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Janet Says

Sitting at the dining-room table, Janet and Laurel talk to us about their friendship's evolution in the midst of a threatening situation; Janet is an abused woman. They tell the story of Janet's isolation, the fear that even Laurel felt, and the process of Laurel dealing with this new, scary and intolerable circumstance. Janet and Laurel had reached an alien frontier in their relationship. And Laurel set new boundaries, in support of a friend in danger. When all is said and done, she's there for Janet.

Janet Says

NR N/A
A New Life on the Land

Who would have guessed that there is such a rich history of Jewish farmers in Canada? In the early twentieth century, Jews fleeing persecution and poverty in Eastern Europe came to Canada as homesteaders and built a Jewish life in Western Canada. Filmmaker Dov Okouneff (Montreal Jewish Memories, TJFF 2005) also travels to the Laurentians in Quebec where descendants of farmers return to the former Jewish communities of Ste. Sophie/New Glasgow to attend High Holiday services. Filled with archival materials and personal stories of hardship and joy, this fascinating documentary explores an important aspect of Canadian Jewish history and identity.

A New Life on the Land

NR N/A
breakSurface

When sculptor John Greer and filmmaker Stewart Applegath began shooting, they had no destination, only a desire to journey together in a row boat with camera in hand. Over six years, they rowed a fair distance. breakSurface documents these travels, and the extent to which Greer’s world is leavened with debilitating anxiety. Greer’s powerful sculpture is visually simple, conceptually complex, but silent; he identifies with Jonathan Swift’s "man of objects" who lays out things, not words, to be understood. Applegath, however, doesn’t make this film to replace words, but by embracing them.

breakSurface

NR 2001
Recovering Love

Recovering Love peels away the layers of prejudice and punishment that confront women, especially mothers‚ who are dealing with addiction. This documentary shows the impact of that condemnation, but also looks deeper into the systemic issues that lead to addiction in the first place, including trauma and abuse, racism, and discrimination. This is a documentary about women who are deeply committed to their relationship with their children and who are also committed to recovering from their addictions. The documentary includes the wise voices of their kids who have experienced their mothers' substance use and who are so much a part of their mothers' reclaiming their hopes.

Recovering Love

NR 2010
skin•es•the•si•a

How does a woman’s body move? skin•es•the•si•a scrambles the cultural codes of female movement by juxtaposing images from the work of performance artist Hannah Sim with images of Sim working as a nude dancer in a peep show. It explores the rapport between one woman’s body and two performance environments. How are women perceived and typed through our own physical movements? What might a response of power to these codes and norms look like? What do we discover by embracing our otherness, by transforming it into a means of confronting the world?

skin•es•the•si•a

NR 1994
Gay Boy: We Do Not Go Extinct

A video dealing with the experience of a despised body, focusing specifically on the queer male subject grappling with societal attitudes towards the homosexual in the context of the AIDS crisis. The phrase, "We do not go instinct," is lifted from a Lynda Barry cartoon, and is indicative of the way the video shifts between humour, rage, despair and resistance. In its appropriation and critique of popularized AIDS images, the video points to the lack of oppositional queer subject positions within the mainstream media AIDS discourse.

Gay Boy: We Do Not Go Extinct

NR 1994
Two Brides and a Scalpel: Diary of a Lesbian Marriage

When Linda, an outspoken lesbian psychotherapist, decided that George, a bulldozer-driving transsexual, was the woman for her, Two Brides and a Scalpel: Diary of a Lesbian Marriage was born. Directed and produced by Vancouver-based Mark Achbar, the video was shot over a two-year period by the subjects and covers what the media touted as the first lesbian marriage in Canadian history, a graphic sex change operation, and the daily lives and most intimate moments of a relationship generally hidden behind the iron curtain of societal taboo.

Two Brides and a Scalpel: Diary of a Lesbian Marriage

9.0 2000
My Brother's Vows

Stephanie’s brother Gregor is about to make the biggest decision of his life. He has joined the Catholic order of the Steyler Missionaries to become a monk. If he doesn’t have a change of heart, he will take his final vows in a year’s time and commit to a life of chastity, poverty, obedience and service to the Catholic Church. Stephanie is highly critical of his choice. They come from a Catholic background, but Stephanie had her own reasons to break with the family tradition. They haven’t spoken in ten years. This film is Stephanie’s quest to understand her brother’s extreme decision and explore his world that lies behind the thick monastery walls. What she discovers may prove to be far more than she bargained for.

My Brother's Vows

NR 2013
Making a Killing

OneBC Caucus is proud to present Making a Killing: Reconciliation, Genocide, and Plunder in Canada. Making a Killing is a feature documentary film exposing the massive scandal behind the taking of wealth, land, and power from the Canadian public to benefit indigenous tribes. It debunks the worst lie in Canadian history: the lie that 215 bodies were found at the Kamloops Residential School and that Canadians committed a mass murder against indigenous children. Making a Killing is the first documentary film produced by an elected caucus.

Making a Killing

10.0 2025
Film Club

This documentary brings together a group of long lost classmates who used to belong to an after-school film club. Formed at the initiative of a Grade 8 teacher eager to pass along his love of cinema, the club attracted a klatch of immigrant kids eager to embrace their new country. Stimulating and creative, the club was a complete departure from anything they had known and provided a safe haven from the harsh world around them. Together, they made a tiny 8mm award-winner called Ohh Canada. Twenty-five years later, the group looks back to marvel at their childhood dreams and the bond they share with the teacher who brought them together.

Film Club

NR 2001