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Puberty - Part 1

An intimate portrait of Marie Leo, a Sto:lo woman who was adopted into a Líl̓wat family as a baby. Marie’s gentle narrative of her remarkable early childhood demonstrates a deep connection to culture, land and family that continues to endure. This short is part of the L’il’wata series. In the early 1970s, at the outset of her documentary career, Alanis Obomsawin visited the Líl̓wat Nation, an Interior Salish First Nation in British Columbia, and created a series of shorts that provide personal narratives about Líl̓wat culture, histories and knowledge.

Puberty - Part 1

NR 1975
The Stars Are Beautiful

We move back and forth between scenes of a family at home and thoughts about the stars and creation. Children hold chickens while an adult clips their wings; we see a forest; a narrator talks about stars and light and eternity. A dog joins the hens and the family, while the narrator explains the heavens. We see a bee up close. The narrator suggests metaphors for heavenly bodies. Scenes fade into a black screen or dim purple; close-ups of family life may be blurry. The words about the heavens, such as "The stars are a flock of hummingbirds," contrast with images and sounds of real children.

The Stars Are Beautiful

5.1 1974
Llanito

Llanito is the first of Lyon’s trio of films shot in and around Bernalillo, New Mexico, and it is also the screen debut of Willie Jaramillo. The twelve-year-old boy acts as a guiding force for Lyon and his audience, reading out the names on gravestones and relating the stories of the people buried there. He is the focal point of a group of mostly young men with whom Lyon would remain friends and continue to document for the next several decades. The film meanders through the town and among its inhabitants, passing between groups of people at times with the keen instinct of a desert eagle and at others in a drunken stupor, stumbling from one scene into the next with the visceral and irrational inevitability of a gravitational pull.

Llanito

NR 1971
To Be Young, and What Else?

High up north, in the Stralsund People’s Dockyard, Gitta Nickel encounters a youth brigade whose members speak frankly: “I’m 27 now. Judging from my own example I can say: it’s been nothing but work, really nothing. I can really say that about me, stark and stiff.” Stralsund as the focal point of socialist conditions of value creation: A ship may be completed every two weeks, but housing, let alone leisure facilities aren’t. The diagnosis: The quality-of-life to performance ratio is less than ideal. The brigade’s team spirit, though, is still strong, even if, as some think, there are some shortcomings on the “ideological side”.

To Be Young, and What Else?

NR 1977
The Struggle of Coon Branch Mountain

In their efforts to better their children’s education, the residents of this small West Virginia community found themselves face to face with an unfeeling, bureaucratic political structure. "Struggle of Coon Branch Mountain" documents their fight for a better road and decent schools, an effort that includes organizing the community, setting up their own school, and finally a march on the governor’s office. The film ends with a partial victory and determination to continue the struggle, and will be of interest to community organizers, as well as students of education, public policy, and rural issues.

The Struggle of Coon Branch Mountain

NR 1972
Everest 78, or the French on top of the world

It was a sporting feat, a national feat, but also and above all a technical feat: on October 15, 1978, three French mountaineers, for the first time, reached the summit of Everest: Pierre Mazeaud, Nicolas Jaeger, Jean Afanassieff, accompanied by Kurt Diemberger, Austrian mountaineer and cameraman. A performance broadcast live on the radio thanks to the France inter teams and filmed for television by TF1. Christian Brincourt, a great French reporter, tells us about this expedition and questions the members of the expedition on their motivations. With Pierre Mazeaud (expedition leader), Jean-François Mazeaud (doctor), Claude Deck, Raymond Despiau, Nicolas Jaeger, Walter Cecchinel, Jean Afanassieff, Kurt Diemberger.

Everest 78, or the French on top of the world

10.0 1978
Who Needs This Vaska Anyway!

Four thousand letters were received by Sergey Vladimirovich Obraztsov after his television appearance, during which he asked the viewers to write to him about who has which animals and why they love them. Various letters—amazing and funny, cheerful and lyrical, and truly tragic—were sent by both adults and children. Kindness and cruelty are not innate to a person; they are shaped throughout a child's development. A person's attitude towards animals, nature, and everything around them should become part of their personal values, and children need to be raised with love for all living things so that they grow up to be kind people…

Who Needs This Vaska Anyway!

NR 1973
Reflection: A Film About Time and Relatedness

Examines patterns that occur across nature and religious buildings. Sacred geometry proposes that mathematical principles exist in nature, ascribing them with symbolic meaning, and this film illustrates these ideas in sequences soundtracked by folk and progressive rock musicians Mike and Sally Oldfield. From the close study of flower patterns to the examination of church and temple architecture, this film reflects on the interplay between humans and the natural environment.

Reflection: A Film About Time and Relatedness

NR 1977
The Black Safari

The well-worn trope of the “intrepid white explorer attempts to explain the ways of African tribes” is subverted in a masterful fashion by Horace Ové in The Black Safari. We follow Yemi Ajibade, Merdel Jordine, Bloke Modisane, Horace Ové, and Douglas Botting as they go on an expedition across the Liverpool-Leeds canal in search of the English community and the strange cultures that they currently involve themselves in, all while attempting to find the centre of England. The imagery of the Queen of Spades, the boat that the explorers travel on, complete with the sound of African drums going through these towns in middle England feels provocative, especially as baffled locals look on in astonishment. The little seen The Black Safari makes for compelling viewing; it is a biting satire that never fails to raise a smile.

The Black Safari

NR 1972