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From the first meeting with the critic Louis Marcorelles to his last interview in Cahiers du cinéma, a portrait of Glauber Rocha, a leading figure of Cinema Novo, enriched with testimonies from his close friends such as Juliet Berto and Christiana Tullio Altan.
It's a subject we don't talk about. And yet, throughout the world, our toilets are undergoing a revolution unparalleled since the 19th century. Bill Gates is investing hundreds of millions of dollars to develop new types of toilet. India is installing millions of latrines so that no-one defecates in the open air any more. A public health issue, of course, but also a fable about our relationship with our most basic waste.
In this astonishing twelve-part project for and about television — the title of which refers to a 19th-century French primer Le tour de la France par deux enfants — Godard and Miéville take a detour through the everyday lives of two children in contemporary France.
Les Funérailles d'Yvette Courant is an episode of Gérard Courant's Carnets filmés, filmed on October 25, 2022, on the occasion of the funeral of his mother, Yvette Courant, in the village of Priay in the Ain department. The film takes place successively in the small square in front of the church, inside the building with the religious ceremony, on the route that separates the church from the cemetery, at the cemetery with the burial, and in the family home in the center of the village.
This film is an initiatory journey among the Fangs of Gabon and the Shipibos of Peru. With the sound of traditional instruments like the mogongo (arc in the mouth), the holy harp, and the Icaros, we discover the traditional peoples’ wisdom.
This documentary film is a dialogue between young women about female sexuality. Addressing the subject with freedom, courage and humor, they share their stories and experiences with the desire to change the world around them and to assert their right as women to an informed sexual education, free of constraints and taboos.
The director lost her three uncles. She returns to the cemetery where they are buried. Mixing super-8 home movies and 16mm travelling shots in the alleys of the cemetery, "We came back to chesnut tree avenue " is a tribute to their invisible presence.
On May 14, 1941, 3,747 foreign Jews were arrested by the Parisian police during the roundup known as the "green ticket", the first in France. More than eight decades after this tragedy, an unparalleled photo report has just been miraculously found. These hundred shots taken by the German propaganda services document this morning during which these men were arrested and taken to the internment camps of Pithiviers and Beaune-la-Rolande.
Documentary about African political leader Patrice Lumumba, who was Prime Minister of Zaire (now Democratic Republic of Congo) when he was assassinated in 1961.
This film follows the director's coming-out-story as trans, the first shots of testosterone to the increasingly tense relationship with his mother. The film started as a web-serie, and we meet friends, lovers and family in this close and personal portrait, where subjects as polyamory, packing and the importance of a community and a self-chosen family is shared.
The incredible story of two small robots sent by the Soviets to the moon. Designed in secrecy by Soviet laboratories in the 1960's, this is one of the greatest technological achievements in the history of the USSR. With former USSR space archives, along with recollections by several of the key participants in the Lunokhod program, the true story of the Russian lunar robots, can finally be told!
Hitler and Mussolini were able to assist each other in achieving their respective designs. But when the conflict came to a head, the realities of war soon tore the mask off of their united front. Two nations with totally different cultures had sworn allegiance to each other, but their divergences would soon make themselves abundantly clear. The idea of the film is to examine Italy and Germany's false alliance, particularly from the point of view of Mussolini, the less powerful of the two despots, and therefore the more inclined to believing in castles in the air. Their relationship is film-worthy in and of itself, but in addition, it tells the history of World War II, seen from the "enemy's" point of view. It will lead us to address certain aspects of the conflict that are less well-known, but no less rich in what they have to teach us.
An account of the brief life of the writer Albert Camus (1913-1960), a Frenchman born in Algeria: his Spanish origin on the isle of Menorca, his childhood in Algiers, his literary career and his constant struggle against the pomposity of French bourgeois intellectuals, his communist commitment, his love for Spain and his opposition to the independence of Algeria, since it would cause the loss of his true home, his definitive estrangement.
Every year since 1980, I have filmed the Good Friday ceremony reconstructing the Passion of Christ in Burzet, a remote village in the Ardèche area, where for seven hundred years, the local people have dressed up to celebrate and perpetuate this religious rite. (Gérard Courant)
In parallel with Now Tell Me Something, his second book about the cinema of Straub-Huillet, Philippe Lafosse follows the meetings in 2007 and 2008 between Jean-Marie Straub, from this point onwards without Danièle Huillet, and the public. This film thus allows us to hear with pleasure words that break with cultural gossip, that question and throw light – a verb, a man that resist here and now. We learn a great deal from it, whether or not we are familiar with Straub-Huillet’s work. Tell Me Something tells us a story, or stories. Stories about cinema, stories about faithfulness and honesty. The story, also, of the setting up of a people rising against ruling state of things. The story, moreover, of an irreparable absence – that of Danièle Huillet. In short, the story of a filmmaker in winter, and of an international community that is enlightened in the darkness.
Jurassic Cash is a documentary on the new business of dinosaur fossils, an incredible speculation in the auction world… And on the footsteps of our past.
We know what labour wreaks on the body, but what less visible imprint does it leave on the unconscious? The nights of twelve dreamers – sometimes recounted in front of the camera, sometimes with a voice-over that accompanies shots of office buildings or urban worksites – reveal how the capitalist system invades the modern-day psyche. Long shots of edifices with smooth surfaces and sheer edges instil a deceptive gentleness. Zombies, corpses, mummies, ghosts, skulls sliced open like an egg and emptied by spoonfuls… The images follow one after the other, no two alike, but the editing organises a gradation towards the vampirism and an insidious passage from night to day, from dreams to real working life.
