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Abstract, geometric forms, became the basis for the most outstanding works of the avant-garde sculptor Katarzyna Kobro. With her 'Spatial Compositions', she created her own artistic language, with which she aroused a lot of criticism, which was based on the traditional assumption that a sculpture should be a compact, modelled mass. However, the task of "Composition" was to shape forms that were to come into being. Kobro, however, still wanted to change the space surrounding people with her own art.

Tells the story of the logging industry in Oregon, with emphasis on older logging techniques. The film lacks a traditional narrator, instead giving us interviews with loggers taped in the field or their homes. To help us visualize the words of the loggers, Finne edits them together with shots of the Northwestern wilderness, both in Oregon and Washington. Also featured is old footage and photographs of loggers, stunts and jokes of the loggers.

Documentary film covers issue of Middle East problem, its history and contemporary state of things.

Having received a good response to Impressions of the Sunset, he continued to develop his filmmaking expressed from an everyday perspective, and carried his camera everywhere to shoot whatever was around him. Composing the work in four parts, he reflects on his mental states in a narration that resembles audio commentary. As he films the filmmaker loses motivation to film, and realizing that he is deadlocked in his own life decides to quit his job. The act of filming changes both the filmmaker’s understanding and the practical aspects of his life.

Documentary about the return of fascism in Western Germany.

Women pray for their men who are far away, in foreign countries where they work to earn money for better life.

Marta Minujín’s work is defined by its ephemeral nature—actions living in the present, performances destined to disappear due to the absence of documentation. During her stay in New York, she added cinema to her art practice, and upon returning to Buenos Aires, she shot a number of short films. In Autogeografía, she puts her own body in front of the camera, articulating recording and representation in an early video-performance work. Derived from her action Comunicando con tierra (where she extracted soil from the Machu Picchu which she later exchanged with other Latin American Artists), a purification ritual takes place—Minujín covers herself up in “barbarity,” soil and grains that anonymous hands throw at her from out of field. A territory for exploration where the absurd embraces the real—“The only thing that is true is what we invent.”

A group of women is pounding millet to the rhythm of a song, a farmer is hoeing his field in tempo, and a man is dancing to the sound of drums during a ritual of possession. Those are scenes taken from previous films by Jean Rouch. The three sequences illustrates in their own way the importance of song and music in everyday life in Niger, whether in everyday chores, in working the land or during rituals.

A non-narrated glimpse of the sea's most unusual inhabitants. A musical score accompanies each creature and emphasizes its appearance, movements and unique behavior. Underwater photography reveals fish that can walk, fish that have hands, fish that swim upside down, strange fish, colorful fish, and poisonous fish.

Short film about safe driving

A document of the Nihon Gen'yasai Sanrizuka, a two-day experimental festival held in support of the Narita Airport Struggle, in 1971.

This film is about one fo the eruptions of the well-known volcano, Hekla, in Southern Iceland. Usually the damage caused by Hekla is in the form of ashfall which ruins farmland and causes poisoning of animals. In some of the bigger eruptions, even farmlands in central Europe were affected by ash from Hekla. The eruption in this film occurred in 1970 and lasted a few weeks.

The filmmakers experience working at the fire tower on Hammonds Plains Road in Halifax in the summer of 1975

Tucked away in the North-Eastern Himalayas, Sikkim with an area of 7300 sq. km has traditionally been looked upon as abode of spiritual tranquillity. Hinduism is the religion of the vast majority of its inhabitants. Lepen has and Bhutias professing Buddhism form the next dominant group. A protectorate of India, since 1890, this special relationship continued after independence. The Sikkim ruler, known by convention as the Maharaja was permitted to call himself the Chogyal in 1965. The Indian Parliament passed the 38th Constitution amendment bill on April 23rd, 1975 which declared Sikkim as the 22nd state of Indian Union. This film narrates the political history of Sikkim right from 1890.

A film about the relationship between real life and art in photography, photo as the capturer and interpreter.

A medical perspective of Minamata disease in three parts - 1) Progress of Research; 2) Pathology and Symptoms; 3) Clinical Field Trials

A KRON-TV film documentary featuring the last public concert given by one man band musician Jesse Fuller, in Oakland Museum's Cowell Hall on May 7th 1971. Fuller is seen playing several songs (including 'San Francisco Bay Blues') and bantering with the audience, recalling how he appeared in Raoul Walsh's 1924 movie 'The Thief of Bagdad'. Also includes close-up views of him playing his guitar and fotdella (a foot operated percussion bass) and talking about his playing style. Begins and ends with brief scenes of Fuller walking around his Oakland neighborhood.

