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Nishnawbe Aski Police Service (NAPS): A Sacred Calling

Nishnawbe Aski Police Service (NAPS) is the largest First Nation police force in North America. Police officers in this severely underfunded police force go above and beyond the call of duty when compared to other police officers. NAPS officer duties include, cutting firewood for the wood stove that heats the police detachment and emptying slop buckets with prisoners’ urine and excrement. "A Sacred Calling" shows the deplorable working conditions and the devastating personal consequences to NAPS officers as they heroically provide security and safety to First Nation communities in the remote north of Ontario.

Nishnawbe Aski Police Service (NAPS): A Sacred Calling

NR 2008
Port Lands

"Port Lands" presents Toronto's industrial waterfront as a complex landscape in which past, present and future geographies transition and converge. Using archival aerial photographs, microscopic videography and data mapping, this work documents how aquatic life has persisted despite intense industrialization. Earlier phases of development transformed the Port Lands into a human-built space for economic activity without regard for negative impacts on the existing environment. Evidence of this disregard persists in new so-called "revitalization" plans in which the water, land and inhabitants are conceived not as a living ecosystem but as data points to be optimized in a high-tech urban landscape.

Port Lands

NR 2020
Doctor Woman: The Life and Times of Dr. Elizabeth Bagshaw

Elizabeth Bagshaw was a forerunner of the women's movement. As one of the first women to practise medicine in Canada, she had to overcome society's bias against women in medicine. During her seventy-year career she helped to instigate change in public opinion on that issue, as well as the issue of birth control. The film captures the personality of this remarkable woman through a contemporary interview and re-enactments of episodes from her youth. The sepia tones of the re-enactments are in keeping with the film techniques of the time, giving the viewer a strong sense of the period. The film is of special interest to persons interested in the evolution of women's roles in Canadian society.

Doctor Woman: The Life and Times of Dr. Elizabeth Bagshaw

10.0 1978
Last Song to Xenitia

Last Song to Xenitia is a story familiar to millions of immigrants. Folk-poet, Vasiliki Scotes left Greece in 1931 during the Great Depression seeking to fulfill her dreams in America! The Greeks call this "xenitia," which means: living as a stranger on foreign shores. Part of an ancient oral musical tradition, Vasiliki recites 350 ancient songs from memory in the last years of her life. These songs are published in a book and at the age of 103 she journeys to Greece for the last time with her book of songs and a message of courage for the youth... who face xenitia once again.

Last Song to Xenitia

10.0 2017
Canadian Headlines of 1949

Growth in all aspects of Canadian life. Sequence on babies in maternity ward, immigrants arriving by ship, Newfoundland being welcomed into Canada. Governor General Alexander does the honors on Parliament Hill. Sequence on Birthday Celebrations: 200th in Halifax, 75th in Winnipeg, float parades and warships. Hotel Vancouver is shown being demolished. Ships are launched, the Avro jetliner takes to the air, the Toronto subway is begun and an atom smasher goes into operation in Montreal. In sports: largest crowd ever attends running of King's Plate in Toronto, Maple Leafs win Stanley Cup for third time, Allouettes defeat Calgary Stampeders. Sequence on Calgary Stampede. Shots of Miss Canada and Mr. Canada contests. Camera focuses on search for 6 year old boy; on the Noronic fire. Final sequence on election campaign and on Louis St-Laurent as Prime Minister.

Canadian Headlines of 1949

5.0 1949
Ketchup & Soya Sauce

Inspired by the filmmaker's life experience, Ketchup & Soya Sauce is a feature documentary highlighting how partners in mixed relationships involving a first-generation Chinese immigrant and a non-Chinese partner celebrate and manage their cultural differences. The Canadian participants range in age from 20 to 90 years old and are in either a heterosexual or homosexual relationship. The documentary depicts an 80-year evolution in culture and attitude toward mixed relationships in both China and Canada. It explores the participant's social background and how their romance began as well as food habits, language and communication, intimacy, financial management, child education, pop culture, and culture shock. The documentary's tone mixes humor with reflective and emotional moments.

Ketchup & Soya Sauce

NR 2020
The Broken Altar

[19:30 | 35mm (1.85) | Stereo Sound | 2013] The Broken Altar is a portrait of open-air theaters documented under the strange light of day, emptied of the once present hum of human voices, radioed-in soundtracks and tires on gravel. Scripting the landscape and exploring the residue of a cinematic history, The Broken Altar forms a sculptural treatment of the architectural artifacts of these abandoned and barren spaces: speaker boxes rise from tall grass like grave markers and the screens themselves are monumental, sepulchral in their peeling whiteness.

The Broken Altar

NR 2013
The Great Toronto Fire, Toronto, Canada, April 19, 1904

The Great Toronto Fire was a devastating blaze that destroyed 122 buildings and put 5,000 people out of work. The fire started in a clothing warehouse on Wellington Street and quickly spread, gutting thirteen acres of Toronto's prime commercial district. Special trains brought hundreds of firefighters from as far as Buffalo, New York. There was only one person injured -- the Toronto fire chief. Amazed firefighters and onlookers watched photographer George Scott and his assistant set up in the thick of the fire and film the burning buildings on Front Street. One of the first big Canadian film scoops, Scott's film was distributed throughout Canada and the United States.

The Great Toronto Fire, Toronto, Canada, April 19, 1904

5.0 1904
Constellations Part 1: Projections

Projection is of primary interest in Constellations, which begins at a defunct 1960’s planetarium in Canada named after Queen Elizabeth II. A planetarium is, put simply, a domed surface upon which to project a representation of the cosmos for entertainment and educational purposes. In its exploration of projection as a both a delivery system for moving images and psychological process of imposing the internal on the external, Constellations follows the history of film projection, visiting La Ciotât, where the Lumière Brothers first projected their films, as well as the Cannes red carpet where tourists pose and imitate the “stars,” and finally, virtual spaces where individual identities and desires play out in ways that are both infinitesimal and infinite

Constellations Part 1: Projections

NR 2026