The artistic journey of Dahmane El Harrachi, born in 1925 in Algiers, bears the mark of his experience. An attentive and vigilant observer of the environment of immigrant workers, Dahmane has always avoided falling into the ambient miserabilism. From the Algerian Chaâbi, he has kept certain melodic lines and a clear propensity for sayings drawn from the oral poetic tradition. El Harrachi uses simple language, understandable by all popular sectors of the Maghreb, which partly explains its wide success. In 1949, he went to France and it was in cafes, springboard places where people come to breathe the air of the country, that he performed regularly. Elegant, with his beautiful atmosphere, the “bluesman” of the suburbs seduces, upsets and stirs consciences. Discovered late by the new generation, the creator of Ya Rayah met a tragic end, on August 31, 1980, in a car accident, on the Algiers coast which he sublimated above all else.
The Terrible Ones, a group of Black Angolan soldiers, once fought white South Africa's colonial wars. Repatriated to South Africa at the end of the eighties, some of them languish in the ruins of Pomfret, a former asbestos-mining town remotely situated at the edge of the Kalahari Desert.
Documentary on the French political talk-show broadcasted live on Twitch.
A “minute-film” directed as little scenes in Japan, according to Fitoussi’s own words that is never shown in the same editing, hence, if you see the film several times, you litteraly won’t see the film, there is as many versions as there are projections.
Restoration expert Giancarlo Napoli takes on the important task of saving 86 plaster casts of Pompeii citizens that were created by archaeologist Carlo Fiorelli in the 1860s.
Moscow, Russia, December 2016. Edward Snowden, Larry Lessig and Birgitta Jónsdóttir meet for the first time in a secret place. Apparently, Russia is interfering in the US presidential elections while it mourns the death of its ambassador to Turkey. Snowden carefully chooses his interviews, so nobody really knows something about him. As the world prepares for Christmas, they gather to discuss the only issue that matters, their common struggle: how to save democracy.
A unique documentary on chameleons living on the island of Madagascar, the world’s largest chameleon concentration, revealing incredible never-before-seen images and behaviors. Discover their incredible abilities such as: sleeping techniques, dancing, camouflage, 340° peripheral vision, catapult tongue, seduction, fluorescence...
Diego Velásquez, painter of kings and commoners, master of the off-frame and mise-en-abyme, stands at the heart of a cinematic journey that challenges conventions. From the hypnotic depth of Las Meninas to the dizzying layers of meaning in The Spinners, The Vélasquez Mystery seeks to unravel a troubling question: how does this artist, admired by geniuses such as Manet and Dalí, remain so often on the margins of collective memory? Guided by the symbolic thread of water, a metaphor for movement and reflection, the film traverses centuries and continents, boldly blending historical narratives, contemporary interpretations, and reflections on the universal legacy of an unmatched master.
Serena is drawing the portrait of Enzo. In a cozy and intimate atmosphere, he tells us his story. This life is extraordinary, because it is a life of a Female-To-Man (FTM) transgender.
In 1992, Severn Cullis-Suzuki, then only 12 years old, addressed the world at the United Nations Conference on Sustainable Development. Eighteen years have passed, but little visible progress has been made toward positive change on Earth. Severn spoke again, explaining that despite the ongoing environmental crisis, it is still possible to reverse the trend and move towards respecting biodiversity.
The 195 streets in alphabetical order of La Croix-Rousse a famous district in Lyon.
In 1985, André Payraud, a pioneer of whitewater swimming, descended the sacred Ganges River from its source at an altitude of 4200 meters, amidst the ice of Gangotri and astonished pilgrims: the baptism of the 3rd eye.
Spring 2020. The population is confined. Libero, an SME boss, recruits 250 seamstresses to make the masks that will liberate his region. But Libero knows nothing about sewing, the fabric does not arrive and most of the newly hired have never used a sewing machine in their life.
Leonard is serving a life sentence in a Florida prison for the murders of Patricia and Chris. Agnes—the victims’ mother and grandmother—decided to contact him in the hope it would help her heal from this tragedy and give it meaning. As the law didn’t allow her to meet Leonard, she wrote to him instead. Their exchange led them to join in a mutual fight to promote restorative justice—an alternative stance on justice based on prevention and victim/offender dialog. Their struggle echoes those of others families, bringing us to examine what restorative justice means and the hopes it sparks.
A talented extra - maybe one of the most talented in the history of cinema - regrets the destruction of his job by the inevitable development of digital crowds.
On September 16, 2022, in Teheran, the murder by police of the young Mahsa Amini, arrested for "wearing a headscarf contrary to the law", sparked off an unprecedented insurrection. Within hours, a spontaneous movement formed around the rallying cry: "Woman, life, freedom". For the first time, women, joined by men and students, took the initiative and removed their veils, the hated symbol of the Islamic Republic. The Iranian population, from all regions and social categories, rose up in protest. Social networks went wild. The diaspora (between 5–8 million Iranians) took up the cause, and the whole world discovered the scale of this mobilization: could the theocratic regime be overthrown this time?