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With unpublished archival footage and the testimony of Jorge Batlle, José Mujica, Luis Alberto Lacalle, Danilo Astori and Pepe Guerra among others, the film delves into Wilson's world to search for his ultimate truth, his secrets and his convictions.

A walk through the life and career of the legendary French photojournalist Christine Spengler, known as Moonface, one of the few female war reporters in the seventies, also a writer and surrealist painter, who worked in Chad, Northern Ireland, Vietnam, Cambodia, Afghanistan, Lebanon, Iran, Iraq and other places where unfortunately war and death prevailed for years.

Jane Goodall, one of the most inspiring and renowned activists of all time, has spent the past five years to spread his message with two musicians. Trio is a story about friendship, love of nature and passion for music. An intimate and authentic portrait of the planet's most beloved primatologist.

The film reconstructs the modest process of filming a Super 8 action short by three 12-year-old friends in Buenos Aires during the spring of 1973. From there, a broader reconstruction unfolds, beginning, argumentatively, on the night of March 24, 1999.

At the beginning of the 80s, the antinuclear movement was in full expansion internationally and also in the Basque Country. In addition to the three plants that were about to be built on the coast (Lemoiz, Ea-Ispaster and Deba), a fourth was planned to be built in Arguedas. To protest against this, mobilizations were organized in Tudela. Gladys del Estal Ferreño traveled to Tudela, but did not return. In that peaceful demonstration, she was killed by the gunshot of a Civil Guard. This documentary, following the Gladys incident, tries to make a portrait of a social movement that attracted the majority of Basque society at that time.

Many migrants live in search of a mirror in which to recognize themselves; they are not from here, but they are not from there either. Los Williams / The Williams, a feature-length documentary, familiar and sporting, told in first-person by Iñaki and Nico Williams. Two brothers, footballers, Basques and "beltzas" or black, of Ghanaian descent, reveal their incredible tale across the two most crucial years of their lives. From their historic participation in the Qatar World Cup with two different selections, to the long-awaited victory of the Athletic Club in the Copa del Rey after 40 years, and Nico's triumph at the European Championship. Two international stars, face to face with their past and their future, through the conflicts that have marked their lives: racism, identity, frustration, ambition, and success.

Basilea, a photograph for all time. Documentary made for Barça Studios commemorating the 40th anniversary of the Basel Cup Winners' Cup (1979), FC Barcelona's first major European title.

A short featurette about the emotions of the cast and crew while shooting Volver.

Two generations dialogue through the images they filmed of their children, a reflection of the emotional bond that arises from their involvement with what was shot.

A trip through the diversity of black and native Peruvian music. Character-driven film, one where the characters are integral to the nation itself. This movie delves into music and musicians, yet it's not strictly a musical; rather, it's a tapestry of seemingly disparate personal narratives woven together in a country also striving to define itself and sketch its identity

A short film by Mario Camus.

Efficiently known as the "Rasta Lawyer" or "Poor People's Lawyer," Diane Jobson has spent her life fighting for the fundamental rights of the poor in the ghetto. Now in her 80s, Diane reflects on a life devoted to defending the marginalised of Jamaica, while preparing to retire on her own terms. Between weekends with her best friend Sally, clouds of ganja smoke, and candid, wry observations about aging, Diane emerges as a rebel soul to the end. A terrible driver, a tireless advocate, and a woman who will never stop living fully.

An intimate portrait of a city that no longer exists and another still under construction. Through celebrations, protests, everyday gestures, and images from the past, the film traces Gijón's transformation: from an industrial city to a tourist destination, from a battleground to a stage for spectacle. Faced with this transformation, the filmmaker returns to the plaza of his childhood and questions collective memory: who constructs it? What is forgotten? What remains outside the frame?

Those who do not know the Sahara think there is only sand in the desert. But in the desert there are children who play and draw and make movies, and who would like to not have to think about the war. In the desert there's a European colony, an occupied country called Western Sahara, where there are thousands of Sahrawi refugees living a hard life in exile. "Little Sahara" tells their story, the story of a supportive, resilient people who try to thrive and grow in the Hamada, where everything has a hard time growing.

The stress, pressure, and fast pace that we experience daily make us overlook our well-being. We live immersed in a constant fleetingness that wreaks havoc on our way of life. Oasis is a critique of the overwhelming mass society that consumes us and emphasizes the need to stop, to find calm: an oasis in the midst of the desert.

