arabia, Africa! A Guide to Backpackers around the world! 827 days of adventure to the end of the world! From 2011 to just before the 2019 pandemic, and the people I met on the road. Venezuelan and Afghan refugees, Andean musicians, Arabian shepherds, Patagonia's Mapuche natives, Kilimanjaro's Maasai and countless people. A road movie that conveys the world's splendid joy and sorrow! It is said that a person who has traveled for a long time will live a life for the world and for others. Can I, who is timid and selfish, become a little better person after going around this earth?

It is in the spirit of an experience and experiment that Hang Jun Lee's «The Cracked Share» must be viewed. Seized in moments of visual detachment during periods of emotional contact, these images are oxidized residues of fixed light and chemical elements of transformed from living organisms. No plastic expression can ever be more than a residue of the experience and yet, the residue is the recognition of the experience, loss permeates the work and yet somehow the experience endures, recalling the event more or less clearly, like the undisturbed ashes of an object consumed by flames. The recognition of this object, so little representative and so fragile, speaks to us of this artist's isolation. «The Cracked Share» is quite wonderfully dense and visceral in nature ...

A wonderful time travel exploring. The Kingdom of Goguryeo. Oh! Goguryeo!, Oh! Balhae! A travel to find the warmth of ancient history with Do-Ohl Kim-Yong-Ok, A representative philosopher of our modern age! We couldn't help but crying when we saw the towering Heul-Seung-Gohl-Seong, the first seat of government of Ju-Mong, through out the celadon-colored sunrise... From the top of the Mt. Baek-Du to Manchuria, The Scent of Goguryeo and Balhae that has been scattered all over the wild field wake our hearts up from a long, deep sleep!

When a massive Chinese factory complex attempts a high-stakes expansion in rural Ethiopia, three women in search of prosperity have their faith in industrialization tested to the limit. Filmed over four years with singular access, Made in Ethiopia lifts the curtain on China’s historic but misunderstood impact on Africa, and explores contemporary Ethiopia at a moment of profound crisis. The film was awarded the Jury Special Mention at Tribeca Festival.

One hot summer, Eun-hye, a jobless who’s just knitting at home, becomes popular at ‘Munho River Market’ as an artist who draws ‘not pretty face’ pictures. When customers ask her to draw them to look pretty, she replies “But you’re already pretty”. Eun-hye takes great care for a long time to express each people’s personality and says that everyone is born pretty from the beginning. And now the number of happy faces has already reached 2,000.

On April 26, 2017, THAAD was deployed in Soseongri, accompanied by the military boots of the Korean police and the sneers of American soldiers, destroying the peaceful daily lives of those who live here. THAAD, meant to stop wars, turns Soseongri into a battlefield. The people in Soseongri lie down on the asphalt road again to protect their lives.

A depiction of the movements and physical characteristics of an infant. Through simplicity of technique, the film seeks a primacy of vision to match the innocence of its subject.

Beginning as an attempt to document the present by rewinding the past, the film reveals a startling truth: that which has vanished and that which will vanish both persist in the here and now. Traces of what was overlap with the current moment, creating a layered reality where memory and time blur, and the forgotten world asserts its continued existence.

On August 30th, 1974,a time bomb set by the "Wolf" brigade of the East Asia Anti-Japan Armed Front destroyed the Tokyo Headquarters of Mitsubishi Heavy Industries. "Fangs of the Earth" and "Scorpion" soon followed with more bombings. Unlike other leftist groups at the time that sought to seize the Japanese state to build socialism, the EAAJAF were explicitly opposed to the Japanese nation-state, understanding it as an imperialist power in East Asia and a junior partner to American imperialism. Over 50 years have passed since the Mitsubishi bombing; some EAAJAF members have passed, others are still incarcerated, and some have been recently released. In the intervening years, a group of friends and family members stepped forward to support their incarcerated loved ones, answering questions about how to provide long-term prisoner support for people incarcerated by the state and condemned by society.

Can music truly become a rallying cry? Danpyunsun, a veteran of Hongdae's indie scene, forms Danpyunsun & The Moments and records the album Hail to the Music. "Music must be vulgar!" he cries. But after the December 3 Martial Law, the world proves more grotesque than art. So he shouts louder: to those enduring this world—come with me. Fight!