A marvelous portrayal of a key event in British caving, and of the adventurous spirit of the two cavers famous for their numerous cave diving breakthroughs and records. Documenting a world record-breaking cave dive of 6,000 ft (1,800 m) made by Geoff Yeadon and Oliver Statham from West Kingsdale Master Cave, in North Yorkshire, England to Keld Head.

The punishment for guilt and remorse is carried out for the video camera through several brisk strokes with a riding crop on bare buttocks.

Videotaped at the 1972 Republican Convention, Videofreex's cameraperson tapes from inside the press area with protestors from the People’s Band outside at the fence. A group of protestors are shown calling for non-violent blockades of the delegates' entrance. Tear gas is feared, and there are interviews with victims and medics.

Code Blue is one of the earliest existing films created by Henry Hampton’s Boston-based documentary company Blackside Inc., which produced the Emmy Award-winning civil rights series Eyes on the Prize. Blackside became the largest African American-owned film production company of its time and was home to many filmmakers from diverse backgrounds, including African Americans, immigrants, and women.

Short documentary about artist Manuel Oliveira.

A 16mm documentary based on fieldwork that William Ferris conducted with African American folk artists throughout Mississippi. Footage includes Richard Foster at the "dog trot" house he grew up in, basket maker Leon "Peck" Clark, quilter Amanda Gordon, floral gardener Esther Criss, cane fife maker Otha Turner, painter and cane maker Lester Willis, and sculptor James "Son" Thomas. The artists discuss their informal training, artisic motivation and vision, and the value they attach to their art while working on their crafts.

Documentary about a high school reunion in Beardstown, IL.

Now takes on video's claims to immediacy and authenticity, as Benglis juxtaposes live performance with her own prerecorded image. The soundtrack features phrases such as "now!" and "start recording," commands that usually ground us in the present, but here serve to deepen the confusion between live signals and mediation. Repeated takes and acidic color processing heighten this challenge to video's power of "liveness."

Moving On is a 1974 Australian film about a sheep farmer George Collier who moves to a county town. It was made by Film Australia to help draw attention to the problems the rural poor.

This film collage is based on Heinrich Heine’s poem "Lorelei". Traditional German postcards were used with images of the siren on the Rhine who lured fishermen and sailors to their death with her beauty and song. The stop-trick was used to film the participants who recite the poem, as well as old beer-drinkers who sing in beer cellars.

Individual political policies and regimes used and abused the national costume of Slovenia. Despite the fact that the individual details of the Slovenian national costume borrowed from the garbs of the German Alpine region, it has maintained the specificity of the area. Today, the national costume is presented as a tourist attraction.

Walrus as well as whales are hunted by the Eskimos of Gambell on St. Lawrence Island. As the film opens, an old man tells of the dangers of moving ice, how people used to drift on such ice and never return. A cluster of men stand on a snowy rooftop, scanning the sea ice for walrus, when one spots a skin boat in distress far out on the ice. The crew had not come home the night before, and now were drifting toward Siberia. Long ago, there was nothing that could have been done to save them. Today, the men call the Coast Guard. The next day, preparations for another walrus hunt are made. The hunters load the boat and travel fifty miles out to sea, where they spot two walrus sunning themselves on an ice floe. "Don't move," one hunter tells the camera. The walrus are shot, admired, butchered on the ice, and loaded onto the boat. Back in the village, the meat is cut again and hung to dry.

Taking advertisements from magazines, newspapers, album covers and shop front windows, KILLING US SOFTLY presents specific examples of the ways in which advertisements reinforce stereotypes, affect our self-image and how we relate to each other, our concepts of success and worth, love and sexuality, popularity and normality. Using an intriguing mixture of statistics, humor, insight and outrage, Jean Kilbourne questions how far the use and abuse of women in advertising is connected to the sexual exploitation of women at large and the increasing incidence of child abuse.