Nicolas Entel's searing documentary tells the story of Pablo Escobar -- Colombian drug kingpin, murderer and family man -- through the eyes of his son Sebastian as well as the sons of two of Escobar's most prominent victims. Sebastian shares stories of living in luxury and on the lam, but more significantly, he attempts to end the cycle of bloody retribution and make peace with two of the men his father so deeply wronged.

OSO is a journey through the history of a pop icon told by its own protagonists, the Tous family, Spain's most famous jewelers.

The ghost of a photo-journalist killed during the December 1989 US invasion of Panama returns exactly 10 years later to resolve his family’s conflicts. Inspired by the story of his own family, in his feature-length debut, Enrique Costas Ríos poetically blends together archival footage and fictional scenes that recreate events from the invasion while tracing links to the true-life story of Spanish journalist Juantxu Rodriguez who was killed during the invasion.

A story slowly reveals itself: a spattering of campfires and makeshift tents is actually a caravan heading to the US border in search of safety and a new life. Silent images and fragments of touching conversations calmly direct the viewer’s attention to individual destinies. What seems so abstract and far away, suddenly becomes close and alive.

Huelva, Spain, an isolated region lost in time. The grass, the sand and the sky are the same that those foreigners saw in the spring of 1895, when they crossed the sea from a distant country to mark the unspoiled terrain and extract its wealth, when the tower was new, when people could climb to the top of the highest dune and imagine that the city of Tartessos was still there, in the distance, almost invisible in the morning brume.

Almost fifty years ago, Mercedes Sosa drafted together with other young artists, the so-called "Manifesto del Nuevo Cancionero" (The New songbook Manifesto). Apart from the millions of records she sold, the thousands of concerts she made all over the world, her countless fans and detractors, Mercedes Sosa left behind an indelible legacy. This film is a deep intimate journey into Mercedes Sosa's world, not only as an artist but as human being. An autobiography through her own voice, with never seen before archive and several international artists giving their testimony about Mercedes's.

Born in 1943, Sara Gómez studied literature, piano, and Afro-Cuban ethnography before becoming the first female Cuban filmmaker. A woman of great intelligence, independence and generosity, she was a revolutionary filmmaker with intersecting concerns about the Afro-Cuban community and the value of its cultural traditions, women's issues, and the treatment of the marginalized sectors of society.

A voyage into the labyrinthic memories of a Uitoto man, who worked for the drug Lords in the Colombian Amazon back in the 80s. Following his path between the forest and the ruin of a Narco´s mansion imitating the Carrington mansion in the soap opera Dynasty, the film unfolds the hallucinatory account of a near-death experience.

“Cómicos” is a sentimental road movie in which we have accompanied the veteran Benavente Company on their tour of Spain. It is the last touring repertory theatre company left in Spain, whose patriarchs, Luis and Aurora, are approaching 80 years old. At the same time, on this emotional journey, we are introduced to the supporting actors, such as Manuel Andrés oandAmparo Pacheco - also octogenarians - who live their profession with dignity and unwavering enthusiasm. In “Cómicos” the names of our protagonists do not appear on illuminated signs but they shine with their own light in a film that talks about passion, the passage of time and the thin line that separates triumph and failure.

Accompanied by the songs of singer-songwriter José Antonio Labordeta, a poetic journey through the inhospitable shire of the Monegros, located in the region of Aragón, in Spain, in search of peace and isolation.

During the Spanish Civil War (1936-1939) and the Second World War (1939-1945), around three thousand people managed to elude their pursuers, and probably also avoided being killed, thanks to the heroic and very efficient efforts of the Ponzán Team, a brave group of people — mountain guides, forgers, safe house keepers and many others —, led by Francisco Ponzán Vidal, who managed to save their lives, both on one side and the other of the border between Spain and France.

In their spare time, after their studies or their work, children and adolescents between the ages of eight and sixteen meet at the School of Bullfighting in Madrid to learn the Art of Cúchares: Torear. In their stomachs there is no hunger as in the past, their dreams do not lie in having a farmhouse and being famous. Their only dreams are to be in front of a bull, animal with which death goes, fact of which they are fully aware, as their teachers continually remind them. These, retired bullfighters, some by age, others by force and all with their bodies full of scars produced by the horns of a bull. The nude bullfighting scene is fascinating without being exploitive, and it serves as an analogy for the vulnerability these young bullfighters have when in the ring with the bulls.