In 2003 Song Du-yul, a philosophy professor, decides to go back to his homeland after spending thirty-seven years in Germany. Within a week after crossing the border, his reputation falls from a respected global political figure to an infamous communist spy. During a five-year-long trial, he was arrested and held in custody. This throws Korean society into turmoil and brings a big conflict between the Conservative and the Progressive parties. The filmmaker calmly contemplates this long period of the incident in detail and depicts a society with an indifferent manner. The story builds through an accretion of whimsical facts and it sometimes brings up uncomfortable truths which will irritate viewers. This film is a camera inside of us that evokes what viewers may have tried to forget.

JAEJAE, the witty host of variety shows. Gabee, a powerful performance artist. feellikefeel, an introverted musical genius from YouTube. Three artists from entirely different corners of the stage—brought together by a chance project. Their team? JAESSBEE. No clear plan. No concept. No defined identity. And a production budget of just 3 million won. But they made a choice—to step onto the stage with sincerity. Through trial, tension, and trust, their journey leads to the birth of a debut song: "Every Moment with You."

Many trekkers visit Oze, a wetland with breathtaking scenery. However, having a long and severe winter, the mountain lodges in Oze are only open from May to October. Vehicles are unable to pass through the wetlands; “botcah” (the traditional carriers manually transporting luggage), who carry packages of food and other materials on foot, are the only ones who can get to the lodges. Speed of Happiness sends respect to the botcah who have embodied values learned while walking every day and humbly accompany their daily lives. Walking along at the pace of each botcah, the film gazes at calluses, smiles, hardships, endurance, and hope. The solidity of their lives in Oze pounds our hearts and the taste of each season touches our skin.

Park Yong-woo decides to embark on a journey to "the forest." Located on Yakushima Island in southern Kagoshima Prefecture, Japan, the Unesco World Heritage site is home to the renowned forest that is said to have inspired the Miyazaki Hayao animated film "Princess Mononoke" (1997). For his ten-day journey, Park finds the young and beautiful Tagaki Rina to keep him company.

Lim Jaechun, who worked as a factory worker for 30 years and was suddenly laid off, spent 10 years in a tent as a sit-in. Director Lee Soojung calls her ‘sister J’. 10 years into the fight for reinstatement, Jaechun now writes, plays guitar, and sings while living in a tent. She says her personality has changed after 7 years of being laid-off from “originally timid” to being very lively. Sister J deals with a struggle for reinstatement, but it is actually a film about a single person, as stated in the title. This documentary brings artistic vitality to the ‘4,464 days’ Sister J spends on the site, with lines and music driven from the forms of the play into the cinema.

My mother is Gong-soon. I was ashamed of her name and spent years looking away. In my thirties, I return home with a camera and begin following her at work.

A group of women climbs a summer mountain situated in South Korea. They are refugees who have settled into South Korean society after fleeing from North Korea. For them, climbing the mountains has been an unavoidable journey for survival - a matter of life and death.

Japanese photojournalist Kuwabara Shisei boards a flight to Korea. Since his first visit in 1964 as a 27-year-old, Shisei has spent six decades documenting the turbulence of Korea's modern history: Cheonggyecheon, military camp towns, the Vietnam War deployment, and democracy movements. Now elderly, he returns, believing this might be his final journey. He carries a mission: to revisit the places and people that defined his life’s work. The film follows the photographer’s footsteps back into the heart of these historical sites.

The documentary Two Doors traces the Yongsan Tragedy of 2009, which took the lives of five evictees and one police SWAT unit member. Left with no choice but to climb up a steel watchtower in an appeal to the right to live, the evictees were able to come down to the ground a mere 25 hours after they had started to build the watchtower, as cold corpses. And the surviving evictees became lawbreakers. The announcement of the Public Prosecutors’ Office that the cause of the tragedy lay in the illegal and violent demonstration by the evictees, who had climbed up the watchtower with fire bombs, clashed with voices of criticism that an excessive crackdown by government power had turned a crackdown operation into a tragedy.