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Whisper, the Waves, the Wind

In today’s youth-oriented society, the experience and knowledge of older women is typically unheralded and neglected. Countering these ideas is Suzanne Lacy’s Whisper, The Waves, The Wind—a performance evoking and reinforcing the strong spiritual and physical beauty of older women. Lacy says, “They reminded me of the place where the ocean meets shoreline. Their bodies were growing older, wrinkled. But what I saw was the rock in them; solid, with the presence of the years washing over them.” This tape is a document of that performance.

Whisper, the Waves, the Wind

NR 1986
Heligonka

Patrick, who has had diabetes for 25 years and is treated with insulin, is gradually losing his sight. He has agreed to laser treatment as the only alternative to total blindness, a treatment that destroys almost the entire retina, leaving only central vision. For three years, the director followed him in his daily life, walking towards darkness, where he learns day by day to touch, listen, guess, feel, and resist. The camera narrows its field of view over time to "see" as Patrick does.

Heligonka

NR 1985
Anniversary

The film is the author's message of memories and reflections evoked by the celebrations of the anniversary of Warsaw's uprising. The picture of the cemetery with crowds of people who came to visit the graves of the insurgents presented in a way that aroused emotions because of the power of the memories it refers to, but also because of the fact that the anniversary was private, unorganized - it was an expression of spontaneous, grassroots activity. The Warsaw Uprising lived in the memories and emotions of those who remembered it, who lost loved ones, friends, acquaintances, but also lost their city, because Warsaw is also the subject of this personal anniversary.

Anniversary

NR 1981
Big Lever

For Nixon's first public appearance since resigning the presidency, Richard Nixon chose the small mountain community of Leslie County, Kentucky. Priceless footage of Nixon's 1978 visit introduces this incisive and sometimes hilarious look at the engines that drive American politics. The film explores the machinations of party politics in this rural and staunchly Republican county: hollow to hollow vote-hunting; family squabbles over candidates; patronage promises; speech-making on the courthouse steps; and the up-and-down career of the incumbent county Judge-Executive who sought re-election while under indictment for vote fraud conspiracy

Big Lever

NR 1982
World Rally Championship Review 1989

In 1989 Japanese teams took the rallying world by storm, sparking one of the most exciting series in rally history. The Italian camp had pinned their hopes on LanciaÍs new 16-valve Integrale in an attempt to counter the growing challenge from Japanese manufacturers Toyota, Mazda and Mitsubishi. Outstanding performances were produced by world favourites Jorge Recalde, Juha Kankkunen, Hannu Mikkola and Ari Vatanen. The sensational Carlos Sainz, Didier Auriol, Alex Flori and Miki Biasion also appear in record-breaking form. On-board and helicopter cameras follow the action through over 28,000 km of snow, mud and dust from Sweden and Africa to Australia and New Zealand. The East vs West battle reaches a thrilling finale, topping off a highly successful season.

World Rally Championship Review 1989

NR 1989
Haïti, Nous là! Nou La!

From Haiti, images and testimonies that describe the climate that reigned during the aborted elections of November 29, 1987. A powerful military police in the service of a despotic power terrorized an impoverished people that they wanted to keep submissive. The government had succeeded in ousting Duvalier. However, another dictatorship has taken over, and nothing has changed. However, both on the radio and in the streets, the voice of the Haitians was heard with strength and courage. But what if it was all a sham of democracy?

Haïti, Nous là! Nou La!

NR 1987
Mother Ireland

This film explores the development and use of images and music which personify Ireland as a woman in Irish culture and nationalism. The film highlights how these cultural and stereotypical images of Ireland as a woman influence the idealised model of woman demanded by Irish society. It uses historical film, photographs, political drawings, cartoons and music to explore the largely unrecorded role of women in Irish history and presents realistic images of Irish women at work today.

Mother Ireland

10.0 1988
Piccolo film decomposto

This extremely short film is dedicated to chronophotography, which—as is well known—is the prelude to cinema. As with one of my earlier films dedicated to Muybridge (The Naked Killer, 1982), this one was excavated from books and catalogues, that is, from typographic ink. I tried, in a certain sense, to reanimate the inanimable as does the photographer Duane Michals, having only, sometimes, three or four frames. I found older stroboscopic technology as well as more contemporary flicker effects to be very helpful here and there. I attempted to realize the cinematic identification of Skladanowksy with Avedon; contaminations, precisely, between creators of films and creators of photography, contemporary or not. It is surprising to see Michals, a contemporary photographer, bearing such a strong cinematographic resemblance to Londe, the proto-filmmaker. I hope, at least, to have told the story of their direct commingling, as if by a single secret author.

Piccolo film decomposto

6.3 1986