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The Children of the Noon

The Children of the Noon deals with the universal subject of life. Daily activities mark the passage of time for the children and teenagers in the orphanage in the small Kenyan village of Nchiru. It soon emerges that the fact they are orphans and the genteel poverty they share are not the only problems that unite them and determine their days. A sudden death of one of them breaks the narrative rhythm and changes all points of view, intertwining a dense web of pains and joys, friendships and hopes.

The Children of the Noon

NR 2016
Jailbirds - Closed Society

A documentary about everyday life in a Romanian high-security prison near Bucharest. Filmmaker Andrei Schwartz spent more than half a year accompanying and observing the lives of the prisoners. Up to 22 men share a cell in the hopelessly overcrowded Rahova prison on the outskirts of Bucharest. Schwartz focuses more closely on several individual fates and describes how the men try above all to get through each day unscathed. At the same time, the film shows how the prisoners try to preserve their humanity in an inhumane environment and cope with their bleak everyday lives with creativity, humor, and a spark of optimism.

Jailbirds - Closed Society

10.0 2005
Endlich fliegen

The dreams of young Andrea. The camera accompanies the seven-year-old girl in 1976 when she was at school dressed up and singing as a flying butterfly. Later, at the age of 17, she wanted to be "free" from her parents and tried to realize her dream as a dancer at a ballet school in Leipzig, but quickly failed and gave up. From then on, she works as a waitress in a restaurant because she is around people and feels comfortable there. She meets new people outside of her parental home, learns to discuss and represent other opinions. Her boyfriend accompanies her on her new path, but she can rarely see him as he works in another big city, which in turn leads to problems. The life of Andrea, now 19 years old, is portrayed here with excerpts from the film "Butterflies" and shows us what happened to Andrea's dreams of "flying and being free".

Endlich fliegen

NR 1990
Herz des Himmels, Herz der Erde

The great cycle of the ancient Mayan calendar will end on December 21st, 2012. How does the story end? The remote homelands of the present day Maya in Mexico and Guatemala present a perfect microcosm to show how unhindered globalization is already destroying the Earth and indigenous cultures now under attack for their natural resources from all sides. This film presents another worldview, following six young Mayas into their daily and ceremonial life, revealing their determination to resist the destruction of their culture and environment

Herz des Himmels, Herz der Erde

8.3 2011
A Place Called Wahala

Every year the War Cemetery Memorial of Wahala in the former German colony of Togo (West Africa) hosts the 11th November Remembrance Day Ceremony in memory of the African colonial soldiers who died here in August 1914. But Wahala's history and its name point to another painful past. In 1903 the German colonial administration set up a "correctional settlement" by the Chra river where people considered to be an obstacle to colonial order were obliged to live. Wahala: a place where the voice of the ancients resonates with present day pictures.

A Place Called Wahala

NR 2021
Border Conversations

In November 2021, people tried to enter the EU via Belarus and Poland, but the route turned out to be a death trap. All access points to the border region were blocked in order not to create an escape corridor. Men, women and children were stuck in no man’s land – in the middle of winter, in the middle of the forest, for weeks. The film follows Polish activists on their mission. They learn that humanitarian aid, just like the refugees themselves, comes up against borders.

Border Conversations

NR 2022
The Rhine Flows to the Mediterranean Sea

In associative montages of images and conversations with people in Germany, Poland and ultimately in Israel, this film explores persistent traumas, mechanisms of repressing the pain, and attempts at reconciliation. What kind of dialogue is possible between relatives of perpetrators and victims? How does one’s identity or membership in a community mould one’s awareness and perception? With these questions in mind after his return, Avnon also takes a different view of the Israeli-Palestinian conflict, which is visibly inscribed in the social space of his home town of Haifa.

The Rhine Flows to the Mediterranean Sea

NR 2023
Der Papst ist kein Jeansboy

The actor, columnist, author, moderator, the failed pastoral assistant, the self-confessed gay sadomasochist, the total work of art Hermes Phettberg, who has always been relentlessly open about his life, his suffering in himself and the world, gives insight into his current existence. Despite his decline, Phettberg has remained a charismatic, unique "pyre" (as he calls himself) who documents his slowly fading life daily on the Internet and in his weekly column in the Viennese city magazine "Falter" and struggles to survive as Austria's best-known welfare recipient. Sobo Swobodnik shows this daily struggle of a one-time star who became a patronized outsider - with three strokes, a heart attack, extreme bladder weakness and an irrepressible will to go on living.

Der Papst ist kein Jeansboy

3.2 2011
Umsonst Gelebt: Walter Schwarze

“This film is part of a series of films on gay men who survived the Nazi era. I met Walter Schwarze when he was already in his eighties. My camera recorded his first public account of his five-year incarceration as a homosexual at Sachsenhausen concentration camp. He was in his fifties when he met Ali in his hometown of Leipzig; the two men became partners and remained close until his demise. And yet, Walter told me, he felt he had lived in vain because he had not had the good fortune of today's gays, who are able to grow up in freedom. Walter Schwarze died of cancer on May 10, 1998.” Rosa von Praunheim

Umsonst Gelebt: Walter Schwarze

8.0 2005
The Somme

The Somme (also: The Tomb of the Millions) is the title of a silent documentary drama that Heinz Paul realized in 1930 for the Cando-Film Berlin based on his own script. Paul supplemented scenes with German actors with documentary footage from archive material of German, French and English origin. - Twelve years after the end of the First World War, Heinz Paul records the battle of the Somme in 1916 with original recordings, with over one million dead, the most lossy battle of the war. The archive images are supplemented by game scenes of a German mother who loses her three sons and by trailing front scenes. The Battle of the Somme, in which Allied troops bombarded the German front line, resulted in a months-long war of position. In documentary style, the film shows scenes of the most devastating battle of the First World War. It is narrated from the perspective of a mother who loses her three sons in battle.

The Somme

9.0 1930