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Mount Tropic, A Story of the Lockdown

Agadiri and Oussama, two Moroccan friends, laze around and survive while the camera explores their bodies and faces. But things are by no means simple. Both have only been in Spain for a short period and are facing a supposedly temporary situation, which must culminate in their futures being defined in the midst of a pandemic. Filmed indoors, Monte Tropic gradually travels towards a more indefinite and dreamlike space to question the memories and desires of these young people, whose inactivity vindicates their right to be above the disastrous political use of their situation.

Mount Tropic, A Story of the Lockdown

NR 2022
Vedanta-Advaita: Sankara, generalidades

TV Program - Sankara is considered the most important philosopher in India and the greatest exponent of Vedanta-Advaita. Born in the south in 788, Sankara spread his doctrine throughout the country with the idea that everything perceived as the body and other material objects is transitory. Participants: María Teresa Román, professor at the Department of Philosophy (UNED); Consuelo Martín, Doctor of Philosophy and specialist in Advaita-Vedanta.

Vedanta-Advaita: Sankara, generalidades

NR 2001
Induced Blindness

"Ceguera Inducida" (Induced Blindness) is a retrospective upon childhood and a collective memory which seems to be endangered by the growth of extreme right-wing parties in South America. Yesterday, far away from home, the distance seemed to shape and re-signify my infancy and the memories arising from the Uruguayan worst economic crisis at the beginning of this century. Today, these words seem to prevail and the melancholy continues to invade. The second voice of the film belongs to Jorge Luis Batlle, ex-president of the Republic (2000-2005) during a visit to the United States.

Induced Blindness

NR 2020
Two Homelands: Cuba and the Night

The director Christian Liffers travels with his team to Cuba to search for evidence. Part of his luggage are poems and prose texts of the Cuban author Reinaldo Arenas. Texts, which describe the desire for love, sexual freedom and the proud and unbending attitude in the fight against discrimination. Are these desires and attitudes still to be found in Cuba? And which desires, clichés, and projections of Cuba attract the producer and many more people? Poems and prose texts are the reference points for the protagonists and their personal stories of present-day Cuba, which are always the center of attention. Six men with different backgrounds and of different ages describe their life, afflictions, desires, longings and joys in Cuba. They have some things in common: homosexuality (with the exception of Isabel, the transsexual) and the daily social exclusion on the part of the Cuban "Machismo-society" and the Cuban government.

Two Homelands: Cuba and the Night

1.0 2007
Ali Salem, architect of resistance

Ali Salem Hamudi Mohamed - Yahdih, was born in 1955 in El Aaiún (Western Sahara). He completed his secondary schooling in the "Spanish" Sahara. A scholarship allowed him to enrol at the Universidad de la Peninsula in 1975, but Morocco's invasion of the Sahara led him to return to the city of his birth and go into exile with his people, participating in the resistance and helping to organise the Tindouf Refugee Camps (Algeria). In 1980, the Polisario Front and the Government of Cuba offered him the opportunity to study Architecture at the University of Havana. On his return to the Camps in 1985 he worked for the SADR's Department of Construction. He designed more than twenty public buildings, including town halls, schools and nursery schools, and also collaborated with international aid organisations to build hospitals and training colleges. All of these buildings were built collectively by the Saharan people. ;In 1999 he emigrated to Spain. His family joined him five years later.

Ali Salem, architect of resistance

NR 2008
Camp d'Argelers

In February 1939 the history of Argeles, a quiet fishing town, suddenly changes. Catalonia was occupied by fascist troops, 465,0000 refugees flee across the border. The French authorities order the construction of a camp on the beach... The film evokes the existence of the Argeles sur Mer concentration camp (Pyrénées-Orientales), from its creation in January 1939 to its closure in September 1941. In 1939 , filmmakers and activists, shocked by this camp, managed to smuggle a camera behind the wire fence. The few images taken directly from the Argeles camp were filmed with a hidden camera and many were seized and destroyed. “El Campo de Argeles” proposes to recreate these lost images and intersect camp life with archival images and testimonies collected throughout Europe: former internees in the camp (Spanish Republicans, Jews...) and also guards and witnesses.

Camp d'Argelers

NR 2009