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Not One Less

The documentary “Not One Less” records the clash in Hong Kong Island on 31st August, 2019, and the assembly on Mid-Autumn festival night supporting protestors in custody. The protests initiated by the "Extradition Bill" has continued for more than 100 days. In this period, over 1000 citizens were arrested, a number of people committed suicide, and there are rumors that some protestors are missing. In the clash scene, protestors strive to protect their comrades from being isolated. After the clash, they still care about their comrades in custody. On the mid-autumn festival night, they sang loudly outside the Lai Chi Kok Reception Centre, to let their comrades know that they were not abandoned.

Not One Less

6.0 2020
Kings of Capitol Hill

AIPAC (American Israel Public Affairs Committee) is the spearhead of the pro-Israeli lobby in the U.S. What started out as a liberal grassroots organization, has become one of the most influential lobby organizations in America. For the past 60 years, AIPAC has maintained a strict "no interview" policy, but now, for the first time, the founding fathers of AIPAC are speaking out - granting us full access to the untold story of the organization and to the turbulent relationship between Israel and the US.

Kings of Capitol Hill

NR 2020
Land of My Father

Byeong-man, a farmer whose father was enslaved during Japan's occupation of Korea, protests the Japanese government's claim over the disputed island territory of Dokdo. Kyeong Sook, a woman who lived on Dokdo with her father, struggles to keep his legacy alive after the Korean government mysteriously erased their history. Set in the unresolved trauma of the Japanese occupation of Korea, Land of My Father (아버지의 땅) is a story about two lives that are intertwined with a remote disputed island.

Land of My Father

NR 2020
Objects and Artifacts

White fog is slowly moving from left to right. A man cleans his workwear from a vanishing distance with an air hose. Three trembling steel cables emerge from a grey metal building. A large dump truck with a full load passes by. In a deeply green forest landscape there is a dark monolith. You can hear jingling metal noises from the off, which cause a spreading echo. A white cargo helicopter is slowly approaching for landing. A dredger moves in a circle on the surface of the water. In "Objects and Artifacts", various pictorial elements come into contact with each other in a situational manner and create a friction surface that deals with forms of a post-apocalyptic landscape.

Objects and Artifacts

NR 2020
Only the Earth and the Mountains

The Sand Creek Massacre on 29 November 1864: More than 200 Cheyenne and Arapaho were murdered by the U.S. Cavalry. Ignorant hand-downs from the past and the omnipresence of statues glorifying murderers are juxtaposed with an empty museum of indigenous history for which there is no funding. This film against forgetting by a white female director also examines its own position: she talks frankly with descendants of the survivors – many of whom are choosing a scientific approach to history.

Only the Earth and the Mountains

NR 2020
Cops Are(n't) Colorblind: Changing the NYPD from the Inside and Out

Racial profiling by police is a recurring problem in our society for people of color. Our documentary film shows two main characters, Demitrius and Niaja, who experienced racial profiling as young teenagers. Demitrius was followed, stopped and searched based on what he was wearing. While this experience affected Demitrius’ identity--how he dresses, walks and presents himself it also made him curious about black history and the roots of racial profiling.

Cops Are(n't) Colorblind: Changing the NYPD from the Inside and Out

NR 2020
GALAXY

The narrator in the moving image work "GALAXY" is technology itself. "GALAXY" tells the story of the brief encounter of the two characters Touch and Long Swipe. The story is generated by an algorithm and offers an interpretation of an encounter of love and disappointment. Small deviations in the language and the narrative logic reveal our social imprint of how stories are expected to be told and how technology is programmed to follow these perceptions. The mise-en-scéne is a computer-generated galaxy of objects and images reminiscent of the organic, but dismembered and fragmented, reflecting on the possibility of creating new worlds and stories in digital space by following a subjective system of ordering.

GALAXY

NR 2020
My Fellow Countrymen

My Fellow Countrymen centers on two families who have emigrated from Serbia, one living in Sweden and the other in Canada. In these new lands, the families are reexamining their national identities through the prism of their children who have now spent most of their lives far away from their home countries. Balancing their children’s well-being and nostalgia for home, the families have yet to decide whether to return to Serbia home. The question now is just where is home?

My Fellow Countrymen

NR 2020