A portrait of the disenchanted youth of the city of Tolyatti, once a symbol of Soviet progress and the automobile, now devastated by economic decline. Laura Sistero encounters an aimless young generation, who express their dreams of escape through crazy races in old patched-up Ladas. A cinematic object is propelled by spectacular skids to the rhythm of an electro-rock soundtrack.

A portrait which explores the legacy and impact of novelist Julio Cortazar's art, perceptively examining it within the context of shifting tides of Argentine culture and politics. The author reads his own texts in this poetic documentary.

Europe’s largest lithium mine is about to start operating in Trás-os-Montes, much to the dismay of the local inhabitants. Frederico Lopo induces an earthy sensuality and contrasts two geologies: that of mining prospection and machines, and that of roots and people.

The many faces of Barcelona are portrayed in this documentary, shot in a false sequence shot that goes across the streets, squares, markets and bars of a city that is presented as both conventional and law-breaking, exquisit and shameless, elegant and dispossessed.

There is a monster in Lake Nahuel Huapi. At twilight, it spreads across the surface of the water like a taut cowhide, grabbing its victims with sharp claws. Another monster also lurks around the lake, near Bariloche, in the Argentine Andes.

A medium-length documentary commissioned by the Cuenca City Council. The documentary shows an honest, sincere, although sometimes mere tourist portrait, of the lands of Cuenca and its people, without artifice or imposture, with feeling and authenticity and at the same time with marked coldness.

2015 was the first season like a Ferrari driver for Sebastian Vettel. He was the only one, along with the Mercedes drivers (Lewis Hamilton and Nico Rosberg) that scored wins in 2015. Due to his regularity, the german driver achieved many podiums, helping him to keep chances in the championship battle until the last races. Reviewing an incredible year with good and bad moments. Enjoying the first year in red with Vettel.

Spanish filmmaker Víctor Erice talks about the first movie he probably ever saw, Roy William Neill's The Scarlet Claw (1944), starring Basil Rathbone as Sherlock Holmes. The remembrances of such a formative cinematic experience leads him to recall the dark days after the end of the Spanish Civil War, to confess the many fears stalking children and to reflect on the nature of memory itself.

An analysis of the logics of modern schooling and the way of understanding education, while showing different, non-conventional educational experiences that raise the need for a new educational paradigm.

Miguel Gila (1919-2001) was a Spanish actor and stand-up comedian, famous for his surreal phone conversations with imaginary people, and a skillful cartoonist; an idolized star, a king of laughter.

The personal and professional story, told in first person, of Spanish actress Carmen Maura, director Pedro Almodóvar's first muse and a brilliant artist in her own right.

Spain, 1970s. A Clockwork Orange, a film considered by critics and audiences as one of the best works in the history of cinema, directed by Stanley Kubrick and released in 1971, was banned by the strict Franco government. However, the film was finally premiered, without going through censorship, during the 20th edition of the Seminci, the Valladolid Film Festival, on April 24, 1975. How was this possible?

A look at the work of a group of reporters and photographers from EFE, a Spanish news agency founded in 1939, which is celebrating its eightieth anniversary. A journey around the world —Mexico, Congo, USA, Libya, France, Spain, China and the Chilean Patagonia— with the purpose of honoring all people who work in the shadows, tirelessly seeking the truth in the era of social networks and fake news.

In 2017, playwright Marco Canale staged a play called La velocidad de la luz (“The Speed of Light”) in the Villa 31 slum. There, a group of indigenous elderly ladies recovered their traditions in order to explore their bonds with modern culture, religion, politics and their own memories. Three years later, Canale replicated the idea in Japan and structured this film, together with Juan Fernández Gebauer and Ignacio Ragone, that revolves around that experience.

Is the seed of happiness planted during childhood? The early years of our lives, the ones we no longer remember, leave a deep imprint on us. But is that imprint permanent? Or does it perhaps evolve? This is the voyage to that place forgotten by the memory, a journey from the mother I have become today to the baby I once was.

A documentary that chronicles the transformation of the FC Barcelona women's team, from anonymity to the best team in the world. It's not just a sports story, but a tale of overcoming challenges, identity, culture, and female empowerment. Through three acts, it constructs an emotional journey through its players and their quest for glory in the UWCL finals.

Documentary about the marginal neighborhood 'Las tres mil viviendas', in Seville.

Not unlike the travel blogs so in vogue today, this film takes us from Ereaga beach to Cape Matxitxako, treating us to an incomparable look at the beaches and towns on the way.