Modish documentary exploring attitudes to nude modelling in Britain. Models, photographers, magazine editors and members of the public express their opinions about those who pose for top-shelf magazines, raising various questions about the depiction and presentation of women in such publications. Featuring the journalist and author Lynn Barber, who worked at Penthouse magazine during the 1960s-70s.

The city of Huamachuco and the men who were born in that land, such as César Vallejo, Ciro Alegría, and Abelardo Gamarra, still bear their traces and dwellings.

Documentary from inside the liberation movement in Guinea-Bissau.

A group of Montreal women form a group to fight air pollution by local factories.

Chicago streets.

A documentary following Yugoslav migrant workers on special trains to West Germany, documenting their journey and the bureaucratic realities of labor migration.

The activity of a group of puppeteers in a young town, where they come to present a children's play.

This documentary is a portrait of modern-day Pondicherry, an ancient city near the southern tip of India.

Ricky comes to visit sees video for the 1st time. Day sunlight excellent.

About the work of the young ballerina Nadezhda Pavlova and choreographer Nikolai Boyarchikov. Their collaboration on the image of Juliet formed the basis of the film.

Presents a four-part series of trigger films designed to raise the consciousness of young adult audiences in an effort to reduce rape among acquaintances. Pt. 1: The party game- How ineffective communication can contribute to sexual assault. Pt. 2: The date- How sex role stereotypes contribute to sexual assault. Pt. 3: Just one of the boys- How peer pressure labeling contributes to sexual assault. Pt. 4: End of the road- How assertiveness can prevent acquaintance rape. Resource person advised.

A comedy film starring Nida Blanca, Chiquito, Nova Villa, and Rod Navarro

In this film, Matta-Clark explored and documented the underground spaces of New York City. The artist chose a range of sites (New York Central railroad tracks, Grand Central Station, 13th Street, Croton Aqueduct in Highgate, etc.) to show the variety and complexity of the underground spaces and tunnels in the Metropolitan area.

A pseudo-documentary about the making of an 8mm porn film in Australia. Director Chris Cary provided a moralising prologue and epilogue to the film, with the rest of the material presenting, and considering, the thoughts and experiences of people involved in making the porn show. Helen Mason plays herself, auditioning for a role in the porn film because she's unemployed and she hopes that the part may lead to other acting opportunities, like Jane Fonda in Klute.

An in-depth interview with Grzegorz Królikiewicz, one of the great cinematic innovators of the 20th century (anyone who thinks this is excessive hyperbole need only seek out his Na wylot or Dancing Hawk).

Travelogue of Craiova, a (then-)small town in southwestern Romania.

Filmed at the Pickering, Ontario, nuclear power plant, showing also the earlier Douglas Point station and Québec's new Gentilly plant, this film offers audiences a clear illustration of how an atomic reactor produces electricity. Special features of the Canadian (CANDU) (Canada Deuterium Uranium) system are explained: on-power refueling; the use of natural uranium; the use of heavy water as moderator. CANDU is recognized internationally as a leader in man's search for new sources of energy. Produced for the NFB by Crawley Films Ltd. for Atomic Energy of Canada Limited.

A short film about Palestinian artist Ibrahim Ghannam. A production of the Palestine Cinema Institute (PCI).

The potential dangers of nuclear weapons and the planned new breed of plutonium-fuelled reactors are the subject of An Unjustifiable Risk, made in 1977. John Pilger begins by explaining that just a speck of plutonium, the main component of an atomic bomb, can cause cancer, but there is no absolutely safe way of storing, protecting or transporting it. Although the government is planning to build the first commercial nuclear power station fuelled by plutonium – a so-called fast-breeder reactor intended to solve the country’s energy problems – an independent royal commission has declared the process dangerous.

A walk around Warsaw's Praga district.

The sacrificial well is said to have magical healing powers and money, silver, jewellery or other items are sacrificed there. The water of the sacrificial spring has been used to cure eye and skin diseases, to wash away evil spirits and to wash away crimes. This playful documentary, with its dramatic overtones, celebrates the folklore and warns against the desecration of the source and of nature as a whole.

The city of Isfahan, the ancient Persian capital and its stunning architecture, arts and traditions are featured in this documentary. Words and narrations are by the late Iranian poet, Ahmad Shamloo.

"A surreal, brillantly captured festival. Allen, as always, depicts the soul of the people. His camera encompassing the beauty as well as the reality of Mexico." –Glenna Johnson